Ian Dawson's Blog - Posts Tagged "copyright"
The Field - From Word Doc to Paperback, Part Two
My mind was made up, I was going to self-publish The Fieldas an eBook. I began to research different methods and companies that specialize in taking a manuscript and turning it into a professional finished product. I came upon www.BookBaby.com and after a few clicks knew that they were the company I wanted to partner with.
I emailed my editor, Kathleen, and told her that after long last I was going to publish my novel. She suggested I reach out to cover artist Steven Novak at http://www.novakillustration.com. I did and after a couple email exchanges, I decided to use his services for my book cover.
Things were starting to fall into place.
Steven sent me a list of what he needed in order to get an idea of how the cover should look. This being my first time doing this, I went WAY overboard with the materials I sent him. Luckily, I’m sure he has dealt with first-time authors before so he whittled my over-the-top ramblings into an initial cover concept. We then worked over the next two days to fine-tune the cover into what the final cover became.
I was very excited with the final product, and was excited to share it with people. Now that I had the cover, I could take that and the manuscript and begin the process on Book Baby of creating an eBook. And that’s exactly what I did, but before I did anything, I copyrighted my manuscript. This is a very important thing to do that I highly recommend to all self-publishers. While you do retain the rights to your work when you publish with Book Baby, it’s always good to have the official copyright on your side as well just in case. Visit the site here: https://www.copyright.gov/registration/ (FYI, it doesn’t let you do it on the weekends or holidays)
Copyright in, I submitted my manuscript and cover to Book Baby. There is a lot of other extra information that it’s important to have on-hand as you go through the process: a short description of your book, a long description of your book, and metadata keywords.
They use this information on the various sites like Amazon, Apple iBooks, and Barnes & Noble. Some use the short version of your novel’s description, others use the longer version. Think of either one as the blurb that you would want on the back of your novel if it was a hard cover or paperback.
My original short description:
When fourteen-year-old Daniel Robinson is abducted during a summer game of hide-and-seek, his life quickly changes from one of fun to one of survival. Daniel must find the courage and strength to escape his two captors and get back home no matter what it takes. Will Daniel make it out alive, or is this one nightmare too real to escape?
My original long description:
A summer of adventure becomes a summer of terror when fourteen-year-old Daniel Robinson is abducted by two older boys during a game of hide-and-seek with his best friend Kyle. Daniel soon finds himself at the mercy of his captors, doing whatever he can to survive and escape before his fate is sealed. Can Daniel make it out alive, or is this one nightmare too real to escape?
As Kyle comes to the realization that something bad may have happened to Daniel, he sets out to find his best friend and bring him back to safety. With nothing but his teenage instincts to guide him, will Kyle’s quest to find his best friend result in a happy ending or end in tragedy?
In his first novel, author Ian Dawson draws from his real-life experiences to create an action-adventure story about unconditional friendship, courage, and determination.
Welcome to The Field.
Metadata are keywords that Amazon and other sites use to categorize your novel based on its content. That way people looking for books about the topic you have written about are likely to have it pop up when they search. Once Book Baby has these three things, they tweak them to make them for better search optimization on the various sites. Tomorrow I will let you know what metadata Book Baby and I decided on, and how I decided on the pricing for my eBook.
I emailed my editor, Kathleen, and told her that after long last I was going to publish my novel. She suggested I reach out to cover artist Steven Novak at http://www.novakillustration.com. I did and after a couple email exchanges, I decided to use his services for my book cover.
Things were starting to fall into place.
Steven sent me a list of what he needed in order to get an idea of how the cover should look. This being my first time doing this, I went WAY overboard with the materials I sent him. Luckily, I’m sure he has dealt with first-time authors before so he whittled my over-the-top ramblings into an initial cover concept. We then worked over the next two days to fine-tune the cover into what the final cover became.
I was very excited with the final product, and was excited to share it with people. Now that I had the cover, I could take that and the manuscript and begin the process on Book Baby of creating an eBook. And that’s exactly what I did, but before I did anything, I copyrighted my manuscript. This is a very important thing to do that I highly recommend to all self-publishers. While you do retain the rights to your work when you publish with Book Baby, it’s always good to have the official copyright on your side as well just in case. Visit the site here: https://www.copyright.gov/registration/ (FYI, it doesn’t let you do it on the weekends or holidays)
Copyright in, I submitted my manuscript and cover to Book Baby. There is a lot of other extra information that it’s important to have on-hand as you go through the process: a short description of your book, a long description of your book, and metadata keywords.
They use this information on the various sites like Amazon, Apple iBooks, and Barnes & Noble. Some use the short version of your novel’s description, others use the longer version. Think of either one as the blurb that you would want on the back of your novel if it was a hard cover or paperback.
