Corey Robin's Blog, page 15
December 21, 2024
A month before Election Day, I predicted…
December 20, 2024
The Jewish Question, but in reverse.
December 18, 2024
House of Exile: The Lives and Times of Heinrich Mann and Nelly Kroeger-Mann
Why do—or did—economists read the ancient Greeks?
December 14, 2024
The Phony War
December 2, 2024
August 30, 2024
Polio in Gaza: A Jewish Fable
You probably have to be Jewish to appreciate the full and bitter irony of this sentence:
Nearly 11 months into a devastating war, a serious new challenge has emerged in Gaza: polio.
Growing up, there were two uncontested heroes in the Jewish-American pantheon: Sandy Koufax and Jonas Salk. If you were really in the know, you’d add a third: Albert Sabin.
Salk invented the polio vaccine, Sabin invented the oral polio vaccine.
Now Israel has contributed an entirely new entry to the history of polio.
It almost reads like a fable from Jewish literature. Except it’s not.
August 19, 2024
Syllabus for Politics Through Literature class
In two weeks, I start teaching. My class this fall is Politics Through Literature, which I’ve taught before but have made some big changes to. There are still seats available in the class. If you’re a student at Brooklyn College or any of the colleges in the CUNY system, or if you’re a student in the New York area (the class meets in person), you should sign up for the class. We meet on Monday and Wednesday mornings, from 9:30 to 10:45.
The course readings are below; the syllabus is here.
I’ve decided to open the semester with a set of readings on sex and sickness—Amia Srinivasan’s essay on teaching pornography and Susan Sontag’s Illness as Metaphor—and how our most personal experiences of the body are constructed through art, broadly defined.
We then move to a set of programmatic readings on politics and literature: one from Arendt, one from Sartre, and another from Thomas De Quincey. What distinguishes a political from a literary experience? What do the two activities have in common? How are the literary artist and the political actor engaged in a single enterprise? How not?
From there, we engage a series of ancient and modern literary texts about politics, the city, and the family—Aeschylus, Brecht, and Babel—refracted through one critical essay by Virginia Woolf and another by Walter Benjamin.
The last part of the course takes up the question of love and beauty. Helped along by readings from Plato, Nietzsche, Barbara Fields, Mary Wollstonecraft, and, again, Srinivasan, we conclude the course with Morrison’s The Bluest Eye.
Though I’ve taught the course before, as I said, I think this semester may be the most exciting and interesting set of readings we’ve done. If you’re a student in the New York area and need help in signing up for the class, please don’t hesitate to reach out to me at crobin@brooklyn.cuny.edu.
Course readings
Part I: Sex and SicknessWeek 1
8.28
Intro to class. No reading.
Week 2 (39 pages)
9.2
Labor Day. No class.
9.4
Amia Srinivasan, “Talking to My Students About Porn,” The Right to Sex (New York: Picador, 2021), pp. 33-71 [CR]Week 3 (85 pages)
9.9
Susan Sontag, Illness as Metaphor (New York: Anchor, 1978), pp. 3-42 [CR]9.11
Susan Sontag, Illness as Metaphor (New York: Anchor, 1978), pp. 43-87 [CR]Part II: Politics and LiteratureWeek 4 (55 pages)
9.16
Hannah Arendt, “Freedom and Politics, a Lecture,” Thinking Without a Banister, ed. Jerome Kohn (New York: Schocken, 2018), pp. 220-244 [CR]9.18
Thomas De Quincey, “The Literature of Knowledge and the Literature of Power, pp. 1-8 [CR]Jean-Paul Sartre, “Why Write?” “What is Literature?” and Other Essays (Cambridge: Harvard University Press, 1988), pp. 48-69 [CR]Part II: Ancients and ModernsWeek 5 (74 pages)
9.23
Aeschylus, Agamemnon, in The Oresteia, trans. Robert Fagles (New York: Penguin, 1979), pp. 99-1729.25
No additional reading
Week 6 (54 pages)
9.30
Aeschylus, The Libation Bearers, in The Oresteia, trans. Robert Fagles (New York: Penguin, 1979), pp. 173-22610.2
Erev Rosh Hashanah. No class.
