Ian Dawson's Blog - Posts Tagged "raising-the-stakes"
Writing Tip of the Week: Upping the Stakes
Whether it's a Marvel movie or a Hallmark Channel movie, stakes for your protagonist and what they mean for the story matter. Your main character needs to have a goal, have a plan, and for there to be dire consequences for the main character if the goal isn't achieved. This is where stakes come into play; making sure your hero – and the reader/viewer – know that what they are about to work toward won't be a cakewalk.
Let's talk about stakes!
Stakes in Perspective
What's at stake in your story? Will the world be destroyed if the main character doesn't win the day? Will grandpa lose his rose garden to evil developers if $50,000 isn't raised in a week? It's crucial to look at what's at stake in your story to make sure they are realistic and proportional to the world you have created.
Whatever the level of stakes, they should be a logical extension of the world you have introduced to the audience. If we are in a small town and you plan to tell a story that revolves around the small town, then the stakes should be things that could threaten the stability of someone's world in a small town.
If you're doing a larger-scale story, the stakes for the main character could have statewide, nationwide, or global implications.
Take the time to examine the stakes in your story and if they fit the overall narrative arc.
What is the Goal or Objective?
The inciting incident of a story rips the main character out of their calm, ordinary existence. It sets them on a new course toward a goal that hopefully will bring peace and a return to a possibly better status quo.
So, what is that goal or objective for your protagonist? What do they want to accomplish, need to achieve, need to stop, need to conquer?
What's the Opposition?
The opposing force to the main character's goal should be seemingly insurmountable and a definite problem that the hero must face and overcome. There needs to be a reason why the main character can't just make a quick phone call, drive to a location, get a loan, pay the back taxes, or some other easy-to-solve problem.
Opposition must make the protagonist's life harder, and ignoring it or running away from it will only make things worse for them or those around them.
While a Thanos or James Bond-level supervillain may be too big in your story, there are other types of antagonists in real life that can make your character's life and their desire to achieve their goals harder and more frustrating.
Who or what is the opposing force in your story? Is it strong enough to cause hardship and struggle for your main character?
Inactions Have Consequences
What does the hero lose if the main character doesn't take on the needed goal or objective? Do the consequences of their failure have a ripple effect that harms others in their life?
While most of us avoid conflict and opposition, your main character cannot. The protagonist is an active participant in the story and must act upon their impulses to solve the problem set before them, even reluctantly.
This is where the question of What's at stake? comes into play. If Thanos gets all the Infinity Stones and snaps his fingers, half the universe's population turns to dust. If grandpa loses his rose garden, he'll be homeless or thrown in jail.
These possible outcomes motivate and drive the main character forward toward defeating the opposition and achieving their goal.
Life or Death: Literal vs Figurative
The stakes should be big enough that if the main character fails, bad things will happen. This doesn't have to mean millions will die. This can be a figurative life or death struggle for your main character, resulting in them achieving a goal that others doubted. To them, it's personal and internal, not external, but the idea of them failing must feel like the end of the world.
If Elle Woods in Legally Blonde doesn't graduate law school and become a lawyer, the world won't end; but in her mind, it does. Again, it's a matter of stakes perspective within the world of your story. Elle has something to prove to herself and those around her. She has a goal; she has opposition. If she doesn't reach her goal, she will look foolish to herself, to those around her, and she'll be – as she says in the film – "a joke."
On the other side of the stakes spectrum, if Eggsy in Kingsman: The Secret Service doesn't stop Valentine from activating his free SIM cards in phones worldwide that cause people to violently attack and kill each other, millions could die.
Both are life and death stakes for their respective main characters, but Elle's are figurative, while Eggsy's are quite literal.
What happens to your main character or their world if the stakes aren't overcome? Will they alone suffer the consequences, or will others as well? Will people literally die, or are the deaths more internal and personal?
Many Roads
We are storytellers. Storytellers have a powerful gift to create and invent worlds, characters, stories, and stakes. Along with that power comes our ability to change things, add, subtract, multiply, and even divide stakes and consequences for our main characters.
As you work on your story, think about other possible stakes and challenges your main character could face. Don't limit yourself, just see where your imagination and creativity take you. Too often we can become confined in a box of possibilities that can be very limiting when making the best creative choices for our story.
