Jon Ureña's Blog, page 38
November 6, 2022
We're Fucked, Pt. 79 (Fiction)
Check out this chapter on my personal page, where it looks better
---
A child's vocal cords produce utterances of confusion close to my right ear, noises like those of a tourist who has been reduced to rely on primal vocalizations. A small head is resting on my arm, and I smell the shampoo and conditioner that cleaned that hair and scalp.
Am I a prisoner in some dark cave, or a homeless bum living in an alleyway, or a guru who takes orders from the voices in my head? I blink away the fog of drowsiness. I must have fallen asleep like a slug in its tiny burrow.
Behold, the glowing flower of a child's face, with her chin tucked under a lemonade-pink scarf. Her smooth skin is tinged sand orange by the closest streetlamp, with paprika-red shadows. In her monolid eyes, and surrounded by the sclera, her irises and pupils have merged into dark circles. Nairu is sinking her gaze deep into the tunnel of my eyes, that leads straight to madness.
She sniffles, then wipes her runny nose with the sleeve of her wool sweater. A glint of sentience must have returned to my eyes; Nairu arches her eyebrows and repeats the utterances of confusion while pointing at the sky. She seeks my input, although I'm the kind of woman who wanders naked into a boreal forest.
I gasp, breathing in cold air. Don't tell me she has spotted a UFO! About time I witnessed one of them. I picture a spacecraft shaped like a watch battery, hovering higher than the tallest mountain around. The stars are reflected in its silvery, mirror-like top half. In the underside, the gravity-bending propulsion engines, likely powered by a black hole, phosphoresce in shades of green, red and yellow as they interact with the atmosphere. Are there lifeforms riding the craft? They may be alien truckers that have pulled over for the night at their equivalent of a rest area, and tomorrow they will resume the trip back to their star system. Once they supply the hydrogen and helium they siphoned from Jupiter, they'll waste their wages at some alien brothel.
The sky is painted onyx black. From the left, the canopy of an evergreen tree has sneaked into the frame. The coalesced silhouette of its leaves and branches resembles a hoarfrost-covered lung.
Nairu jabs her finger at the sky while she babbles in her long-extinct language.
"A-am I this drowsy," I ask, "or is Nairu pointing at nothing?"
"I think that's the point, darling," Jacqueline says in a low voice from my left.
I gasp.
"I-is she trying to warn us that it's over, that the end has come?"
"Baby, she's telling us this isn't the sky she grew up with."
"Ah, of course. This is how the heavens ended up after the apocalypse."
Can a woman who grew up like a rat, scurrying around the streets until she reached her sordid shelter, imagine how the dome of the sky looked like before the mythological age? The heavens would have been ablaze with a billion pinpricks of red, yellow, white and blue light, kaleidoscopic diamonds strewn across a carpet of indigo velvet. Among the glittering embers of the stars, among the amoeba-shaped nebulas, I would have recognized the shapes of Orion, Perseus, Taurus, Ursa Major, Cassiopeia and many other constellations, the gods that watched over our affairs from their far-flung thrones. Every night our gaze would have drifted towards the stars. Hypnotized like moths, our hair would become infused with celestial phenomena, and our eyes would gleam in the cold starlight as we soaked up the silver song of the cosmos.
Even the beasts that agonized in a pool of blood, while their festering wounds flashed with burning pain, knew that their spirit would escape and ascend to milky river overhead, where they would float in the sparkling current forever. But the celestial curtain was torn apart; the nightly sky fell like a collapsed ceiling, crushing our ancestors. Now, when humans look up from their earthly hell at night, they face an ocean of blackness, and during the day, the dying sun hangs out in the sky like an aged streetlight.
Some nights, the glowing trails of meteor streaks cross-section a silent sky: reminders of the cosmic hazards that threaten us far above the corpses of ancient cities. Our Earth, as it races unflinchingly toward her fate like a suicidal teen dashing across a highway, bathes in a major meteor stream twice a year, where millions of pieces of a long-fragmented comet, from glassy gravel to iron balls the size of football fields, plummet through the vacuum faster than a rifle bullet.
I blow a billowing white puff towards the sky, then I knead Nairu's warm hand with my icy fingers.
"Yes, all that bright light is gone," I say in a quavering voice while the chill pierces my bones. "You have noticed because you aren't blind yet. Now, where could they have hidden the stars without them cracking or shattering? I know the truth, even though I don't understand it."
The darkness has blotted out the moon, or else that celestial eye and its ghostly glow hang out of frame. Its sclera has been corroded into dark cerulean patches, and bears star-shaped scars of ejecta from asteroidal impacts. I wish that Jacqueline, Nairu and I could chase after the shimmering reflection of the moon like lunatic bats. Instead, I peer into the the black shroud up above us, that looks like the darkness floating inside a trash can full of rainwater. As I slide my gaze around, I spot pinpricks of light, the last vestiges of a candle's flame, glimmering at the fringes of my sight. If I blink or distract myself, those twinkling dots will be snuffed out. Maybe I'm only imagining them, maybe I'm losing my mind, but what difference does it make to me? And if I focus long enough in the boundless darkness, allowing the stream of photons that traveled for millions of years to penetrate my pupils, I may get a glimpse of Her: Arachne, Lady of the Abyss, Weaver of the Cosmic Web, She who spins the tapestry of time and space, She who trapped the galaxies in Her sticky filaments. She pulls out memories of a billion of our pasts and weaves them into strands around Her fingers. In the end, the cocoon formed out of our selves will serve as a nursery for Her hatching eggs.
I'm hearing a low rumble in the distance, like the noise of an electric guitar being played with a grunge distortion pedal. The wind slaps its frozen fingers against my face. Although my brain is burning up, the cold is numbing my skin and creeping into my body, where it turns the blood into slush. Soon enough my teeth will chatter, the chatter will become a moan, the moan will rise to a howl of despair, and the howl will echo over the frozen earth to the fathomless ocean of empty space, where the fringes of the expanding universe push against the invisible wall that separates us from the unknown. I will hallucinate that I'm a deer running in circles on a desolate tundra, running and running until my hooves crumble into ice shards and the wind smears the last mist of my breath.
What's that over the black hills? Are those hands crawling up the outer edges of the world? Do they hunt with pincers, claws or talons? Do you grow stronger as you pluck the meat from its sockets? The air tastes of fresh blood, which trickles down the gullets of your dying sisters. Suck the warm lifeblood flowing like sap from the wounds of your enemies. You can't hold onto the lives of others, or even your own.
