Debbie Robson's Blog - Posts Tagged "darlinghurst"
Searching in the past for that indefinable something
I think we’ve all done it as some stage and not especially in the past - spent time looking for something, not knowing what that something is! What exactly am I looking for, we ask ourselves. We stop for a moment, think about it and then begin again none the wiser.
I’m searching in Sydney’s way back past for either an old house that has been turned into a block of flats or perhaps a particular row of terrace houses. I’ve been gazing at photographs of the old villas of Darlinghurst at this wonderful website, My Darlinghurst. I’ve also been looking at certain streets, especially Darlinghurst Road. The City of Sydney Archives are great for that purpose, particularly the demolition books. I stumbled on their existence when I was looking for cafes in 1924. (I still need a small one in Pitt Street.) I will shortly begin searching the 1,866 Darlinghurst images here. I should surface in a week or so.
My search for the perfect flat for Raye Reynolds my doomed artist is starting to get frustrating but I know what the problem is - I want not just her flat but something of the street as well. Maybe just down the road is the Kings theatre, or a park where she goes sketching or a cafe where she scrapes together the money for a pot of tea. So I know I’m looking for a flat plus something else. I’m hunting for a detail that will help fix the flat in the reader’s mind. Maybe its a massive frangipani tree out the front. Now that’s a thought! Or maybe something else.
I wasn’t sure what that indefinable something was when I was researching the Ambassadors Cafe late last year. See this post. I knew I was spending too much time researching but my writing was stalled. I found out where the cafe was, what it looked like and the band that played there in in early 1924 (the last detail I didn’t even end up using). The very last thing I found out before the scene almost wrote itself was that there were private rooms off the main dining area! Private saloons! I put my six characters in the private room. Even worked out who sat where. There were introductions as a few didn’t know each other. They sat down at the oval table, began to talk and the chapter was away!
Think of me as I disappear in the demolition books. I'm sure I'll come back with something interesting!
I’m searching in Sydney’s way back past for either an old house that has been turned into a block of flats or perhaps a particular row of terrace houses. I’ve been gazing at photographs of the old villas of Darlinghurst at this wonderful website, My Darlinghurst. I’ve also been looking at certain streets, especially Darlinghurst Road. The City of Sydney Archives are great for that purpose, particularly the demolition books. I stumbled on their existence when I was looking for cafes in 1924. (I still need a small one in Pitt Street.) I will shortly begin searching the 1,866 Darlinghurst images here. I should surface in a week or so.
My search for the perfect flat for Raye Reynolds my doomed artist is starting to get frustrating but I know what the problem is - I want not just her flat but something of the street as well. Maybe just down the road is the Kings theatre, or a park where she goes sketching or a cafe where she scrapes together the money for a pot of tea. So I know I’m looking for a flat plus something else. I’m hunting for a detail that will help fix the flat in the reader’s mind. Maybe its a massive frangipani tree out the front. Now that’s a thought! Or maybe something else.
I wasn’t sure what that indefinable something was when I was researching the Ambassadors Cafe late last year. See this post. I knew I was spending too much time researching but my writing was stalled. I found out where the cafe was, what it looked like and the band that played there in in early 1924 (the last detail I didn’t even end up using). The very last thing I found out before the scene almost wrote itself was that there were private rooms off the main dining area! Private saloons! I put my six characters in the private room. Even worked out who sat where. There were introductions as a few didn’t know each other. They sat down at the oval table, began to talk and the chapter was away!
Think of me as I disappear in the demolition books. I'm sure I'll come back with something interesting!
Playing Musical Chairs With Sydney Suburbs
This post was originally blogged on 22/5/14 at Wordpress
I can do this! I'm a novelist! But why? Now that's a good question but I'd better start at the beginning. As I might have mentioned, I had barely done any research when I began writing my manuscript Paris Next Week last August. I needed two Sydney suburbs fairly close to the inner city so I chose Elizabeth Bay for Louie Galbraith and Darling Point for my main character, Sarah Montague. I actually can't remember why but with this decision I had put my main character further away from Sydney and all that was happening there.
This wasn't a problem until I started moving my characters around the city and also became better acquainted with them. It turns out that Louie's family are richer than the Montagues and she therefore has a more generous allowance than Sarah. She also has a chauffeur at her disposal. Sarah is forced to sometimes catch the tram (poor darling) and often walks to some of her meetings with her best friend. This is a bit of a stretch if she was walking from Darling Point - an hour as opposed to the more realistic thirty minutes from Elizabeth Bay.