The sky's the limit here. In the end, you'll want to then go over the list and find the stakes that a) fit your story, and b) are big enough to seem impossible to achieve, and use those in your story.
Have fun with this. Whatever the stakes are should be big enough, dire enough, and challenging enough to motivate and drive your protagonist forward in their pursuit of their goal and the defeat of their opposition.
Don't Make It Easy
Never give the hero an easy out. There must be a clear reason why these stakes must be confronted, and the goal must be achieved. It has to be tough, and there have to be setbacks, doubts, frustrations, and thoughts of giving up.
But a hero never does.
In the battle against Thanos in Avengers: Endgame, all hope seems lost as Thor, Iron Man, and Captain America are pummeled mercilessly by Thanos. But even with his shield shattered, his face bloodied, and his uniform ripped apart, Captain America tightens his shield around his arm and stands back up to face his seemingly unbeatable foe.
The stakes of not fighting back are too high.
This leads me to my final point…
Make Us Root for the Protagonist
Audiences want to see or read a good story, and they are looking for a strong main character to follow and root for. Most of the time, we know that the main character will win by the end of the story, but we are there for the ride.
The trials and tribulations, wins and losses, ups and downs. We are present and committed to seeing how the protagonist faces the stakes before them.
Our job as writers is to create a main character that the audience will root for throughout the story. This is why it's important to craft a narrative that isn't easy for the hero to traverse; the stakes have to feel like they might just be big enough to take down our main character.
Have you ever been in a full movie theater where everyone is so focused on what's happening on-screen you could hear a pin drop? Or stayed up way too late to finish a book because you had to see what happened next? Substantial stakes lead to these moments. They are an essential tool that writers need to use to create strong, effective stories that suck people in and make them want the hero to succeed.
Final Thoughts…
This week, take some time to look over your story's outline or your latest draft. What are the stakes for your main character? Are they big enough? Strong enough? What impact will these stakes have on your main character or those around them if they aren't overcome? Are your main character's goals and the opposition to their goals clear?
Happy Writing, and I'll see you next time!
Let's talk about stakes!
Stakes in Perspective
What's at stake in your story? Will the world be destroyed if the main character doesn't win the day? Will grandpa lose his rose garden to evil developers if $50,000 isn't raised in a week? It's crucial to look at what's at stake in your story to make sure they are realistic and proportional to the world you have created.
Whatever the level of stakes, they should be a logical extension of the world you have introduced to the audience. If we are in a small town and you plan to tell a story that revolves around the small town, then the stakes should be things that could threaten the stability of someone's world in a small town.
If you're doing a larger-scale story, the stakes for the main character could have statewide, nationwide, or global implications.
Take the time to examine the stakes in your story and if they fit the overall narrative arc.
What is the Goal or Objective?
The inciting incident of a story rips the main character out of their calm, ordinary existence. It sets them on a new course toward a goal that hopefully will bring peace and a return to a possibly better status quo.
So, what is that goal or objective for your protagonist? What do they want to accomplish, need to achieve, need to stop, need to conquer?
What's the Opposition?
The opposing force to the main character's goal should be seemingly insurmountable and a definite problem that the hero must face and overcome. There needs to be a reason why the main character can't just make a quick phone call, drive to a location, get a loan, pay the back taxes, or some other easy-to-solve problem.
Opposition must make the protagonist's life harder, and ignoring it or running away from it will only make things worse for them or those around them.
While a Thanos or James Bond-level supervillain may be too big in your story, there are other types of antagonists in real life that can make your character's life and their desire to achieve their goals harder and more frustrating.
Who or what is the opposing force in your story? Is it strong enough to cause hardship and struggle for your main character?
Inactions Have Consequences
What does the hero lose if the main character doesn't take on the needed goal or objective? Do the consequences of their failure have a ripple effect that harms others in their life?
While most of us avoid conflict and opposition, your main character cannot. The protagonist is an active participant in the story and must act upon their impulses to solve the problem set before them, even reluctantly.
