Sneha Jaiswal's Blog, page 108

Dead Enders – Short Horror Film Review

Rating: 3 out of 5.

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“Dead Enders” spins a quirky tale of small-town ennui and extraterrestrial infiltration that’s as delightfully odd as it is eerily familiar. Directors Fidel Ruiz-Healy and Tyler Walker, along with their co-writers, weave a tale of absurd horror against the backdrop of a gas station plagued by fracking-induced calamities.

Actors Jeffrey Murdoch and Skarlett Redd portray convenience store workers Walt and Maya, who endure the late-night graveyard shifts (hence the term “Dead Enders”). While the seasoned Walt is thoroughly disillusioned with his futile existence, Maya pretends contentment in her routine of floor cleaning and enjoying complimentary drinks after hours. However, their mundane lives are disrupted when grotesque creatures start infiltrating their desolate town. Redd skillfully depicts Maya’s struggle as a young woman ensnared in the monotony of her environment.

The film’s strength lies in its keen use of irony and its nod to classic B-horror tropes, reminiscent of films from the 60s and 70s. Despite its short runtime, “Dead Enders” manages to pack in a punch with its sharp cinematography, creepy critters, and a dose of nostalgia for fans of the genre. Its leisurely pace and wry humor might remind horror fans of films like “The Dead Don’t Die,” while the spider-like creatures, of course, harken back to numerous dime-a-dozen titles featuring arachnid antagonists.

Overall, “Dead Enders” may not redefine the genre, but it’s an entertaining watch that leaves a lingering impression. With its blend of humor, horror, and social commentary, it’s a reminder that sometimes it takes the end of the world to shake us out of our complacency.

You can watch “Dead Enders” on YouTube.

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10 Books/Series To Read for Fantasy Fiction Fans

Here’s a list of book recommendations if you are a fantasy fiction fan –

“The Magicians” by Lev GrossmanSynopsis: Quentin Coldwater discovers that the magical land he read about in childhood books is real. He enrolls in Brakebills College for Magical Pedagogy, where he learns about the darker side of magic.Why read it: A more mature and darker take on magical education, exploring themes of power, depression, and the consequences of escapism.“The Kingkiller Chronicle” by Patrick RothfussSynopsis: Kvothe recounts his life story, from his childhood in a troupe of traveling performers to his days as a legendary magician and musician.Why read it: Masterful storytelling, intricate world-building, and a protagonist with a compelling blend of talent, ambition, and flaws.“The Abhorsen Trilogy” by Garth NixSynopsis: Sabriel inherits her father’s role as the Abhorsen, a necromancer responsible for keeping the dead at bay, and must confront an ancient evil threatening the world.Why read it: Unique magic system based on bells and necromancy, strong female protagonist, and a blend of adventure and horror.“The Grisha Trilogy” by Leigh BardugoSynopsis: In the kingdom of Ravka, a young orphan named Alina discovers she has the power to manipulate light and becomes embroiled in a dangerous world of politics, magic, and war.Why read it: Richly detailed world inspired by Russian folklore, morally complex characters, and themes of power and redemption.“The Queen’s Thief series” by Megan Whalen TurnerSynopsis: Eugenides, a master thief with a gift for deception, becomes entangled in political intrigue and schemes to steal a legendary artifact.Why read it: Intricate plotting, clever twists, and a protagonist who is both cunning and morally ambiguous.“The Old Kingdom series” by Garth NixSynopsis: Set in the Old Kingdom, a land where magic and technology coexist, the series follows the adventures of Sabriel, Lirael, and other necromancers as they battle dark forces.Why read it: Unique blend of fantasy and horror, complex world-building, and a strong focus on the bonds of family and duty.“The Raven Cycle” by Maggie StiefvaterSynopsis: A group of friends in a small Virginia town search for the tomb of a legendary Welsh king, encountering magic, mystery, and danger along the way.Why read it: Atmospheric writing, rich character development, and a focus on friendship, loyalty, and the power of belief.“The Seven Realms series” by Cinda Williams ChimaSynopsis: Han Alister, a street thief with a mysterious past, and Raisa ana’Marianna, a princess struggling to assert her authority, become unlikely allies in a kingdom on the brink of war.Why read it: Intricate world-building, political intrigue, and a captivating blend of magic, romance, and adventure.“The Dresden Files” by Jim ButcherSynopsis: Harry Dresden, a professional wizard and private investigator in modern-day Chicago, solves supernatural mysteries and battles dark forces.Why read it: Urban fantasy setting, snarky humor, and a noir-inspired protagonist who’s equal parts wizard and wisecracker.“The Green Bone Saga” by Fonda LeeSynopsis: In the island city of Janloon, two rival clans, the No Peak and the Mountain, vie for power and control over magical jade that enhances martial abilities.Salient Feature: Blend of fantasy and martial arts, intricate world-building inspired by Asian cultures, and a gripping tale of family, loyalty, and honor amidst gang warfare.