Week 7 (51 pages)
10.7
Aeschylus, The Eumenides, in The Oresteia, trans. Robert Fagles (New York: Penguin, 1979), pp. 227-27710.9
No additional reading.
Week 8 (48 pages)
10.14
Columbus Day. No class. Monday classes will meet on Tuesday.
10.15
In-class midterm. No reading.
10.16
Virginia Woolf, Mr. Bennett and Mrs. Brown (London: Hogarth Press, 1924), pp. 3-24 [CR]Walter Benjamin, “The Storyteller,” in The Storyteller Essays, trans. Tess Lewis (New York: New York Review of Books, 2019), pp. 48-73 [CR]Week 9 (93 pages)
10.21
Bertolt Brecht, Mother Courage and Her Children, trans. Eric Bentley (New York: Grove Press, 1951), pp. 19-11110.23
No additional reading.
Week 10 (tk pages)
10.28
Isaac Babel, Odessa Stories, trans. Boris Drayluk (London: Pushkin Press, 2016), TBA [CR]10.30
Isaac Babel, Red Cavalry, trans. Boris Drayluk (London: Pushkin Press, 2014), TBA [CR]Part IV: Beauty, Love, DesireWeek 11 (32 pages)
11.4
Plato, Symposium, trans. Alexander Nehamas and Paul Woodruff (Indianapolis: Hackett, 1989), pp. 9-12, 25-31 [CR]11.6
Plato, Symposium, trans. Alexander Nehamas and Paul Woodruff (Indianapolis: Hackett, 1989), pp. 40-60 [CR]Week 12 (47 pages)
11.11
Friedrich Nietzsche, On the Genealogy of Morals, trans. Walter Kaufmann (New York: Vintage, 1967), pp. 25-43 [CR]11.13
Barbara J. Fields, “Slavery, Race, and Ideology in the United States of America,” in Karen E. Fields and Barbara J. Fields, Racecraft: The Soul of Inequality in American Life (New York: Verso, 2012), pp. 111-148 [CR]Week 13 (24 pages)
11.18
Mary Wollstonecraft, A Vindication of the Rights of Woman, in The Feminist Papers, ed. Alice S. Rossi (Boston: Northeastern University Press, 1973), pp. 40-51 [CR]11.20
Mary Wollstonecraft, A Vindication of the Rights of Woman, in The Feminist Papers, ed. Alice S. Rossi (Boston: Northeastern University Press, 1973), pp. 64-71, 79-82 [CR]Week 14 (50 pages)
11.25
Amia Srinivasan, “The Right to Sex” and “Coda: The Politics of Desire” in The Right to Sex (New York: Picador, 2021), pp. 73-122 [CR]11.27
No class.
Week 15 (90 pages)
12.2
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 3-5812.4
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 61-93Week 16 (110 pages)
12.9
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 97-16312.11
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 164-206Syllabus for Politics Through Literature class
In two weeks, I start teaching. My class this fall is Politics Through Literature, which I’ve taught before but have made some big changes to. There are still seats available in the class. If you’re a student at Brooklyn College or any of the colleges in the CUNY system, or if you’re a student in the New York area (the class meets in person), you should sign up for the class. We meet on Monday and Wednesday mornings, from 9:30 to 10:45.
The course readings are below; the syllabus is here.
I’ve decided to open the semester with a set of readings on sex and sickness—Amia Srinivasan’s essay on teaching pornography and Susan Sontag’s Illness as Metaphor—and how our most personal experiences of the body are constructed through art, broadly defined.
We then move to a set of programmatic readings on politics and literature: one from Arendt, one from Sartre, and another from Thomas De Quincey. What distinguishes a political from a literary experience? What do the two activities have in common? How are the literary artist and the political actor engaged in a single enterprise? How not?