This is where the question of What's at stake? comes into play. If Thanos gets all the Infinity Stones and snaps his fingers, half the universe's population turns to dust. If grandpa loses his rose garden, he'll be homeless or thrown in jail.
These possible outcomes motivate and drive the main character forward toward defeating the opposition and achieving their goal.
Life or Death: Literal vs Figurative
The stakes should be big enough that if the main character fails, bad things will happen. This doesn't have to mean millions will die. This can be a figurative life or death struggle for your main character, resulting in them achieving a goal that others doubted. To them, it's personal and internal, not external, but the idea of them failing must feel like the end of the world.
If Elle Woods in Legally Blonde doesn't graduate law school and become a lawyer, the world won't end; but in her mind, it does. Again, it's a matter of stakes perspective within the world of your story. Elle has something to prove to herself and those around her. She has a goal; she has opposition. If she doesn't reach her goal, she will look foolish to herself, to those around her, and she'll be – as she says in the film – "a joke."
On the other side of the stakes spectrum, if Eggsy in Kingsman: The Secret Service doesn't stop Valentine from activating his free SIM cards in phones worldwide that cause people to violently attack and kill each other, millions could die.
Both are life and death stakes for their respective main characters, but Elle's are figurative, while Eggsy's are quite literal.
What happens to your main character or their world if the stakes aren't overcome? Will they alone suffer the consequences, or will others as well? Will people literally die, or are the deaths more internal and personal?
Many Roads
We are storytellers. Storytellers have a powerful gift to create and invent worlds, characters, stories, and stakes. Along with that power comes our ability to change things, add, subtract, multiply, and even divide stakes and consequences for our main characters.
As you work on your story, think about other possible stakes and challenges your main character could face. Don't limit yourself, just see where your imagination and creativity take you. Too often we can become confined in a box of possibilities that can be very limiting when making the best creative choices for our story.
The sky's the limit here. In the end, you'll want to then go over the list and find the stakes that a) fit your story, and b) are big enough to seem impossible to achieve, and use those in your story.
Have fun with this. Whatever the stakes are should be big enough, dire enough, and challenging enough to motivate and drive your protagonist forward in their pursuit of their goal and the defeat of their opposition.
Don't Make It Easy
Never give the hero an easy out. There must be a clear reason why these stakes must be confronted, and the goal must be achieved. It has to be tough, and there have to be setbacks, doubts, frustrations, and thoughts of giving up.
But a hero never does.
In the battle against Thanos in Avengers: Endgame, all hope seems lost as Thor, Iron Man, and Captain America are pummeled mercilessly by Thanos. But even with his shield shattered, his face bloodied, and his uniform ripped apart, Captain America tightens his shield around his arm and stands back up to face his seemingly unbeatable foe.
The stakes of not fighting back are too high.
This leads me to my final point…
Make Us Root for the Protagonist
Audiences want to see or read a good story, and they are looking for a strong main character to follow and root for. Most of the time, we know that the main character will win by the end of the story, but we are there for the ride.
The trials and tribulations, wins and losses, ups and downs. We are present and committed to seeing how the protagonist faces the stakes before them.
Our job as writers is to create a main character that the audience will root for throughout the story. This is why it's important to craft a narrative that isn't easy for the hero to traverse; the stakes have to feel like they might just be big enough to take down our main character.
Have you ever been in a full movie theater where everyone is so focused on what's happening on-screen you could hear a pin drop? Or stayed up way too late to finish a book because you had to see what happened next? Substantial stakes lead to these moments. They are an essential tool that writers need to use to create strong, effective stories that suck people in and make them want the hero to succeed.
Final Thoughts…
This week, take some time to look over your story's outline or your latest draft. What are the stakes for your main character? Are they big enough? Strong enough? What impact will these stakes have on your main character or those around them if they aren't overcome? Are your main character's goals and the opposition to their goals clear?
Happy Writing, and I'll see you next time!
Writing Tip of the Week: Conflict & Stakes
Over the last several posts, we’ve discussed conflict and its importance in a story. One way to escalate conflict in a story is to raise the stakes for the main character and increase the difficulty of their journey.
Let’s talk about it!