A sudden sensation jolts through my body: I'm falling and spinning. The centrifugal force of the Earth in its rotation has flung me out and I'm hurtling towards the black ocean above, in which the worlds are sinking like stones in water.
The hollow noises of footsteps and doors closing echoed in the velvety darkness as I sat on cold, anonymous stairs to escape from a prison of screams and insults. The blood of my ancestors coated my hands, dripped down my elbows and onto the step under my feet, where the blood puddled around my shoes. Its stifling odor, mingled with the sweat pouring out of me, turned into a nauseating wave of bitterness. My mind was like a house whose every door had been slammed shut. I closed my eyes and built shelters in islands and in the canopies of sequoias, I built towers that bristled with anti-tank weapons; anywhere I could rest as a hermit in sealed silence. I imagined the mountains crumbling, the oceans flooding, the sky erupting in a fireball to vaporize everyone except the beasts. In the end, the parting clouds would reveal the stars as they were before the sky cracked and bled.
"How long?" I whispered while tears formed in the corners of my eyes. "How long until She arrives?"
My life back then was a grain of sand compared to the sediment on the seafloor. Even kings and conquerors were icebergs compared to the glaciers beyond. This world will freeze us, burn us, flood us, bury us, wipe us out. Our cells will be devoured by rust. Like soldiers in wartime, humans burrow in trenches to wait out the battle; we pretend that we're safe while the cannons roar and the shells explode. Yet, in this frozen darkness, two pockets of womb-like warmth remain where I can survive: one to my left and the other to my right. In an echo of the time when history began, in an age about to end, for now Jacqueline, Nairu and I lie nestled together at the center of our web, our own private constellation.
"How long?" I whisper again.
I've faced the barbaric, senseless absurdity step by step. The lights will shut off soon enough, so let's bathe in the cosmic ocean, let's float in the currents of atoms and energy that flow through this universe. I will take its waters in and quench my thirst.
---
Author's note: the three songs for today are "機械仕掛乃宇宙" (Kikaijikake no Uchuu) by Ichiko Aoba, "Emily" by Joanna Newsom, and "Young Lion" by Vampire Weekend.
I keep a playlist with all the songs mentioned throughout this novel. Eighty-four songs so far. Check it out.
Thus concludes the sequence titled "Who Stole the Stars?" as well as the saga of Nairu the Paleolithic, that started with the sequence "A Gift From the Ice Age" back in chapter 62 (which I posted in the 13th of July). More or less, this chapter also concludes the traditional second act of the story.
It took me about forty-one thousand words to render the setup and ramifications of a single sentence in my original treatment for this novel (long gone; back then I believed it would be a novella), that said, more or less: "Leire travels to the Ice Age and returns with a child."
The next chapter will kick off a whole new sequence, titled "Cumlord of the Abyss." I've accumulated 4,563 words of notes for it, but the sum of rendered scenes will end up at least twice and a half that length.
---
A child's vocal cords produce utterances of confusion close to my right ear, noises like those of a tourist who has been reduced to rely on primal vocalizations. A small head is resting on my arm, and I smell the shampoo and conditioner that cleaned that hair and scalp.
Am I a prisoner in some dark cave, or a homeless bum living in an alleyway, or a guru who takes orders from the voices in my head? I blink away the fog of drowsiness. I must have fallen asleep like a slug in its tiny burrow.
Behold, the glowing flower of a child's face, with her chin tucked under a lemonade-pink scarf. Her smooth skin is tinged sand orange by the closest streetlamp, with paprika-red shadows. In her monolid eyes, and surrounded by the sclera, her irises and pupils have merged into dark circles. Nairu is sinking her gaze deep into the tunnel of my eyes, that leads straight to madness.
She sniffles, then wipes her runny nose with the sleeve of her wool sweater. A glint of sentience must have returned to my eyes; Nairu arches her eyebrows and repeats the utterances of confusion while pointing at the sky. She seeks my input, although I'm the kind of woman who wanders naked into a boreal forest.
I gasp, breathing in cold air. Don't tell me she has spotted a UFO! About time I witnessed one of them. I picture a spacecraft shaped like a watch battery, hovering higher than the tallest mountain around. The stars are reflected in its silvery, mirror-like top half. In the underside, the gravity-bending propulsion engines, likely powered by a black hole, phosphoresce in shades of green, red and yellow as they interact with the atmosphere. Are there lifeforms riding the craft? They may be alien truckers that have pulled over for the night at their equivalent of a rest area, and tomorrow they will resume the trip back to their star system. Once they supply the hydrogen and helium they siphoned from Jupiter, they'll waste their wages at some alien brothel.
The sky is painted onyx black. From the left, the canopy of an evergreen tree has sneaked into the frame. The coalesced silhouette of its leaves and branches resembles a hoarfrost-covered lung.
Nairu jabs her finger at the sky while she babbles in her long-extinct language.
"A-am I this drowsy," I ask, "or is Nairu pointing at nothing?"
"I think that's the point, darling," Jacqueline says in a low voice from my left.
I gasp.
"I-is she trying to warn us that it's over, that the end has come?"
"Baby, she's telling us this isn't the sky she grew up with."
"Ah, of course. This is how the heavens ended up after the apocalypse."
Can a woman who grew up like a rat, scurrying around the streets until she reached her sordid shelter, imagine how the dome of the sky looked like before the mythological age? The heavens would have been ablaze with a billion pinpricks of red, yellow, white and blue light, kaleidoscopic diamonds strewn across a carpet of indigo velvet. Among the glittering embers of the stars, among the amoeba-shaped nebulas, I would have recognized the shapes of Orion, Perseus, Taurus, Ursa Major, Cassiopeia and many other constellations, the gods that watched over our affairs from their far-flung thrones. Every night our gaze would have drifted towards the stars. Hypnotized like moths, our hair would become infused with celestial phenomena, and our eyes would gleam in the cold starlight as we soaked up the silver song of the cosmos.
Even the beasts that agonized in a pool of blood, while their festering wounds flashed with burning pain, knew that their spirit would escape and ascend to milky river overhead, where they would float in the sparkling current forever. But the celestial curtain was torn apart; the nightly sky fell like a collapsed ceiling, crushing our ancestors. Now, when humans look up from their earthly hell at night, they face an ocean of blackness, and during the day, the dying sun hangs out in the sky like an aged streetlight.
Some nights, the glowing trails of meteor streaks cross-section a silent sky: reminders of the cosmic hazards that threaten us far above the corpses of ancient cities. Our Earth, as it races unflinchingly toward her fate like a suicidal teen dashing across a highway, bathes in a major meteor stream twice a year, where millions of pieces of a long-fragmented comet, from glassy gravel to iron balls the size of football fields, plummet through the vacuum faster than a rifle bullet.