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Teri Baaton Mein Aisa Uljha Jiya Review

Aryan Agnihotri is a successful robotic engineer who falls in love with the gorgeous Sifra during a work trip to the U.S. However, in a surprising twist, Aryan discovers that Sifra is actually a groundbreaking robot being tested by his aunt. Shocked by this revelation, Aryan must grapple with the ethical and emotional implications of their relationship. Despite his initial reservations, he decides to introduce Sifra to his family. Can their unconventional love story withstand the challenges they face?

Written and directed by Amit Joshi and Aradhana Sah, the 2024 romantic-comedy “Teri Baaton Mein Aisa Uljha Jiya” promises fresh material for Bollywood fans, where a dashing eligible bachelor romances a dazzling AI. Although the Hindi serial “Karishma kaa Karishmaa” introduced Indian audiences to a lifelike robot in the early 2000s, itself a remake of the American show “Small Wonder.”

Visually, “Teri Baaton Mein Aisa Uljha Jiya” is a captivating spectacle, and Kriti Sanon is perfectly cast as Sifra, a lifelike robot who mimics humans almost flawlessly. Kriti’s Sifra is intelligent (duh right, she is AI), and extremely perceptive of human emotions as she can read facial expressions. Shahid Kapoor plays protagonist Aryan Agnihotri, a cynical young robotic engineer who is weary of his family pressuring him into marriage. His character, unfortunately, comes off as somewhat one-dimensional; he’s overly picky about his ideal partner, and as the plot unfolds, it becomes apparent that Aryan’s concept of an ideal partner is a girl who is gorgeous, shares the same interests as him, can cook right, and serve him great black coffee. Sounds like he needs a good-looking maid, not a wife. And while there may be more depth to his character, the film fails to showcase any additional facets of his personality. So, it’s obvious that Aryan falls in love with a robot programmed to do his bidding.

Dimple Kapadia shines in her supporting role as Aryan’s aunt and boss, Urmila Shukla, a smart, analytical and practical boss-woman. She heads the robotics firm and leads the team responsible for developing the lifelike Sifra. The rest of the cast is pretty middling in the movie, serving to play up the “mad Delhi family” which is just interested in getting Aryan married off. The marriage subplot grants the creators ample freedom to incorporate lively desi songs and vibrant pre-wedding rituals, which adds to its visual appeal.

Overall, “Teri Baaton Mein Aisa Uljha Jiya” is pretty formulaic, despite exploring new territory for Bollywood — what does it mean for a human to fall for an AI? Of course, since it’s a romantic comedy film, it’s too much to expect the plot to explore the theme seriously, but even the comedy is pretty mediocre and there are very few laugh-out-loud moments in the script. The climactic twist is glitchy and dragged out, even though it does contain some surprise factor, and it also steers clear from becoming preachy or too emotional. Kriti Sanon’s simple and charming portrayal of Sifra makes the film worth a one-time-watch. At least it’s a lot better than “Wifelife”, a film which explores what life would be like for AI robots like Sifra, once they are launched in the market.

Rating: 5.5/10. Stream the film on Prime Video.

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Bottoms Review – The Cast Tops This

Rating: 3.5 out of 5.

PJ and Josie are at the bottom of their high-school popularity meter, but both of them have a crush on the hottest cheerleaders on campus, and PJ is determined to find a way to score their dream girls. The perfect opportunity comes their way when they start a fight club, in hopes of getting close to their crushes.

