Mark Anthony Neal's Blog, page 907
April 4, 2013
Left of Black S3:E24 | Gun Violence, Rape Culture & the Assault on Voting Rights
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Published on April 04, 2013 06:55
April 1, 2013
Randall Kennedy on the Accomplishments of the 1964 Civil Rights Act
Duke Law School
Randall Kennedy, the Michael R. Klein Professor at Harvard Law School, will deliver a five-part lecture series on the modern history of the civil rights movement at Duke Law School during the spring 2013 semester.
The lectures, to be delivered Feb. 13 and 14, March 28, and April 8 and 9, will address the major legislative and legal achievements of the civil rights revolution, including the Civil Rights Act, Voting Rights Act, and cases that contributed to symbolic and substantive changes in U.S. law and culture. Kennedy's lecture is supported by the Robert R. Wilson Fund at Duke University and is part of Duke University's celebration of the 50th anniversary of the undergraduate program's desegregation.
Published on April 01, 2013 15:10
Jasiri X Responds to Rosa Clemente's Call for Men in Hip-Hop to Stand Against Rape
1HoodMedia
Hip-Hop artist/activist Jasiri X speaks out against Rick Ross's song "U.O.E.N.O. (You Ain'T Even Know It)" in which he says, "Put molly all in her champagne/ She ain't even know it/ I took her home and I enjoyed that/ She ain't even know it." and the culture of rape in America.
Published on April 01, 2013 15:03
Decoded: Rapsody--"In the Town"
Life + Times
Jamla Records emcee Rapsodybreaks down her single "In The Town" – spinning a tale about the vicious cycle of prostitution and the importance of positive female role models to break the cycle – from her debut album, last year's The Idea of Beautiful.
Published on April 01, 2013 14:51
New Knee-Gro Radio Format Proposal: Tea Party + Hip Hop

Published on April 01, 2013 04:06
March 31, 2013
MHP Show: Free Angela & All Political Prisoners with Director Shola Lynch
Visit NBCNews.com for breaking news, world news, and news about the economy
Melissa Harris Perry talks with Shola Lynch, director of Free Angela and All Political Prisoners.
Melissa Harris Perry talks with Shola Lynch, director of Free Angela and All Political Prisoners.
Published on March 31, 2013 09:30
The Bad Woman: A Review of Tyler Perry’s Temptation (Spoiler Alert)