From there, we engage a series of ancient and modern literary texts about politics, the city, and the family—Aeschylus, Brecht, and Babel—refracted through one critical essay by Virginia Woolf and another by Walter Benjamin.
The last part of the course takes up the question of love and beauty. Helped along by readings from Plato, Nietzsche, Barbara Fields, Mary Wollstonecraft, and, again, Srinivasan, we conclude the course with Morrison’s The Bluest Eye.
Though I’ve taught the course before, as I said, I think this semester may be the most exciting and interesting set of readings we’ve done. If you’re a student in the New York area and need help in signing up for the class, please don’t hesitate to reach out to me at crobin@brooklyn.cuny.edu.
Course readings
Part I: Sex and Sickness
Week 1
8.28
Intro to class. No reading.
Week 2 (39 pages)
9.2
Labor Day. No class.
9.4
Amia Srinivasan, “Talking to My Students About Porn,” The Right to Sex (New York: Picador, 2021), pp. 33-71 [CR]Week 3 (85 pages)
9.9
Susan Sontag, Illness as Metaphor (New York: Anchor, 1978), pp. 3-42 [CR]9.11
Susan Sontag, Illness as Metaphor (New York: Anchor, 1978), pp. 43-87 [CR]Part II: Politics and Literature
Week 4 (55 pages)
9.16
Hannah Arendt, “Freedom and Politics, a Lecture,” Thinking Without a Banister, ed. Jerome Kohn (New York: Schocken, 2018), pp. 220-244 [CR]9.18
Thomas De Quincey, “The Literature of Knowledge and the Literature of Power, pp. 1-8 [CR]Jean-Paul Sartre, “Why Write?” “What is Literature?” and Other Essays (Cambridge: Harvard University Press, 1988), pp. 48-69 [CR]Part II: Ancients and Moderns
Week 5 (74 pages)
9.23
Aeschylus, Agamemnon, in The Oresteia, trans. Robert Fagles (New York: Penguin, 1979), pp. 99-1729.25
No additional reading
Week 6 (54 pages)
9.30
Aeschylus, The Libation Bearers, in The Oresteia, trans. Robert Fagles (New York: Penguin, 1979), pp. 173-22610.2
Erev Rosh Hashanah. No class.
Week 7 (51 pages)
10.7
Aeschylus, The Eumenides, in The Oresteia, trans. Robert Fagles (New York: Penguin, 1979), pp. 227-27710.9
No additional reading.
Week 8 (48 pages)
10.14
Columbus Day. No class. Monday classes will meet on Tuesday.
10.15
In-class midterm. No reading.
10.16
Virginia Woolf, Mr. Bennett and Mrs. Brown (London: Hogarth Press, 1924), pp. 3-24 [CR]Walter Benjamin, “The Storyteller,” in The Storyteller Essays, trans. Tess Lewis (New York: New York Review of Books, 2019), pp. 48-73 [CR]Week 9 (93 pages)
10.21
Bertolt Brecht, Mother Courage and Her Children, trans. Eric Bentley (New York: Grove Press, 1951), pp. 19-11110.23
No additional reading.