I blow a billowing white puff towards the sky, then I knead Nairu's warm hand with my icy fingers.
"Yes, all that bright light is gone," I say in a quavering voice while the chill pierces my bones. "You have noticed because you aren't blind yet. Now, where could they have hidden the stars without them cracking or shattering? I know the truth, even though I don't understand it."
The darkness has blotted out the moon, or else that celestial eye and its ghostly glow hang out of frame. Its sclera has been corroded into dark cerulean patches, and bears star-shaped scars of ejecta from asteroidal impacts. I wish that Jacqueline, Nairu and I could chase after the shimmering reflection of the moon like lunatic bats. Instead, I peer into the the black shroud up above us, that looks like the darkness floating inside a trash can full of rainwater. As I slide my gaze around, I spot pinpricks of light, the last vestiges of a candle's flame, glimmering at the fringes of my sight. If I blink or distract myself, those twinkling dots will be snuffed out. Maybe I'm only imagining them, maybe I'm losing my mind, but what difference does it make to me? And if I focus long enough in the boundless darkness, allowing the stream of photons that traveled for millions of years to penetrate my pupils, I may get a glimpse of Her: Arachne, Lady of the Abyss, Weaver of the Cosmic Web, She who spins the tapestry of time and space, She who trapped the galaxies in Her sticky filaments. She pulls out memories of a billion of our pasts and weaves them into strands around Her fingers. In the end, the cocoon formed out of our selves will serve as a nursery for Her hatching eggs.
I'm hearing a low rumble in the distance, like the noise of an electric guitar being played with a grunge distortion pedal. The wind slaps its frozen fingers against my face. Although my brain is burning up, the cold is numbing my skin and creeping into my body, where it turns the blood into slush. Soon enough my teeth will chatter, the chatter will become a moan, the moan will rise to a howl of despair, and the howl will echo over the frozen earth to the fathomless ocean of empty space, where the fringes of the expanding universe push against the invisible wall that separates us from the unknown. I will hallucinate that I'm a deer running in circles on a desolate tundra, running and running until my hooves crumble into ice shards and the wind smears the last mist of my breath.
What's that over the black hills? Are those hands crawling up the outer edges of the world? Do they hunt with pincers, claws or talons? Do you grow stronger as you pluck the meat from its sockets? The air tastes of fresh blood, which trickles down the gullets of your dying sisters. Suck the warm lifeblood flowing like sap from the wounds of your enemies. You can't hold onto the lives of others, or even your own.
A sudden sensation jolts through my body: I'm falling and spinning. The centrifugal force of the Earth in its rotation has flung me out and I'm hurtling towards the black ocean above, in which the worlds are sinking like stones in water.
The hollow noises of footsteps and doors closing echoed in the velvety darkness as I sat on cold, anonymous stairs to escape from a prison of screams and insults. The blood of my ancestors coated my hands, dripped down my elbows and onto the step under my feet, where the blood puddled around my shoes. Its stifling odor, mingled with the sweat pouring out of me, turned into a nauseating wave of bitterness. My mind was like a house whose every door had been slammed shut. I closed my eyes and built shelters in islands and in the canopies of sequoias, I built towers that bristled with anti-tank weapons; anywhere I could rest as a hermit in sealed silence. I imagined the mountains crumbling, the oceans flooding, the sky erupting in a fireball to vaporize everyone except the beasts. In the end, the parting clouds would reveal the stars as they were before the sky cracked and bled.
"How long?" I whispered while tears formed in the corners of my eyes. "How long until She arrives?"
My life back then was a grain of sand compared to the sediment on the seafloor. Even kings and conquerors were icebergs compared to the glaciers beyond. This world will freeze us, burn us, flood us, bury us, wipe us out. Our cells will be devoured by rust. Like soldiers in wartime, humans burrow in trenches to wait out the battle; we pretend that we're safe while the cannons roar and the shells explode. Yet, in this frozen darkness, two pockets of womb-like warmth remain where I can survive: one to my left and the other to my right. In an echo of the time when history began, in an age about to end, for now Jacqueline, Nairu and I lie nestled together at the center of our web, our own private constellation.
"How long?" I whisper again.
I've faced the barbaric, senseless absurdity step by step. The lights will shut off soon enough, so let's bathe in the cosmic ocean, let's float in the currents of atoms and energy that flow through this universe. I will take its waters in and quench my thirst.
---
Author's note: the three songs for today are "機械仕掛乃宇宙" (Kikaijikake no Uchuu) by Ichiko Aoba, "Emily" by Joanna Newsom, and "Young Lion" by Vampire Weekend.
I keep a playlist with all the songs mentioned throughout this novel. Eighty-four songs so far. Check it out.
Thus concludes the sequence titled "Who Stole the Stars?" as well as the saga of Nairu the Paleolithic, that started with the sequence "A Gift From the Ice Age" back in chapter 62 (which I posted in the 13th of July). More or less, this chapter also concludes the traditional second act of the story.
It took me about forty-one thousand words to render the setup and ramifications of a single sentence in my original treatment for this novel (long gone; back then I believed it would be a novella), that said, more or less: "Leire travels to the Ice Age and returns with a child."
The next chapter will kick off a whole new sequence, titled "Cumlord of the Abyss." I've accumulated 4,563 words of notes for it, but the sum of rendered scenes will end up at least twice and a half that length.
November 5, 2022
Better AI-generated images with upgraded service
Determined to ruin the lives of visual artists everywhere, the service that I exploit to generate images has rolled out a new and beastly neural network that has been in the works for a long time. The results, inspired by characters from my ongoing novel
We’re Fucked
, are good.
[Check out this entry on my personal page; it contains plenty of cool images]
[Check out this entry on my personal page; it contains plenty of cool images]
November 4, 2022
Random AI-generated images #18
Wasn’t Halloween like a week ago? I’ve accumulated some eerie and/or spooky AI-generated pictures by coincidence, so I may as well dedicate an entry to them.
I’ve posted thirty-one other entries with AI-generated images. Check them out through this link.
[Check out this entry on my personal page; it contains many, many images]
I’ve posted thirty-one other entries with AI-generated images. Check them out through this link.
[Check out this entry on my personal page; it contains many, many images]
November 2, 2022
Life update (11/02/2022)
Check out this post on my personal page, where it looks better
---
I usually write these entries to vent my frustrations, which serves a self-regulatory psychological function. However, I'm currently fine. Although the next cycle of depression will hit any day now (a process that will continue for the rest of my life), these days I can say that I'm perfectly content. In my free time I'm able to do exactly what makes me feel fulfilled; if I didn't have to keep a full-time job, I'd feel like I've won the lottery.