My original short description:
When fourteen-year-old Daniel Robinson is abducted during a summer game of hide-and-seek, his life quickly changes from one of fun to one of survival. Daniel must find the courage and strength to escape his two captors and get back home no matter what it takes. Will Daniel make it out alive, or is this one nightmare too real to escape?
My original long description:
A summer of adventure becomes a summer of terror when fourteen-year-old Daniel Robinson is abducted by two older boys during a game of hide-and-seek with his best friend Kyle. Daniel soon finds himself at the mercy of his captors, doing whatever he can to survive and escape before his fate is sealed. Can Daniel make it out alive, or is this one nightmare too real to escape?
As Kyle comes to the realization that something bad may have happened to Daniel, he sets out to find his best friend and bring him back to safety. With nothing but his teenage instincts to guide him, will Kyle’s quest to find his best friend result in a happy ending or end in tragedy?
In his first novel, author Ian Dawson draws from his real-life experiences to create an action-adventure story about unconditional friendship, courage, and determination.
Welcome to The Field.
Metadata are keywords that Amazon and other sites use to categorize your novel based on its content. That way people looking for books about the topic you have written about are likely to have it pop up when they search. Once Book Baby has these three things, they tweak them to make them for better search optimization on the various sites. Tomorrow I will let you know what metadata Book Baby and I decided on, and how I decided on the pricing for my eBook.
The Road to Midnight House: An Author’s Journey – Part Four
Last week, I talked about the drafting and editing process I went through while writing Midnight House. Needless to say, this part of the process takes time and should be taken seriously by anyone with an eye for publishing their novel. The more professional you take the process, the better the result.
This week, I wanted to talk about getting feedback, finalizing your manuscript, and getting it ready to publish.
An Objective Outsider
Your manuscript is complete. You’ve done multiple drafts. You have painstakingly gone through each sentence, paragraph, and chapter to make sure they help tell the story you want to tell. Now it’s time to let someone else read your work.
But who?
Finding a feedback partner is crucial to getting effective and objective feedback on your work. Ideally, this should be someone familiar with your work, someone you trust to give you honest and constructive feedback, and hopefully a non-family member.
I was fortunate enough to have a former co-worker become my feedback partner for Midnight House. He was one of the first people to buy The Field, and he really enjoyed the book and the characters. When I asked him to be my feedback partner for book two, he was more than happy to help.
If you have a few people in mind who haven’t read anything of yours, put some feelers out and see if they would be willing to read the first few chapters and give you feedback. If one gets back to you with the constructive criticism you need to make the book better, you should consider offering them payment to read the whole manuscript.
Yes. You should pay someone for their time when it comes to reading your manuscript. This helps to ensure they won’t put it off, and it gives them an incentive to get back to you with their feedback.
You also want to make sure that you give them specific things to focus on so they have a goal in mind as they begin to read. Do you want them to focus on the main character’s story arc? Do you want them to check for story continuity? Is the book too graphic? Is there anything that could be cut that slows down the pace of the story? Giving your feedback partner something to actively be on the lookout for will help them stay engaged.
Once they have finished, schedule a phone call, Zoom meeting, or face-to-face (if available in your area), and let them speak first. If they have questions about things that were unclear, make a note of them. What did they like? What didn’t they like? What stood out to them? What wasn’t effective? Make sure you take notes and also ask them for any notes they may have written down as they were reading.
All of this is valuable information.
Remember, they are not attacking you or your work. They have the same goal as you: to make the manuscript stronger. Take their notes and feedback and - if you agree with what they had to say - apply them to a new draft of the manuscript. If you want (and I recommend), make the changes, then ask them to reread it.
All of this will aid in making your final draft stronger and more engaging to future readers.
Editing on a Budget
The good news: Editing services exist. The bad news: They can be rather pricey for an indie author on a budget. Some charge between $7 and $10 a page, which can be pretty expensive if you have a 500-page manuscript.
If you can do this, great. If you can’t, consider alternatives. I use Grammarly, which can help you with spelling, grammar, sentence structure, and other writing aspects to help improve your manuscript. It’s about $150 a year, and I have found it to be an invaluable tool in my writing process.
I copy and paste one chapter into the program and work through it slowly to make sure that what I want to say and how I want to say it is still in my voice, but that mechanical issues are resolved to make the writing clearer and more professional.
You can do this at any phase in the drafting process, but I did it between feedback drafts on Midnight House. It’s amazing how much we overlook when we are invested in the story. I highly recommend Grammarly as a writing tool.
Ready? Set? Publish?
Once you are satisfied with what you’ve written, your feedback partner has assisted with giving you notes to make the manuscript better, and you’ve done some fine-tuning to the entire work as a whole, it’s time to consider next steps.