Week 10 (tk pages)
10.28
Isaac Babel, Odessa Stories, trans. Boris Drayluk (London: Pushkin Press, 2016), TBA [CR]10.30
Isaac Babel, Red Cavalry, trans. Boris Drayluk (London: Pushkin Press, 2014), TBA [CR]Part IV: Beauty, Love, Desire
Week 11 (32 pages)
11.4
Plato, Symposium, trans. Alexander Nehamas and Paul Woodruff (Indianapolis: Hackett, 1989), pp. 9-12, 25-31 [CR]11.6
Plato, Symposium, trans. Alexander Nehamas and Paul Woodruff (Indianapolis: Hackett, 1989), pp. 40-60 [CR]Week 12 (47 pages)
11.11
Friedrich Nietzsche, On the Genealogy of Morals, trans. Walter Kaufmann (New York: Vintage, 1967), pp. 25-43 [CR]11.13
Barbara J. Fields, “Slavery, Race, and Ideology in the United States of America,” in Karen E. Fields and Barbara J. Fields, Racecraft: The Soul of Inequality in American Life (New York: Verso, 2012), pp. 111-148 [CR]Week 13 (24 pages)
11.18
Mary Wollstonecraft, A Vindication of the Rights of Woman, in The Feminist Papers, ed. Alice S. Rossi (Boston: Northeastern University Press, 1973), pp. 40-51 [CR]11.20
Mary Wollstonecraft, A Vindication of the Rights of Woman, in The Feminist Papers, ed. Alice S. Rossi (Boston: Northeastern University Press, 1973), pp. 64-71, 79-82 [CR]Week 14 (50 pages)
11.25
Amia Srinivasan, “The Right to Sex” and “Coda: The Politics of Desire” in The Right to Sex (New York: Picador, 2021), pp. 73-122 [CR]11.27
No class.
Week 15 (90 pages)
12.2
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 3-5812.4
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 61-93Week 16 (110 pages)
12.9
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 97-16312.11
Toni Morrison, The Bluest Eye (New York: Vintage, 2007), pp. 164-206How not to write about the Holocaust
As anyone who knows me or reads my work knows, I have an infinite amount of interest in writing about the Holocaust, in whatever genre: history, fiction, essay, travelogue, diary, memoir, poetry, whatever.
I also have an infinite appetite for voices in writing about the Holocaust: sardonic, ironic, bemused, impatient, poignant, heroic, anti-heroic, sociological, callow, creepy, fantastical, comedic, whatever.
But the article in the September issue of Harper’s, “My Auschwitz Vacation,” by the writer Tanya Gold, tested my patience.
It’s unbearably familiar and hackneyed. How many articles can we read on the silliness and stupidity of a tourist’s response to an extermination camp? Teenagers go to Auschwitz and take selfies. Justin Bieber visits the Anne Frank House and writes in the guestbook that Frank would have been a “belieber.” There’s no business like Shoah business. We get it!
While we’re on the topic, why should a tourist’s response to Auschwitz be any more elevated or sophisticated than their response to Chartres or the Louvre? Or the Smithsonian or the Golden Gate Bridge? I’ll confess, I’m never certain how to respond to any tourist site, whether it is a site of exaltation or hell on earth. Not knowing how to respond myself, I’m unclear how to judge the response of others. Does Gold know? I’m not quite sure. She leaves no room for any response to Poland other than her own, which is conveniently not a response to Poland at all but to other people’s responses to Poland. Smug and small, that’s how the article reads.
At points, it’s presumptuous, substituting the author’s own speculations about what people are thinking for evidence of what they are thinking. It’s filled with comments from taxi drivers and tour guides, who provide about as much insight into man’s inhumanity to man as anyone who’s read a Thomas Friedman column on, well, anything, would expect.
And it’s sentimental, closing with the following observation from one of Gold’s interview subjects:
Gebert says, “We live in a bubble, from Britain to Warsaw. A rich, protected bubble. We just pretend we don’t realize it.” The real world is not here, he says, and he is right. The real world, he says, is Kyiv and Kabul, Be’eri and Rafah.’
Why are Kyiv and Kabul, Be’eri and Rafah, the real world? Why is suffering the only thing in the world that’s real? (Not to mention that there’s suffering in Britain and Warsaw and all sorts of places that are not the sites of war crimes and mass murder.) And how is this little shopping list of international inhumanity, with all its nods to the world’s currently approved hot spots of concern, any less superficial than the observations on Auschwitz and Kraków that Gold cites and sniffs at?
The article is one long pastiche of Holocaust writing over the last sixty years, which nowise warrants the author’s assumption of superiority over the subject.
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