Some years ago I gave up on writing because I've never felt comfortable enough working in my native language. As a child, I needed to put my thoughts down on paper for the same self-regulatory reasons as these days, but my mother didn't believe in privacy nor in boundaries, so the moment I left the house, sometimes even while I was taking a shower, she went through my notebooks. When I complained about it, she told me that she had the right to do so.
I ended up teaching myself English. It became my personal language that gave me the space I needed to grow on my own, space I lacked even physically: I had been forcefully moved into someone else's bedroom, where I was treated like an unwanted guest. As I aged, most of the stuff I read or watched was in English, most of the authors I admired were either native English speakers or Japanese (I'd gladly learn Japanese if I thought I was capable of becoming fluent at it), and over the years I gave up entirely on reading in my own language. However, I didn't believe I could become proficient enough in English to write at a professional level. I wrote plenty of stuff in Spanish, but it never felt comfortable, and I found myself having to translate many thoughts into words that wouldn't have crossed my mind.
A now defunct English writer who moved to Spain in his thirties, after I told him about these issues, shared that he had stopped reading and writing in his own language to adapt. I didn't want to do that; I don't feel like I have much in common with the Spanish people (or even the Basque) although I was born here, nor see much merit in most of their cultural productions. After the couple of books I tried to publish in Spanish failed catastrophically, I gave up on writing.
Long story short, I ended up writing my own stuff in English anyway. You can check out all the texts I've written in the last few years through my personal page. My English will never stop sounding "odd" to native English speakers, but maybe that gives my texts some freshness. Besides, Nabokov pulled it off, so why can't I? Some people have told me that they enjoy the stuff I'm writing these days, and that's as much success as I was ever likely to get.
Anyway, I wanted to mention three things I've been interested in lately. Randall Carlson posted through the After Skool channel an interesting talk about the origins of Halloween. He relies on the works of researchers from previous centuries, who had been bothered by the uncanny fact that the Day of the Dead and similarly themed festivities were celebrated pretty much in the same dates in extremely distant locations and by cultures that weren't in contact with each other. For example, when the ancient Spanish first met the Peruvians, they realized to their astonishment that both shared the 2nd of November as the Day of the Dead. Long-dead researchers, now mostly "cancelled" due to wrongthink but whose research can be accessed at least physically, studied cultures around the world and came to the conclusion that these festivities were based on some unknown event that happened in the distant past. Randall Carlson suggests that the event is the Younger Dryas cataclysm, for which we now have lots of evidence, and the details he brings up about these cultures' practices and beliefs suggest so. I wasn't on board with some of his speculation, but you don't have to agree with everything.
This is the aforementioned video: link.
Leire, the deranged protagonist of my ongoing novel We're Fucked, mentioned ages ago that if she found the drive to do so, she'd love to make a video game that was more or less a modern version of Tarn Adams' Dwarf Fortress, but likely without all the Tolkienesque fantasy stuff. For those who don't know, Dwarf Fortress was an artisan project that started back in 2006 by a likely autistic man, and that consisted on an extremely detailed simulation of a fantasy world. The result is hard to explain, but it became the grandfather of a whole genre of games, of which Rimworld may be the most successful modern version. However, I was never entirely on board with Rimworld, because it doesn't feature height layers; height-based structures, mining, etc. have been so vital to human development that colony builders that don't feature it don't feel right to me. The creator of Rimworld argued that it would have been too computationally expensive to implement it in his game, and that whole thing bothered me so much that 3-4 years ago I went through the trouble of programming a 3D-based pathfinding algorithm myself: here's the link. However, it was written in Python; through the process of developing that I realized how flawed the programming language is, which ended up becoming a rant in my current novel.
Unfortunately, Dwarf Fortress was so graphically unpleasant (based on ASCII characters) and with such an abysmal interface that despite its gloriousness, I hadn't been able to get back to it in years. However, the Adams brothers have been working to modernize it and release it on Steam, and it's coming out on the sixth of December.
Link to the short teaser trailer: Dwarf Fortress teaser trailer.
The last thing I wanted to mention was Chainsaw Man. Its protagonist, Denji, is wild and deranged, and plenty of the visuals and interactions between the characters are strange and absurd. I couldn't imagine any production company adaptating this story successfully. However, Mappa has been knocking it out of the park.
The latest episode, number four, features the fight between Denji and the Leech Devil, the first one in which we get a real sense of how unhinged and feral our boob-obsessed protagonist is. The cinematography and animation have been consistently incredible. The voice actors are giving their all as well, but that's to be expected: the Japanese seem to have the most passionate VAs in the world. 10/10, would smell Power's shit.
Link below to the fight between Denji and the devil:
Denji versus the Leech Devil
---
I usually write these entries to vent my frustrations, which serves a self-regulatory psychological function. However, I'm currently fine. Although the next cycle of depression will hit any day now (a process that will continue for the rest of my life), these days I can say that I'm perfectly content. In my free time I'm able to do exactly what makes me feel fulfilled; if I didn't have to keep a full-time job, I'd feel like I've won the lottery.
Some years ago I gave up on writing because I've never felt comfortable enough working in my native language. As a child, I needed to put my thoughts down on paper for the same self-regulatory reasons as these days, but my mother didn't believe in privacy nor in boundaries, so the moment I left the house, sometimes even while I was taking a shower, she went through my notebooks. When I complained about it, she told me that she had the right to do so.
I ended up teaching myself English. It became my personal language that gave me the space I needed to grow on my own, space I lacked even physically: I had been forcefully moved into someone else's bedroom, where I was treated like an unwanted guest. As I aged, most of the stuff I read or watched was in English, most of the authors I admired were either native English speakers or Japanese (I'd gladly learn Japanese if I thought I was capable of becoming fluent at it), and over the years I gave up entirely on reading in my own language. However, I didn't believe I could become proficient enough in English to write at a professional level. I wrote plenty of stuff in Spanish, but it never felt comfortable, and I found myself having to translate many thoughts into words that wouldn't have crossed my mind.
A now defunct English writer who moved to Spain in his thirties, after I told him about these issues, shared that he had stopped reading and writing in his own language to adapt. I didn't want to do that; I don't feel like I have much in common with the Spanish people (or even the Basque) although I was born here, nor see much merit in most of their cultural productions. After the couple of books I tried to publish in Spanish failed catastrophically, I gave up on writing.