I know I’m in a place where it’s time to move on when the story begins to fade from my mind. If I exhausted all story possibilities, my brain began to move on to other ideas and projects. This is a good thing. It means that you have done all you can for your story. You have given it all the attention it needed to be the best it can be.
It’s time to finalize things. If you are 100% satisfied with your manuscript, save it with “_FinalDraft” after the title.
Then, I would strongly urge you to get it copyrighted through the U.S. Copyright Office. It’s about $65, but you will have an official Copyright registration number, and your manuscript will be protected.
Your manuscript is done, finalized, and copyrighted. So, let’s get it on the road to publication. And next week, in the final post of this series, we’ll talk about the indie publishing process, marketing, and other aspects of getting your manuscript out in a professional form.
See you next week!
This week, I wanted to talk about getting feedback, finalizing your manuscript, and getting it ready to publish.
An Objective Outsider
Your manuscript is complete. You’ve done multiple drafts. You have painstakingly gone through each sentence, paragraph, and chapter to make sure they help tell the story you want to tell. Now it’s time to let someone else read your work.
But who?
Finding a feedback partner is crucial to getting effective and objective feedback on your work. Ideally, this should be someone familiar with your work, someone you trust to give you honest and constructive feedback, and hopefully a non-family member.
I was fortunate enough to have a former co-worker become my feedback partner for Midnight House. He was one of the first people to buy The Field, and he really enjoyed the book and the characters. When I asked him to be my feedback partner for book two, he was more than happy to help.
If you have a few people in mind who haven’t read anything of yours, put some feelers out and see if they would be willing to read the first few chapters and give you feedback. If one gets back to you with the constructive criticism you need to make the book better, you should consider offering them payment to read the whole manuscript.
Yes. You should pay someone for their time when it comes to reading your manuscript. This helps to ensure they won’t put it off, and it gives them an incentive to get back to you with their feedback.
You also want to make sure that you give them specific things to focus on so they have a goal in mind as they begin to read. Do you want them to focus on the main character’s story arc? Do you want them to check for story continuity? Is the book too graphic? Is there anything that could be cut that slows down the pace of the story? Giving your feedback partner something to actively be on the lookout for will help them stay engaged.
Once they have finished, schedule a phone call, Zoom meeting, or face-to-face (if available in your area), and let them speak first. If they have questions about things that were unclear, make a note of them. What did they like? What didn’t they like? What stood out to them? What wasn’t effective? Make sure you take notes and also ask them for any notes they may have written down as they were reading.
All of this is valuable information.
Remember, they are not attacking you or your work. They have the same goal as you: to make the manuscript stronger. Take their notes and feedback and - if you agree with what they had to say - apply them to a new draft of the manuscript. If you want (and I recommend), make the changes, then ask them to reread it.
All of this will aid in making your final draft stronger and more engaging to future readers.
Editing on a Budget
The good news: Editing services exist. The bad news: They can be rather pricey for an indie author on a budget. Some charge between $7 and $10 a page, which can be pretty expensive if you have a 500-page manuscript.
If you can do this, great. If you can’t, consider alternatives. I use Grammarly, which can help you with spelling, grammar, sentence structure, and other writing aspects to help improve your manuscript. It’s about $150 a year, and I have found it to be an invaluable tool in my writing process.
I copy and paste one chapter into the program and work through it slowly to make sure that what I want to say and how I want to say it is still in my voice, but that mechanical issues are resolved to make the writing clearer and more professional.
You can do this at any phase in the drafting process, but I did it between feedback drafts on Midnight House. It’s amazing how much we overlook when we are invested in the story. I highly recommend Grammarly as a writing tool.
Ready? Set? Publish?
Once you are satisfied with what you’ve written, your feedback partner has assisted with giving you notes to make the manuscript better, and you’ve done some fine-tuning to the entire work as a whole, it’s time to consider next steps.
I know I’m in a place where it’s time to move on when the story begins to fade from my mind. If I exhausted all story possibilities, my brain began to move on to other ideas and projects. This is a good thing. It means that you have done all you can for your story. You have given it all the attention it needed to be the best it can be.
It’s time to finalize things. If you are 100% satisfied with your manuscript, save it with “_FinalDraft” after the title.
Then, I would strongly urge you to get it copyrighted through the U.S. Copyright Office. It’s about $65, but you will have an official Copyright registration number, and your manuscript will be protected.
Your manuscript is done, finalized, and copyrighted. So, let’s get it on the road to publication. And next week, in the final post of this series, we’ll talk about the indie publishing process, marketing, and other aspects of getting your manuscript out in a professional form.
See you next week!