Directed by Emma Seligman, who’s co-written the story with Rachel Sennot, “Bottoms” is a spoof-like take on the high-school romantic comedy genre, taking digs at long established tropes with a queer twist. Rachel Sennott also plays protagonist PJ, while Ayo Edebiri is her socially-awkward BFF Josie. They are in love with the prettiest cheerleaders on campus – Brittany (Kaia Gerber) and Isabel (Havana Rose Liu), and the latter is dating the star quarterback Jeff (Nicholas Galitzine).

“Bottoms” kicks off with a wild, colorful scene: PJ and Josie hit up an amusement park, hoping to impress their crushes. Luckily, Isabel hops into their car post-spat with Jeff, but things take a hilarious turn when Jeff throws a melodramatic fit, feigning serious injury as the girls maneuver their car against him, though it barely grazes him. His buddies rush to his side, buying into the drama, and suddenly PJ and Josie are seen as tough badasses who took down a star athlete. That’s how they end up launching their own underground fight club, with a noble facade of teaching self-defense to high school girls. But let’s be real, their main agenda is to use it as a clever ruse to score with others.

Even though he has limited screen-time, Nicholas Galtzine shines as Jeff, delivering plenty of comedic moments as an egomaniac bubble-brained jock. Rachel Sennott brings an annoying yet intentionally crafted portrayal of PJ, designed to irk viewers with her excessive self-centeredness, akin to Jeff but without the princess airs, theatrics, and popularity. On the flip side, Ayo Edebiri charms as the endearingly under-confident Josie, who navigates PJ’s antics with frustration yet unwavering loyalty, willingly joining her in harebrained schemes and exaggerated tales. Essentially, PJ and Josie share a love-hate dynamic—best friends always there for each other, yet often tempted to pull each other’s hair out. Hazel Callahan plays Ruby Cruz, a socially awkward classmate who helps PJ and Josie run their “fight club”, while a teacher called Mr G (Marshawn Lynch) agrees to oversee the club activities.

Even though the “fight club” starts off as an elaborate ruse, the girls who join the club begin to genuinely bond, and their meetings range from painfully violent to downright fun.

While the climactic conflict might be somewhat predictable, the second half of “Bottoms” does deliver some unexpected twists. Moreover, there’s plenty of action, complete with blood and mild gore. The soundtrack enhances all the absurdities of this quirky, edgy comedy, which is all about teenage hormones, rage, stupidity and maybe a little about female empowerment. The film has enough ridiculously funny scenes and eccentric characters to keep you entertained until the end.

Rating: 7 on 10. You can stream “Bottoms” on Prime Video.

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Quick Guide to Key Dune Characters

Here’s a quick glimpse into the complex and diverse cast of characters that populate the world of “Dune,” each playing a vital role in the epic saga.

Paul Atreides: Paul is the protagonist of “Dune,” the son of Duke Leto Atreides and Lady Jessica. He undergoes a transformative journey from a young noble to a messianic figure known as Muad’Dib. Paul possesses remarkable prescient abilities and becomes a key figure in the struggle for control over the desert planet, Arrakis.

Lady Jessica: Lady Jessica is Paul’s mother and a member of the Bene Gesserit sisterhood. She defies her orders to bear only daughters for the Atreides and has a son, Paul. Jessica is highly skilled in the Bene Gesserit arts of manipulation and combat.

Duke Leto Atreides: Duke Leto is Paul’s father and the head of House Atreides. He is a wise and honorable leader who is tasked with governing the desert planet of Arrakis. Leto faces political intrigue and betrayal as he tries to navigate the treacherous waters of Arrakis’ power struggles.

Baron Vladimir Harkonnen: The primary antagonist of “Dune,” Baron Harkonnen is the leader of House Harkonnen and the sworn enemy of House Atreides. He is a ruthless and cunning manipulator who seeks to maintain control over the spice trade on Arrakis. The Baron is characterized by his cruelty and Machiavellian schemes.

Stilgar: Stilgar is the leader of the Fremen, the native people of Arrakis. He is a fierce warrior and a respected figure among the Fremen. Stilgar forms a close bond with Paul Atreides and becomes his mentor as Paul learns to adapt to life on Arrakis.

