The epigraph to Above An Abyss, Ryan Masters’ marvellous collection of two beautiful and stunningly juxtaposed novellas, is from Nabokov’s Speak, Memory: ‘The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness.’ ‘Trampoline Games’ and ‘The Moth Orchid’ approach this idea of existential precarity from entirely different directions, yet the two stories complement one another in breathtaking, unexpected ways.
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