Recently I have been investigating the mansions of both suburbs. Libby Watters at the Woollahra Local History Centre has been a wonderful help. With a map and a list of Darling Point mansions she supplied, I have discovered that Darllng Point is the grander suburb, with several outstanding properties such as the fairytale Greenoaks above. It's one of four spectacular castle like houses in the suburb, including the amazing mansion called The Swifts. I grabbed this for Louie's home only the other week and with this decision and the chauffeur, I decided to swap the girls' suburbs. Once I had the extra wealth and the suburb, AND the castle here is the paragraph that came from all the manoeuvring. It is Sarah pondering on Louie's house I've called Eastbourne (The Swifts in disguise) :
"It has crenellations everywhere, ready for battle with little chimneys shaped like turrets and a portico that could shelter a whole wedding party in a thunderstorm. It is an amazing house masquerading as a castle in Scotland and the magnificence of it has always shadowed Louie in a way. It’s strange that I should only have just realised this but it is what I’ve been thinking since our talk at Darlinghurst.
She loves the house and grounds. I know she does but she also fears what the house represents. I can’t blame her! I’m thankful I don’t live there because I’m sure I would feel the same way and I think that’s why we always played at Highcliffe when we could. Not just because we loved clambering up and down the switchback stairs to the garden. We used to get to the bottom and look up. And although Highcliffe looks the most impressive from that view, it still manages to look friendly rather than imposing. Whereas Eastbourne does imposing AND grand exceedingly well. What daughter could look up to that? And what sort of man does the house call to? The wrong sort of man, I’m sure. The sort that says to himself, “Ah, here is money to burn.”"
The suburbs are now aligned and all is right with the world of my characters. At least for the time being!
I can do this! I'm a novelist! But why? Now that's a good question but I'd better start at the beginning. As I might have mentioned, I had barely done any research when I began writing my manuscript Paris Next Week last August. I needed two Sydney suburbs fairly close to the inner city so I chose Elizabeth Bay for Louie Galbraith and Darling Point for my main character, Sarah Montague. I actually can't remember why but with this decision I had put my main character further away from Sydney and all that was happening there.
This wasn't a problem until I started moving my characters around the city and also became better acquainted with them. It turns out that Louie's family are richer than the Montagues and she therefore has a more generous allowance than Sarah. She also has a chauffeur at her disposal. Sarah is forced to sometimes catch the tram (poor darling) and often walks to some of her meetings with her best friend. This is a bit of a stretch if she was walking from Darling Point - an hour as opposed to the more realistic thirty minutes from Elizabeth Bay.
Recently I have been investigating the mansions of both suburbs. Libby Watters at the Woollahra Local History Centre has been a wonderful help. With a map and a list of Darling Point mansions she supplied, I have discovered that Darllng Point is the grander suburb, with several outstanding properties such as the fairytale Greenoaks above. It's one of four spectacular castle like houses in the suburb, including the amazing mansion called The Swifts. I grabbed this for Louie's home only the other week and with this decision and the chauffeur, I decided to swap the girls' suburbs. Once I had the extra wealth and the suburb, AND the castle here is the paragraph that came from all the manoeuvring. It is Sarah pondering on Louie's house I've called Eastbourne (The Swifts in disguise) :
"It has crenellations everywhere, ready for battle with little chimneys shaped like turrets and a portico that could shelter a whole wedding party in a thunderstorm. It is an amazing house masquerading as a castle in Scotland and the magnificence of it has always shadowed Louie in a way. It’s strange that I should only have just realised this but it is what I’ve been thinking since our talk at Darlinghurst.
She loves the house and grounds. I know she does but she also fears what the house represents. I can’t blame her! I’m thankful I don’t live there because I’m sure I would feel the same way and I think that’s why we always played at Highcliffe when we could. Not just because we loved clambering up and down the switchback stairs to the garden. We used to get to the bottom and look up. And although Highcliffe looks the most impressive from that view, it still manages to look friendly rather than imposing. Whereas Eastbourne does imposing AND grand exceedingly well. What daughter could look up to that? And what sort of man does the house call to? The wrong sort of man, I’m sure. The sort that says to himself, “Ah, here is money to burn.”"
The suburbs are now aligned and all is right with the world of my characters. At least for the time being!