Chani: Chani is a Fremen warrior and Paul’s love interest. She is courageous and resourceful, playing a significant role in Paul’s journey on Arrakis. Chani embodies the strength and resilience of the Fremen people and becomes a crucial ally to Paul in his fight against oppression.

Princess Irulan Corrino: Princess Irulan is the daughter of Emperor Shaddam IV and a member of House Corrino, the ruling house of the Imperium. She is a skilled politician and historian, known for her writings chronicling the events of the Dune universe. Irulan is initially betrothed to Paul Atreides as part of a political alliance between their houses, but she becomes increasingly entangled in the power struggles of the universe.

Feyd-Rautha Harkonnen: Feyd-Rautha is the nephew of Baron Vladimir Harkonnen and a member of House Harkonnen. He is a skilled fighter and manipulator, serving as the Baron’s favored heir. Feyd-Rautha harbors ambitions of his own and seeks to rise to power within the Harkonnen family. He becomes a key player in the conflict over control of Arrakis and the spice trade, engaging in deadly duels and political intrigue to further his goals.

Jazz for Two Review – Beats for One-Time-Watch

Sneha Jaiswal (Twitter | Instagram)

Yoon Se Heon is a classical pianist, strictly homeschooled by his father, who doesn’t allow the teen to play any other genre. So, when he’s permitted to transfer to a regular high school, Yoon Se Heon plays jazz for the first time in an abandoned music room on campus. It’s there that he meets the aggressive and moody Han Tae Yi. The two start off on an awful note and things get more complicated between the two when a senior called Song Joo Ha begins to target them in uncomfortable ways.

Based on Keul Ra Jyu’s webtoon, “Jazz for Two” (재즈처럼) is directed by Kang Hye Rim and Song Soo Lim, comprising eight episodes, each lasting 30 minutes. Kim Jin Kwon portrays the cheerful and optimistic pianist Yoon Se Heon. His sole passion is jazz, so when confronted by the imposing Han Tae Yi (Ji Ho Geun), who warns him against using the abandoned music room, Se Heon fails to grasp the issue at hand. As the story unfolds, we learn that Han Tae Yi is grappling with the loss of his older brother, a prodigious jazz pianist, and finds echoes of his sibling in the charismatic Se Heon.

The first episode sets up a mild “enemies to lovers” dynamic for the main couple, who coincidentally share the same class. In a coincidence, Yoon Se Heon’s seat partner happens to be Tae Yi’s closest friend, Seo Do Yoon (Song Han Gyeom). A significant subplot in “Jazz for Two” revolves around Seo Do Yoon’s crush on his senior, Song Joo Ha (Kim Jung Ha), who is a mean bully with a violent streak. Their romantic involvement feels both unnecessary and illogical, the creators should’ve instead dedicated more time to building up the primary couple’s relationship progression. Actor Kim Jung Ha however is convincingly intimidating, creepy and grey-shaded as Song Joo Ha. Kim Jae Han and Shin Ye Chan, who played romantic leads in the Korean drama “A Shoulder to Cry On” make a cute blink-and-miss cameo in the show.

In a series centered around music like “Jazz for Two,” one might expect an exceptional soundtrack, however, outside of the well-known classic tunes performed by the characters, the background music is pretty forgettable. Even the titular track, with its pleasant jazz tunes, is enjoyable, but it’s not the type of song you’d feel compelled to search for online and listen to repeatedly.

I anticipated “Jazz for Two” to be an enjoyable high school romance, akin to a blend of the Japanese musical “Given” (the animated version is great) and the Korean classroom romance “Blueming“; and although it fell short of my expectations, it proved to be worth watching once.

You can stream “Jazz for Two” on iQIYI or Wavve

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“The New Look” Episode 10 Review

What a fantastic series finale!

Titled “What a Day This Has Been,” episode 10 of the Apple series “The New Look” simultaneously charts the rise of Christian Dior and the fall (sort of) of Coco Chanel. Episode nine had ended with Christian (Ben Mendelsohn) directing Madame Zehnacker (Zabou Breitman) to do whatever it takes to complete his new collection on time, a move that ruffles quite a few feathers in the fashion circles of Paris.