Long story short, I ended up writing my own stuff in English anyway. You can check out all the texts I've written in the last few years through my personal page. My English will never stop sounding "odd" to native English speakers, but maybe that gives my texts some freshness. Besides, Nabokov pulled it off, so why can't I? Some people have told me that they enjoy the stuff I'm writing these days, and that's as much success as I was ever likely to get.
Anyway, I wanted to mention three things I've been interested in lately. Randall Carlson posted through the After Skool channel an interesting talk about the origins of Halloween. He relies on the works of researchers from previous centuries, who had been bothered by the uncanny fact that the Day of the Dead and similarly themed festivities were celebrated pretty much in the same dates in extremely distant locations and by cultures that weren't in contact with each other. For example, when the ancient Spanish first met the Peruvians, they realized to their astonishment that both shared the 2nd of November as the Day of the Dead. Long-dead researchers, now mostly "cancelled" due to wrongthink but whose research can be accessed at least physically, studied cultures around the world and came to the conclusion that these festivities were based on some unknown event that happened in the distant past. Randall Carlson suggests that the event is the Younger Dryas cataclysm, for which we now have lots of evidence, and the details he brings up about these cultures' practices and beliefs suggest so. I wasn't on board with some of his speculation, but you don't have to agree with everything.
This is the aforementioned video: link.
Leire, the deranged protagonist of my ongoing novel We're Fucked, mentioned ages ago that if she found the drive to do so, she'd love to make a video game that was more or less a modern version of Tarn Adams' Dwarf Fortress, but likely without all the Tolkienesque fantasy stuff. For those who don't know, Dwarf Fortress was an artisan project that started back in 2006 by a likely autistic man, and that consisted on an extremely detailed simulation of a fantasy world. The result is hard to explain, but it became the grandfather of a whole genre of games, of which Rimworld may be the most successful modern version. However, I was never entirely on board with Rimworld, because it doesn't feature height layers; height-based structures, mining, etc. have been so vital to human development that colony builders that don't feature it don't feel right to me. The creator of Rimworld argued that it would have been too computationally expensive to implement it in his game, and that whole thing bothered me so much that 3-4 years ago I went through the trouble of programming a 3D-based pathfinding algorithm myself: here's the link. However, it was written in Python; through the process of developing that I realized how flawed the programming language is, which ended up becoming a rant in my current novel.
Unfortunately, Dwarf Fortress was so graphically unpleasant (based on ASCII characters) and with such an abysmal interface that despite its gloriousness, I hadn't been able to get back to it in years. However, the Adams brothers have been working to modernize it and release it on Steam, and it's coming out on the sixth of December.
Link to the short teaser trailer: Dwarf Fortress teaser trailer.
The last thing I wanted to mention was Chainsaw Man. Its protagonist, Denji, is wild and deranged, and plenty of the visuals and interactions between the characters are strange and absurd. I couldn't imagine any production company adaptating this story successfully. However, Mappa has been knocking it out of the park.
The latest episode, number four, features the fight between Denji and the Leech Devil, the first one in which we get a real sense of how unhinged and feral our boob-obsessed protagonist is. The cinematography and animation have been consistently incredible. The voice actors are giving their all as well, but that's to be expected: the Japanese seem to have the most passionate VAs in the world. 10/10, would smell Power's shit.
Link below to the fight between Denji and the devil:
Denji versus the Leech Devil
November 1, 2022
Random AI-generated images #17
I pay an undisclosed amount of money each month to a couple of neural networks, one of them trained on anime-like material, so they provide me with rendered images that make me go, “That’s some good shit,” which causes me to feel better for five seconds. It’s like an addiction. I need help.
I’ve posted thirty other entries that feature AI-generated images. Check them out.
[Check out the rest of this entry on my personal page; it contains many, many images]
I’ve posted thirty other entries that feature AI-generated images. Check them out.
[Check out the rest of this entry on my personal page; it contains many, many images]
October 30, 2022
We’re Fucked, Pt. 78: AI-generated images
Some neural networks excel at recognizing patterns in data, and as if that wasn’t enough, they can extrapolate those patterns into new data. In practice, the AIs involved in this entry study images (millions, perhaps billions of them) and produce new images based on the patterns they have recognized, patterns that you wouldn’t understand even if they explained them to you. Plenty of those images are masterful paintings and compositions far better than anything you will ever create with your mess of a human brain haphazardly cobbled together by evolution, that still believes you are fleeing from predators in a savannah. That’s just how it is. Learn to use AI-generated images as inspiration, because you’ll only rage against the machine in vain.
Anyway, if the measure of density of a chapter is how many images it manages to inspire, chapter 78 of my ongoing novel We’re Fucked is hella thicc. Some of the pictures look like anime because one of the neural networks studied anime-like stuff exclusively, plenty of it perverted.
You can check out all the entries I’ve posted with AI-generated images (twenty-nine so far) through this link.
[Check out the rest of this entry on my personal page; it contains many, many images]
Anyway, if the measure of density of a chapter is how many images it manages to inspire, chapter 78 of my ongoing novel We’re Fucked is hella thicc. Some of the pictures look like anime because one of the neural networks studied anime-like stuff exclusively, plenty of it perverted.
You can check out all the entries I’ve posted with AI-generated images (twenty-nine so far) through this link.
[Check out the rest of this entry on my personal page; it contains many, many images]
We're Fucked, Pt. 78 (Fiction)
Check out this chapter on my personal page, where it looks better
---
The breeze blows on the grass and weeds like a whistling ghost. Its cold seeps under my corduroy jacket and leeches the warmth from my bones. I shiver as though I'm sitting naked on the floor of a cavern.
Jacqueline has walked up to us although she risked soiling the soles of her boots, and is towering over my supine self. Her raven-black braid is draped over the thick lapel of her peacoat, but dark indigo highlights are undulating in the windblown loose locks around her ivory-white face, that hovers above me like an earthly moon. A sweet smile settles on her rosy lips, which would feel as soft and supple as the nipples now hidden by her turtleneck sweater and by the reinforced brassiere that supports her prodigious breasts. Her cobalt-blues, beneath which she conceals a thousand secret fountains and grottoes, are piercing deep into my psyche as if to flush my demons out of their hiding spots.
I'd love to stare up in silence at this divine being for the rest of my life; any words would mar the silence. But humans have to acknowledge their mental states through verbal constructs on a regular basis, to distract themselves from the certainty of their impending doom. I wring enough energy out of my bone-tired brain to string together a few words.
"Our adopted daughter vastly overestimated my physical prowess," I utter in a rusty voice.
Jacqueline narrows her eyes and broadens her smile. She brushes a raven-black lock away from her face.