What will the main character lose if they fail to reach their goal? This is what’s “at stake” for the main character as the central conflict shifts into gear. Even with what’s at stake established, the main character will have to deal with several conflicts and problems that often lead to increased stakes and make their journey even more of a challenge.
It’s not enough that they have one problem to solve; they must also deal with opposing forces that continually prevent them from getting where they need to go. Every move and decision leads to a new problem or conflict, and these only lead to higher stakes for the main character, which either makes them more determined to fight or question if they should give up.
Nothing should ever be easy for the main character. They must constantly push through problems and difficult situations as they seek their goal. Even when they think they have a chance to achieve their goal, the rug should be yanked out from under them, tossing them back into the conflict and increasing the stakes once again.
If you raise the stakes, you ratchet up the tension, keeping the conflict alive and the energy running through the story. If you’ve ever watched a movie or read a book that has kept your attention until it’s over and you collapse in an exhausted heap when it ends, the stakes in that story were likely high enough to keep you fully engaged.
A great example of escalating stakes is the movie Speed. While it’s a basic premise – if the bus goes below 55 miles per hour, it will explode – the levels of conflict, tension, and how the stakes are raised throughout the film keep us watching. So many obstacles and problems are thrown at our hero, Jack, that it’s hard to breathe as the story escalates to its climactic finale. If you haven’t seen the film, I highly recommend watching and observing how the filmmakers keep upping the stakes as the story unfolds.
It's also important to layer stakes for the hero to fight against. Having them deal with one issue at a time can become repetitive, but having many problems thrown at them simultaneously keeps them active and the audience interested. How will they deal with all these problems? What will get resolved first? Will all these stakes be enough to break the main character and make them give up, or will they find the strength to keep fighting?
Giving your hero something to lose if they don’t reach their goal establishes what’s “at stake” for them as the story begins. As the story unfolds, escalating the conflict and the stakes for the main character increases the suspense and tension, and keeps the reader or viewer engaged with the story as the main character fights to achieve what they’ve set out to do.
Happy Writing, and I’ll see you next time!
More conflict-based posts are on the way, all throughout the month of May!
Let’s talk about it!
What will the main character lose if they fail to reach their goal? This is what’s “at stake” for the main character as the central conflict shifts into gear. Even with what’s at stake established, the main character will have to deal with several conflicts and problems that often lead to increased stakes and make their journey even more of a challenge.
It’s not enough that they have one problem to solve; they must also deal with opposing forces that continually prevent them from getting where they need to go. Every move and decision leads to a new problem or conflict, and these only lead to higher stakes for the main character, which either makes them more determined to fight or question if they should give up.
Nothing should ever be easy for the main character. They must constantly push through problems and difficult situations as they seek their goal. Even when they think they have a chance to achieve their goal, the rug should be yanked out from under them, tossing them back into the conflict and increasing the stakes once again.
If you raise the stakes, you ratchet up the tension, keeping the conflict alive and the energy running through the story. If you’ve ever watched a movie or read a book that has kept your attention until it’s over and you collapse in an exhausted heap when it ends, the stakes in that story were likely high enough to keep you fully engaged.
A great example of escalating stakes is the movie Speed. While it’s a basic premise – if the bus goes below 55 miles per hour, it will explode – the levels of conflict, tension, and how the stakes are raised throughout the film keep us watching. So many obstacles and problems are thrown at our hero, Jack, that it’s hard to breathe as the story escalates to its climactic finale. If you haven’t seen the film, I highly recommend watching and observing how the filmmakers keep upping the stakes as the story unfolds.
It's also important to layer stakes for the hero to fight against. Having them deal with one issue at a time can become repetitive, but having many problems thrown at them simultaneously keeps them active and the audience interested. How will they deal with all these problems? What will get resolved first? Will all these stakes be enough to break the main character and make them give up, or will they find the strength to keep fighting?
Giving your hero something to lose if they don’t reach their goal establishes what’s “at stake” for them as the story begins. As the story unfolds, escalating the conflict and the stakes for the main character increases the suspense and tension, and keeps the reader or viewer engaged with the story as the main character fights to achieve what they’ve set out to do.
Happy Writing, and I’ll see you next time!
More conflict-based posts are on the way, all throughout the month of May!