Episode 10 of “The New Look” takes viewers on a roller-coaster ride, immersing them in a whirlwind of emotions ranging from grief, betrayal, and anger to ambitions, doubts, and sheer euphoria. John Malkovich’s portrayal of Lucien Lelong proves to be Christian’s greatest critic and supporter in the series. He is perhaps my favorite supporting character in the show, an aging businessman who not only recognizes his own failings but also appreciates the strength and talents of others.

The dynamic between Christian and his mentor Lelong, as well as his sister Catherine (Maisie Williams), stands out as one of the show’s highlights. The siblings’ bond is poignantly portrayed, illustrating how, despite their own personal ambitions, struggles, and dreams, they strive to be there for each other. While Christian’s on the assured path to couture stardom, viewers get to follow Coco Chanel’s (Juliette Binoche) bitter legal battle with her business partners, all while the ghosts of her recent past catch up with her.

Fashion takes center stage in the final episode, with Christian Dior’s creations gloriously on display, and the cinematography beautifully recreates the designer’s original dresses. These designs convince Carmel Snow (played by Glenn Close) of Harper’s Bazaar to crown him the king of couture. “The New Look” slowly and steadily builds up to its climactic moments, closing the curtains with an applause-worthy ending. It’s a finale where hope, beauty, and dreams triumph over the despair of war, crime, and violence.

Watch “The New Look” on Apple TV+

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5 Japanese Authors to Read for Magical Realism

These five Japanese authors offer a captivating entry point into the enchanting world of magical realism, where the boundaries between the ordinary and the extraordinary blur with each turn of the page.

Yoko Ogawa: Ogawa’s prose is hauntingly beautiful, weaving intricate tales that blur the lines between reality and fantasy. Begin with “The Housekeeper and the Professor,” a touching story of an unconventional friendship that unfolds amidst mathematical equations and memory loss.

Hiromi Kawakami: Kawakami’s works are whimsical yet profound, exploring themes of love, loneliness, and human connection. Dive into “The Nakano Thrift Shop,” where everyday objects take on a life of their own, and romance blossoms amidst the clutter of a secondhand store.

Banana Yoshimoto: Yoshimoto’s stories are imbued with a sense of magic and melancholy, capturing the complexities of human emotions. Start with “Kitchen,” a poignant tale of grief and healing, where characters find solace in cooking and unexpected encounters.

Natsume Soseki: Soseki’s classic works are filled with subtle surrealism and existential themes. Begin with “Kokoro,” a timeless masterpiece that delves into the intricacies of human relationships and the search for meaning in a changing world.

Tomihiko Morimi: Morimi’s novels are whimsical and imaginative, blending fantasy elements with keen observations of contemporary society. Explore “The Night is Short, Walk on Girl,” a surreal journey through a night of adventure and romance in the streets of Kyoto.

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Ticket to Paradise Review – Postcard Romantic-Comedy

Rating: 3 out of 5.

Director: Ol Parker

Writers: Ol Parker, Daniel Pipski

“You’re just like all parents, acting like you’re giving your kid this great advice for their own good, but all you’re really doing is talking to your young, dumb selves, trying to rewrite the past and not do whatever you did 25 years ago.”

George Clooney and Julia Roberts are David Cotton and Georgia Cotton, who can’t seem to see eye to eye and have been divorced for years in the 2022 romantic-comedy “Ticket to Paradise”. However, when their daughter Lily (Kaitlyn) decides to dump her law career to marry a young man she meets on her Bali vacation, the Cottons put aside their differences and join forces to secretly intervene and break up the new couple.

“Ticket to Paradise” kicks off with a fun sequence showcasing David and Georgia in different parts of the world, recounting the tale of how they got married, but both their versions are hilariously disparate. It’s an interesting ironical insight on how two individuals experience the same thing in wildly varied manner. The plot revolves around the divorced couple rushing to Bali to prevent their daughter from marrying someone she met on vacation, delivering an entertaining narrative with predictable conflict points.

Maxime Buouttier portrays Gede, the Balinese seaweed farmer whom Lily falls for, with charming appeal. However, it’s regrettable that the younger couple isn’t given more narrative space, as the story heavily relies on Julia Roberts and George Clooney’s star power. While the senior actors deliver entertaining performances, their excessive screen-time detracts from the romantic chemistry between Gede and Lily.