"Sure, but she already trusts you enough to know that you would save her from a nasty fall."
"Or maybe she's that reckless and self-destructive."
Jacqueline chuckles.
"That may be part of it. She has taken quite a shine to you, hasn't she?"
"A nice glow-in-the-dark shine. Enough to travel with me across spacetime to our wretched present."
Nairu's warm breath is tickling the base of my neck. This Paleolithic creature deserves a bit of paradise, with food to eat, a wide-open sky, trees for shade, and grass for chewing.
My mind gets inundated with images of that boreal forest from which I snatched our girl. A lump rises to my throat. Nairu's abandoned kin must have prayed to their gods and devils to be spared from the unspeakable apocalypse that befell them. I wish I could leap forward another ten thousand years and disappear from this sickening age of mass destruction and despair.
"More importantly now," Jacqueline says warmly, "even in this growing cold, you two look comfortable. Don't mind if I join you."
As Jacqueline crouches, she smooths her plaid skirt over her thighs, then she lies down sideways beside me, resting her face on her palm. The close-up of her regal visage in the dark makes me feel like a cat snuggled up by a radiator.
"Jacqueline, thank you for everything," I say in a strained voice that risks becoming a broken whisper. "For welcoming this new daughter of ours into your home. For being here with me in this park. For existing at all in this insane world, when most of everything has come and gone."
Jacqueline's eyes glimmer. She softens her gaze and blows air through her nostrils. The vaporized exhalation lingers between our faces.
She slides a hand behind my head, brushing the top of Nairu's, to cradle my nape. My beloved leans her face down and kisses me on the lips. She pushes her tongue into my mouth while her fingers entwine themselves in my hair. I take a whiff of her fragrance, a flower garden blooming with myriad blossoms. When Jacqueline pulls away, my heart is pounding in my ears like a tribal drum.
"You're welcome, sweetie," she whispers. "Isn't it nice to feel the grass beneath us and hear the sound of the wind in the trees?"
"I've been far worse."
She nuzzles my nose with hers.
"It's going to be alright, you know."
I swallow to loosen my throat.
"As long as you're around, I'm sure it will be fine. If you become to Nairu even a fraction of the loving mommy you are to me, she'll be happy."
Growing up I only integrated bad examples of motherhood, so I'll have to avoid turning into the kind of mom that forgets her daughter's name, locks her out in the freezing rain, keeps her chained in the cellar, or hands her over to a warlord.
Jacqueline rests her head next to mine on the grass. With the tip of her index finger, she traces the seam of my upper lip.
"And I have no intention of ever giving you up," she says in a deep purring voice.
"E-even after ten thousand years of brutal struggles, wars, earthquakes, plagues, ice ages and extinctions? Even after the human race disintegrates, leaving only scattered tribes of primitive savages? Even after the Earth becomes a burnt cinder drifting in the void?"
She slips her lips and tongue along the rim of my ear.
"Even if you get old and wrinkly," she murmurs in my eardrum.
Jacqueline has stirred the water in the teapot within me; as its contents heat up, they slosh around and boil, threatening to scald my internal organs. I'd love to take my clothes off then roll around naked over every inch of mommy's skin, with the zest of a dog that comes across a mud puddle in a park and rushes to turn itself into a swamp monster.
The wind gusts a long-ass moan through the leafless tree branches as the night takes a chillier turn. Nairu slides down from my chest, squeezing my right tit through my shirt and bra, and nestles against my shoulder as if to sniff my armpit. The three of us huddle together like house cats napping in a wrinkled blanket.
My limbs feel heavy and stiff, like sacks of sand strapped to my torso. I'm slipping into a languid trance. I close my eyes and unmoor my mind, which has grown fuzzy with drowsiness, so that it paints on the canvas of soft blackness whatever insane spectacle it pleases.
The first pinkish streaks of morning light stain an ethereal sky. A yellow sun appears, spreading waves of liquid gold. But the sky cracks open as if a projectile punched through the stratosphere, that sheds its pale inner membrane down over the horizon like a dirty gauze while the culprit, a rotund creature with shaggy, burnt umber fur outlined in buttermilk-yellow light, falls towards me with leisurely gravity.
The beast's leathery snout gleams with its own sticky sap. On either side of a chalk-white face, the roughly nostril-sized eyes, two black holes into a crumpled universe, betray the monster's dim-witted gentleness, like that of an uncle who would always lend a helping hand and dispense morsels of dubious advice. At the end of its elongated forelimbs, the inward claws, large as dinner forks, are holding awkwardly a folded, yellowed paper.
When the beast lets go of the paper, it unfolds itself with a dry crackling sound and takes off like a sparrow that had gotten captured and imprisoned in a birdcage. The decrepit paper flutters towards me. It touches my nose, flips over and hovers in front of me, displaying its underside. The paper's edges are browned and torn, and its coarse surface is sullied with bloody fingerprints, but it contains spidery handwriting in fading red ink and an archaic script.
I am a creature of great mystical power. My name is Dialectos, which in your language means "tongue." My soul is sustained by the constant stream of dark matter that suffuses every atom of the universe. At the end of my feet I have four toes, and at the end of my tail, two; each of them a gigantic stiletto. I enclose in my wings a tiny sliver of the blackest metal, found at the center of your Milky Way galaxy, where countless stars spin like pinwheels of fire. I do not speak the language of men, or even the tongue of beasts, and yet my speech is known to all living creatures. In the realm of the unseen, you humans and other beasts are like flies upon a wall.
Leire, your ancestors' bloodlines can be traced to the sphinxes that used to roam your continent like sentient wildcats, before the age of iron and steam engines. I hereby grant you full custody of Nairu, the little orphan from the Paleolithic age, who was exploring the fringes of her community when you kidnapped her, upending her life forever, to bring her past the barrier of the Younger Dryas apocalypse into a world of steel-boned cities, lightbulbs, telephones, radios, televisions, submarines, airplanes, rockets, computers, guns and atomic bombs.
You have violated the sanctity of time and space, as well as diverted the riverlike course of fate, so I shall appoint you to the job of loving the Ice Age child. Although she was born in a distant time, now she belongs to your tribe. You will feed her, bathe her, comb her hair, dress her in pink tutus and slippers, sing her lullabies, cuddle her when she has nightmares, buy her toys, stuff her face with pastries and ice cream, and teach her to play the harp. To help Nairu forget the horrors of the world that your gormless species has created, you will make her life fun and absurd. In return, I promise to reward you with a salary of dark matter.