The Bad Woman: A Review of Tyler Perry’s Temptation (Spoiler Alert) by Ebony Utley | special to NewBlackMan (in Exile)
Tyler Perry’s Temptation gets a lot right in its portrayal of infidelity, but it gets a lot wrong in its portrayal of the main character, Judith. Infidelity is certainly not a new topic for Perry. You can pretty much pick a movie and someone is cheating inside his storylines. But Temptation is the first film of Perry where infidelity drives every aspect of the plot.
Brice and Judith fall in love when they are mere children. They marry when they are teenagers. The world happens to be a hard place. They are poor adults. Future years of unfulfilled dreams pave a path of resentment for Judith. Brick by brick, she follows the path out of her current life and into the strong arms of a wealthy, dark, handsome, dangerous stranger. Marrying young, accruing resentments, neglecting your partner, and having workplace opportunities are all contributing factors to infidelity. In the brief moments that we see Judith actually talking about relationships, her observations and advice are accurate. I’m not mad at the way Perry presented infidelity in the film. I’m not mad that the story was about a woman’s infidelity. I am mad at how Judith was punished for being bad.
Judith’s badness exists in stark contrast to her husband’s goodness. Brice is a good Negro. He works hard, he’s cautious about everything—work, sex, conflict, and life in general. He doesn’t have money or material things but loves his wife even if he doesn’t pay her a whole lot of attention. He’s a good man. In fact, Judith tells him exactly this before she breaks his heart, Tyler Perry style. Cue one of his angry Black woman scenes.
Judith, on the other hand, is bad even in a blouse buttoned to her chin and a wrinkled skirt to her ankles. She’s unwomanly in contrast to the women at work. She doesn’t care about appearances. She’s cold to her client. She’s impatient with her husband. Since she’s always thinking about the future, she can’t quite seem to appreciate what she has. And despite her dissatisfaction, she passively mentions her concerns but doesn’t fight for herself. I watched Judith on the big screen and wanted to be nothing like her.
Until she falls for Harley. With him, she expresses her righteous indignation. She stands up for herself. She makes plans to open her business. She becomes sexier. She is no longer a bad example of womanhood; she’s a badass. But her newfound agency is tainted by drugs and alcohol. Judith walks with confidence, money, and power only because another man gave it to her. The representation of Black femininity that I wish I saw more of, is presented as a facade. When Judith is at her most assertive, she’s battered for finding her voice. Perhaps, she would have died had her good Black man not come back to rescue her. Cue the entrance of a well-chiseled working-class back man from a Tyler Perry movie here.
It’s difficult for me to see Temptation without seeing Perry’s other films as context. Similarly assertive characters like Judith have also been punished for not being good girls. But being beaten is not the extent of it. Judith also contracts HIV. In the trailer, Judith’s mother warns, “He gon take you straight to hell.” After seeing the movie, am I supposed to interpret that hell on earth is having HIV? Harley’s ex-wife also had HIV and she declared (presumably because of it) that she would never find love again. Both arguments are wildly disrespectful to all the positive people living fulfilling lives.
In addition to reminding women that if they have an affair they may catch HIV, Temptation conveys three other problematic missives.
1. Your authority (even as a relationship expert) will be tenuous as long as you listen to your feelings. 2. The path to hell is paved with desire. 3. Women deserve punishment for their poor choices even if those choices have some good outcomes.
Judiths watching the film learn that choosing to prioritize your authority and recognize your desires (both of which are good) will lead to punishments on par with going to hell.
Ironically, nothing happens to Harley—the man who gave her HIV. He’s never mentioned again after Judith’s rescue. There are no consequences for his spread of the disease. Presumably he disappears with his talent, wit, charm, and money to seduce another woman. At the end of the film, Judith is alone and lonely, slightly hobbled and beaten down by life. Dressed überconservatively and on her way to church, she watches her ex-husband with his new wife and child.
The message is that men deserve their desires; women do not. Everything Judith learned about herself during her affair is seemingly undermined and undone in the face of her losses. Before and after the affair, she was never quite good enough. I concede that Judith finally got her marriage counselor practice, but now her work is all she has. Cue Tyler Perry single workaholic woman character here.
Bad women bear the brunt of punishment in Tyler Perry’s morality plays. Of course, any time a woman has unprotected sex, there is the risk of catching HIV, but Perry’s heavy-handed morality is disproportionately distributed. It’s Perry’s money and Perry’s movie. His conclusions are his prerogative, but as a woman who knows Judiths, it’s important to recognize that despite Perry’s fire and brimstone, being bad by someone else’s standards could actually be good for you.
***
Ebony Utley, Ph.D. is an associate professor of communication studies at California State University Long Beach. She is currently working on her second book Shades of Infidelity (www.shadesofinfidelity.com) about women’s experiences with infidelity.
Published on March 31, 2013 08:52
March 30, 2013
Promo: Akiba Solomon & Kevin Alexander Gray Talk Voting Rights, Stop-and-Frisk and the Culture of Rape on the April 1st 'Left of Black'
On April 1st, Left of Black host and Duke University Professor Mark Anthony Neal will sit down with Akiba Solomon , managing editor of Colorlines Magazine and longtime Civil Rights activist and journalist Kevin Alexander Gray to talk about voting rights, Stop-and-Frisk policies and and the culture of rape.
Tune in this Monday at 1:30pm EST
Published on March 30, 2013 06:33
March 29, 2013
The Other Rosa Parks: Now 73, Claudette Colvin Was First to Refuse Giving Up Seat on Montgomery Bus
Democracy Now
At a ceremony unveiling a statue in her honor last month, President Obama called Rosa Parks' refusal to give up her seat on a Montgomery, Alabama, city bus a "singular act of disobedience." But nine months before Parks' historic action, a 15-year-old teenager named Claudette Colvin did the very same thing. She was arrested and her case led to the U.S. Supreme Court's order for the desegregation of Alabama's bus system.
Now 73, Claudette Colvin joins us for a rare interview along with Brooklyn College Professor Jeanne Theoharis, author of the The Rebellious Life of Mrs. Rosa Parks. Theoharis says Parks' act of defiance may not have happened if not for Colvin's nine months before. Colvin says learning about African-American history in school inspired her act. "I could not move because history had me glued to the seat," she recalls telling the bus driver and the police officer who came to arrest her. "It felt like Sojourner Truth's hands were pushing down on one shoulder, and Harriet Tubman's hand pushing down on another shoulder."
Published on March 29, 2013 12:54
Rick Ross is a Republican

Published on March 29, 2013 08:15
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