“Ticket to Paradise” is visually stunning; the cinematography beautifully captures the islands and culture of Bali, it’s almost postcard-like in showcasing the salient features of the beach nation. Gede and Lily’s wedding rituals offer interesting insights into Balinese traditions, superstitions and beliefs. For example, David plans a visit to an ancient temple believed to be cursed and unlucky for unmarried couples. Legend has it that those who visit before their nuptials are doomed to break up.

The pivotal question looming over the narrative is whether the Cottons will succeed in driving a wedge between Gede and Lily, or whether they will come to acknowledge the undeniable connection between the young couple. However, as sparks reignite between the old flames, David and Georgia, the story takes a detour in its final act, with the spotlight shifting towards the desires of the older couple, prolonging the narrative for the last twenty minutes.

Overall, “Ticket to Paradise” is a formulaic yet enjoyable romantic comedy that adheres to familiar tropes without taking any new risks. However, its picturesque Balinese settings and charming cast make it worth a one-time watch.

You can watch “Ticket to Paradise” on Netflix or rent it on Prime Video.

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Sukiyanen Kedo Do Yaro ka Review

Rating: 3 out of 5.

The handsome young Matsumoto Sakae runs a small-cozy restaurant in Osaka, cooking up delicious dishes for his patrons, but when he falls for a shy nerdy office worker from Tokyo, it will take more than well-made meals to win over his big-city crush.

Directed by Shibata Keisuke and Takahashi Yuya, the Japanese series “Sukiyanen Kedo Do Yaro ka” (好きやねんけどどうやろか – Although I love you, and you?) is based on a manga by Chiba Ryoko. Spanning ten episodes, the series is slow-burn romance with mild comedy and a typical “opposites attract” trope. The charming Kan Hideyoshi plays protagonist Sakae, who is happy running his restaurant and is instantly attracted to the older Soga Hisashi (Nishiyama Jun).

While Sakae revels in the thrill of sports, while Soga finds solace and inspiration in the world of arts and culture. Despite their contrasting passions, a tender friendship blossoms between them. However, the resilience of their bond faces a poignant test when Sakae dares to unveil his heartfelt emotions to Soga. Kan Hideyoshi and Nishiyama Jun portray the lead couple, Sakae and Soga, with an awkward yet adorable charm, infusing the tale with subtle humor through their contrasting personalities.

The primary love story unfolds at a leisurely pace, delaying the entertainment factor, while a clichéd conflict involving Sakae’s ex-boyfriend adds predictability to the tale. Nonetheless, Okuno So, portraying Sakae’s charismatic ex, Mizuki, injects a lively spark into the series. Murase Sae portrays Kanda Kazuyo, Soga’s spirited colleague, whose overly inquisitive nature often blurs the line between endearing and intrusive, leaving viewers to interpret her actions as either charming or creepy, depending on their perspective. On the other hand, Sakae’s friend Tatsuta Kaname (played by Horike Kazuki) is equally nosy, but his interest in Sakae’s life makes a lot more sense because they are best-friends.

The cinematography of ‘Sukiyanen Kedo Do Yaro ka’ exudes warmth with its cozy, predominantly indoor settings, primarily centered around Sakae’s quaint restaurant, where people are happily drinking and chatting post-work. Accompanied by a backdrop of moody, nostalgic piano melodies, the soundtrack isn’t particularly foot-tapping but effectively enhances the atmospheric mood of the plot.

The last few episodes of ‘Sukiyanen Kedo Do Yaro ka’ are paced a lot better than the first half of the show, with Sakae and Soga’s story seeing significant progress, however, their chemistry is quite lukewarm. A recurring comedic motif in the show revolves around the cultural disparities between Osaka and Tokyo, offering a delightful treat that may sail over the heads of foreign audiences but is sure to evoke hearty chuckles from Japanese viewers, tapping into the rich tapestry of regional humor.

Overall, “‘Sukiyanen Kedo Do Yaro ka” is a relaxed, simple, albeit predictable romantic story, which should appeal to viewers looking for something casual to watch over a few days.

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