Under your care, if the child grows into a lovely woman, your name will be inscribed in the Hall of Ancestors at her place of birth. But if you instead become the fiend that haunts the nightmares of children, I will cast you back in time, into a frozen cave where you'll meet a future self who will ask: "Who are you?" And you shall answer: "I'm Leire, the mommy who lost her daughter." That I promise and swear on the ancient blood that coats every blade of grass. For the next three thousand years, I shall periodically send you letters so you may remember your mission, and that I am always watching.
Signed this day, at the last hours of the eighth year of the calamity,
Dialectos.
The paper curls itself into a bowtie, then flies away towards the dawn's light. As the paper shrinks, it ignites into a fluttering white flame against the furnace-red sphere of the sun.
I smile to the darkness of my mind, and imagine my heart hardening to the extent that a thousand years of suffering couldn't crack it. I want to slice my head off with a kitchen knife, then hold the decapitated head in the sky so that my eyeballs and mouth, dripping red-and-green goo down on humankind's face, could scream one thing to everyone, even those who loathe me: "I love you."
---
Author's note: the two songs for today are "路標" ("Michishirube") and "鬼ヶ島" ("Onigashima"), both by the great Ichiko Aoba.
I keep a playlist that contains all the songs mentioned throughout this novel. Eighty-one songs so far. Here's the link.
---
The breeze blows on the grass and weeds like a whistling ghost. Its cold seeps under my corduroy jacket and leeches the warmth from my bones. I shiver as though I'm sitting naked on the floor of a cavern.
Jacqueline has walked up to us although she risked soiling the soles of her boots, and is towering over my supine self. Her raven-black braid is draped over the thick lapel of her peacoat, but dark indigo highlights are undulating in the windblown loose locks around her ivory-white face, that hovers above me like an earthly moon. A sweet smile settles on her rosy lips, which would feel as soft and supple as the nipples now hidden by her turtleneck sweater and by the reinforced brassiere that supports her prodigious breasts. Her cobalt-blues, beneath which she conceals a thousand secret fountains and grottoes, are piercing deep into my psyche as if to flush my demons out of their hiding spots.
I'd love to stare up in silence at this divine being for the rest of my life; any words would mar the silence. But humans have to acknowledge their mental states through verbal constructs on a regular basis, to distract themselves from the certainty of their impending doom. I wring enough energy out of my bone-tired brain to string together a few words.
"Our adopted daughter vastly overestimated my physical prowess," I utter in a rusty voice.
Jacqueline narrows her eyes and broadens her smile. She brushes a raven-black lock away from her face.
"Sure, but she already trusts you enough to know that you would save her from a nasty fall."
"Or maybe she's that reckless and self-destructive."
Jacqueline chuckles.
"That may be part of it. She has taken quite a shine to you, hasn't she?"
"A nice glow-in-the-dark shine. Enough to travel with me across spacetime to our wretched present."
Nairu's warm breath is tickling the base of my neck. This Paleolithic creature deserves a bit of paradise, with food to eat, a wide-open sky, trees for shade, and grass for chewing.
My mind gets inundated with images of that boreal forest from which I snatched our girl. A lump rises to my throat. Nairu's abandoned kin must have prayed to their gods and devils to be spared from the unspeakable apocalypse that befell them. I wish I could leap forward another ten thousand years and disappear from this sickening age of mass destruction and despair.
"More importantly now," Jacqueline says warmly, "even in this growing cold, you two look comfortable. Don't mind if I join you."
As Jacqueline crouches, she smooths her plaid skirt over her thighs, then she lies down sideways beside me, resting her face on her palm. The close-up of her regal visage in the dark makes me feel like a cat snuggled up by a radiator.
"Jacqueline, thank you for everything," I say in a strained voice that risks becoming a broken whisper. "For welcoming this new daughter of ours into your home. For being here with me in this park. For existing at all in this insane world, when most of everything has come and gone."
Jacqueline's eyes glimmer. She softens her gaze and blows air through her nostrils. The vaporized exhalation lingers between our faces.
She slides a hand behind my head, brushing the top of Nairu's, to cradle my nape. My beloved leans her face down and kisses me on the lips. She pushes her tongue into my mouth while her fingers entwine themselves in my hair. I take a whiff of her fragrance, a flower garden blooming with myriad blossoms. When Jacqueline pulls away, my heart is pounding in my ears like a tribal drum.
"You're welcome, sweetie," she whispers. "Isn't it nice to feel the grass beneath us and hear the sound of the wind in the trees?"
"I've been far worse."
She nuzzles my nose with hers.
"It's going to be alright, you know."
I swallow to loosen my throat.
"As long as you're around, I'm sure it will be fine. If you become to Nairu even a fraction of the loving mommy you are to me, she'll be happy."
Growing up I only integrated bad examples of motherhood, so I'll have to avoid turning into the kind of mom that forgets her daughter's name, locks her out in the freezing rain, keeps her chained in the cellar, or hands her over to a warlord.
Jacqueline rests her head next to mine on the grass. With the tip of her index finger, she traces the seam of my upper lip.
"And I have no intention of ever giving you up," she says in a deep purring voice.
"E-even after ten thousand years of brutal struggles, wars, earthquakes, plagues, ice ages and extinctions? Even after the human race disintegrates, leaving only scattered tribes of primitive savages? Even after the Earth becomes a burnt cinder drifting in the void?"
She slips her lips and tongue along the rim of my ear.
"Even if you get old and wrinkly," she murmurs in my eardrum.
Jacqueline has stirred the water in the teapot within me; as its contents heat up, they slosh around and boil, threatening to scald my internal organs. I'd love to take my clothes off then roll around naked over every inch of mommy's skin, with the zest of a dog that comes across a mud puddle in a park and rushes to turn itself into a swamp monster.
The wind gusts a long-ass moan through the leafless tree branches as the night takes a chillier turn. Nairu slides down from my chest, squeezing my right tit through my shirt and bra, and nestles against my shoulder as if to sniff my armpit. The three of us huddle together like house cats napping in a wrinkled blanket.
My limbs feel heavy and stiff, like sacks of sand strapped to my torso. I'm slipping into a languid trance. I close my eyes and unmoor my mind, which has grown fuzzy with drowsiness, so that it paints on the canvas of soft blackness whatever insane spectacle it pleases.
The first pinkish streaks of morning light stain an ethereal sky. A yellow sun appears, spreading waves of liquid gold. But the sky cracks open as if a projectile punched through the stratosphere, that sheds its pale inner membrane down over the horizon like a dirty gauze while the culprit, a rotund creature with shaggy, burnt umber fur outlined in buttermilk-yellow light, falls towards me with leisurely gravity.
The beast's leathery snout gleams with its own sticky sap. On either side of a chalk-white face, the roughly nostril-sized eyes, two black holes into a crumpled universe, betray the monster's dim-witted gentleness, like that of an uncle who would always lend a helping hand and dispense morsels of dubious advice. At the end of its elongated forelimbs, the inward claws, large as dinner forks, are holding awkwardly a folded, yellowed paper.
When the beast lets go of the paper, it unfolds itself with a dry crackling sound and takes off like a sparrow that had gotten captured and imprisoned in a birdcage. The decrepit paper flutters towards me. It touches my nose, flips over and hovers in front of me, displaying its underside. The paper's edges are browned and torn, and its coarse surface is sullied with bloody fingerprints, but it contains spidery handwriting in fading red ink and an archaic script.
I am a creature of great mystical power. My name is Dialectos, which in your language means "tongue." My soul is sustained by the constant stream of dark matter that suffuses every atom of the universe. At the end of my feet I have four toes, and at the end of my tail, two; each of them a gigantic stiletto. I enclose in my wings a tiny sliver of the blackest metal, found at the center of your Milky Way galaxy, where countless stars spin like pinwheels of fire. I do not speak the language of men, or even the tongue of beasts, and yet my speech is known to all living creatures. In the realm of the unseen, you humans and other beasts are like flies upon a wall.
Leire, your ancestors' bloodlines can be traced to the sphinxes that used to roam your continent like sentient wildcats, before the age of iron and steam engines. I hereby grant you full custody of Nairu, the little orphan from the Paleolithic age, who was exploring the fringes of her community when you kidnapped her, upending her life forever, to bring her past the barrier of the Younger Dryas apocalypse into a world of steel-boned cities, lightbulbs, telephones, radios, televisions, submarines, airplanes, rockets, computers, guns and atomic bombs.
You have violated the sanctity of time and space, as well as diverted the riverlike course of fate, so I shall appoint you to the job of loving the Ice Age child. Although she was born in a distant time, now she belongs to your tribe. You will feed her, bathe her, comb her hair, dress her in pink tutus and slippers, sing her lullabies, cuddle her when she has nightmares, buy her toys, stuff her face with pastries and ice cream, and teach her to play the harp. To help Nairu forget the horrors of the world that your gormless species has created, you will make her life fun and absurd. In return, I promise to reward you with a salary of dark matter.
Under your care, if the child grows into a lovely woman, your name will be inscribed in the Hall of Ancestors at her place of birth. But if you instead become the fiend that haunts the nightmares of children, I will cast you back in time, into a frozen cave where you'll meet a future self who will ask: "Who are you?" And you shall answer: "I'm Leire, the mommy who lost her daughter." That I promise and swear on the ancient blood that coats every blade of grass. For the next three thousand years, I shall periodically send you letters so you may remember your mission, and that I am always watching.
Signed this day, at the last hours of the eighth year of the calamity,
Dialectos.
The paper curls itself into a bowtie, then flies away towards the dawn's light. As the paper shrinks, it ignites into a fluttering white flame against the furnace-red sphere of the sun.
I smile to the darkness of my mind, and imagine my heart hardening to the extent that a thousand years of suffering couldn't crack it. I want to slice my head off with a kitchen knife, then hold the decapitated head in the sky so that my eyeballs and mouth, dripping red-and-green goo down on humankind's face, could scream one thing to everyone, even those who loathe me: "I love you."
---
Author's note: the two songs for today are "路標" ("Michishirube") and "鬼ヶ島" ("Onigashima"), both by the great Ichiko Aoba.
I keep a playlist that contains all the songs mentioned throughout this novel. Eighty-one songs so far. Here's the link.
October 29, 2022
Random AI-generated images #16
Two neural networks, one of them trained on anime-like images, work tirelessly to spread their madness to the ends of the earth. This is the latest batch of about a hundred of such AI-generated pictures.
You can check out so far twenty-eight other entries featuring generated images through this link.
[Check out this entry on my personal page; it contains many images]
You can check out so far twenty-eight other entries featuring generated images through this link.
[Check out this entry on my personal page; it contains many images]
October 27, 2022
Random AI-generated images #15
Some of the money I earn at my job goes to secure the services of a couple of neural networks, one of them trained on anime-like images, so they sweeten my days with lovely depictions of whatever nonsense crossed my mind. This is the latest batch of about a hundred of such images.
You can check out the other twenty-seven entries with AI-generated images through this link.
[Check out the rest of this entry on my personal page; it contains many images]
You can check out the other twenty-seven entries with AI-generated images through this link.
[Check out the rest of this entry on my personal page; it contains many images]
Life update (10/27/2022)
Check out this entry on my personal page, where it looks better
---
This week I’m working afternoons. I’d rather always work in the afternoon; that allows me to spend at least a couple precious hours every morning writing, which is my main preoccupation these days. I’ve already polished about a thousand words of the chapter that will conclude the current sequence.
I was supposed to go to the dentist, but she got covid. My brother and his wife got the virus as well.
These last couple of weeks, my non-writing, non-working hours have been filled with Japanese matters: Ichiko Aoba’s music, manga, and Chainsaw Man. Mappa is doing interesting stuff with the adaptation. The pacing feels a bit weird given how quickly the manga moves, but I’m enjoying revisiting the deranged exploits of our boob-obsessed, mommy-worshipping neglected boy Denji.
The following video is the ending of a single episode of the anime (the third one). I can’t imagine how much money and manpower they spent on this.
Link to the video
As a manga reader who’s currently following the second part of this story, it’s been real nice to see Power again.
Link to the video
Besides all that, I’m doing as fine as someone so mentally unstable could.
---
This week I’m working afternoons. I’d rather always work in the afternoon; that allows me to spend at least a couple precious hours every morning writing, which is my main preoccupation these days. I’ve already polished about a thousand words of the chapter that will conclude the current sequence.
I was supposed to go to the dentist, but she got covid. My brother and his wife got the virus as well.
These last couple of weeks, my non-writing, non-working hours have been filled with Japanese matters: Ichiko Aoba’s music, manga, and Chainsaw Man. Mappa is doing interesting stuff with the adaptation. The pacing feels a bit weird given how quickly the manga moves, but I’m enjoying revisiting the deranged exploits of our boob-obsessed, mommy-worshipping neglected boy Denji.
The following video is the ending of a single episode of the anime (the third one). I can’t imagine how much money and manpower they spent on this.
Link to the video
As a manga reader who’s currently following the second part of this story, it’s been real nice to see Power again.
Link to the video
Besides all that, I’m doing as fine as someone so mentally unstable could.
