Faye Fite's Blog, page 3

8 Tips for Writing a Good Screenplay

Ah, screenwriting. One of the two types of writing that I know virtually nothing about.

(the other one is poetry, but we won't speak of that because it makes me sound like uncultured swine)

However, Alexis P. Johnson and Ryan Penland know about screenwriting. They have both written multiple short films, some of which have been or are currently being produced. And guess what? They're here today to tell you about how to get started with screenwriting.

You all better take notes.


Alexis P. Johnson 
1. Get scriptwriting software. This is crucial as most people won’t even get past page one if your script is improperly formatted. There are some free ones online such as Celtx.

2. Read some books about screenwriting structure. My favorite books are Cut to the Chase about writing films, and Inside the Room about writing for TV. There are many available to choose from.

3. Though structure and formatting are important, your own style does not need to be restrained by them. Keep your voice unique. You will see how others do that when you…

4. Read screenplays of your favorite movies. You’ll see how a variety of writers add their own spice and flavor to productions long before they are shot. You can’t have a great film or series without solid writing first.

5. Seek out feedback, especially if you’re new to scriptwriting. There are usually groups on Meetup or Facebook that you can join for film and TV. Seek out other writers and see if you can mutually beta read each other’s work.

Website | Twitter | Goodreads | Instagram | Youtube 
Ryan Penland 
1. When writing dialogue for your characters, make sure you give each character their own voice. The tendency I have when writing my first draft is every character sounds like me. Get creative and give each of your characters their own personality. With each draft of the script, you’ll see each character come more and more into their own, and it will reflect on the actors!

2. Watch your favorite movies that inspire the story that you want to tell. Watch them for their lighting, cinematography, acting, and storytelling. The more movies you watch, the more you are able to think and problem solve like a writer when it comes to your own script.

3. Remember that the rules of screenwriting are more guidelines than anything. Every movie you have watched has broken one or two screenwriting rules. However, it’s important to know the rules so that you know which ones you are breaking.
Twitter | Instagram 
Are you interesting in screenwriting? We'd love to hear about what you're currently working on, as well as tools you've found helpful! Leave a comment below!

Related articles:
8 Ways To Use Movie Watching To Improve Your Writing11 Classic Movies All Writers Should Watch (Part 1)
7 Writing Lessons Learned from Stranger Things

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday!

Some links are Amazon Affiliate. Thank you for your support!

Factoid Friday #3: My Weird Writer Quirk

I have a lot of weird writer quirks. Most of them aren't a problem in my day-to-day life, but this one? This one is.


For instance, when I was writing Sounds of Deceit, I really, really wanted to watch the newest season of The Dragon Prince. But The Dragon Prince is fantasy, as is Sounds of Deceit, so I wasn't able to watch it. 
This isn't because of will-power. It's because of the fact that, if I had watched Dragon Prince, my brain would keep screaming at me: "You should be writing!" Why? I'm not sure, but I think perhaps the fantasy elements would keep making me think of my own WIP, thus triggering a guilt-trip in my mind. 
On top of this, I try not to be overly influenced by stories in my own genre because it can end up making me feel boxed-in, so watching the show would've made me question my characters, tropes, and plotlines. 
Yeah.
It's not great, but there it is. What are some of your weird writerly hang-ups? 
Related articles: Factoid Friday #2: Jumping in Theme-First
Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday! Or, in this case: Saturday. Thank you for bearing with me. 

Some links are Amazon affiliate. Thank you for your support!

#ChatWithHannah Ep 21: Why You Shouldn't Be Afraid to Write Disabled Characters

"I'm afraid it will limit the story." "I'm afraid of doing it wrong." "I'm afraid I'll get in trouble." Let's talk about all of the reasons why people are afraid to write disabled characters...and all of the reasons these fears are not good reasons to give up on disability representation.


Here are a list of my blog posts, videos, and interviews regarding disability:

Writing Disabled Characters: What You're Doing Wrong (AKA: The afore-mentioned post where I talk about the magical trope)
9 Tips for Writing Physically Disabled Characters in Fantasy
My interview with Yaasha Moriah about disability in fiction
#ChatWithHannah Ep 12 Part 2: Disability in Fiction, World-Building, Descriptive Writing, and More
7 Tips for Writing a Character with a Chronic Illness

Giveaway!!! Here's the link to the giveaway for my indie-versary. May the odds be ever in your favor.

Want to read some books with awesome disability representation? I've got your back.

The Electrical Menagerie by Mollie E. Reeder
Dragon School by Sarah K L Wilson
Irellia the Nightwalker by Beth Wangler
All of my stories (except Vengeance Hunter in the Antiheroes anthology)

Have questions? Comments? Book recommendations! Please leave them below!

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday!

Some links are Amazon affiliate. Thank you for your support!

Do's and Don'ts of Indie Author Professionalism

Four years ago from Thursday, I became an indie author. *throws confetti* Woohooo! How cool is that?

I published Skies of Dripping Gold on 12/05/2015 and things took off from there. I didn't have a business model to look to, nobody in my family knew anything about publishing, and I didn't really know a lot of other indie authors. It was a bit disorienting, but also meant that I had the opportunity to build my indie author business from the ground up with no rules.

It's the beauty of indie publishing.

But also the downfall.

There are so many incredible indie authors out there, but there are also a lot of unprofessional practices going on, too. The lack of hard-and-fast rules combined with people's creative flares has, unfortunately, led to indie authors who run themselves into the ground because they don't know how to handle a business. Let's talk about how you can make sure you are being the best, most professional (but still personable) indie author you can be.

But, before we get started: In honor of my four year indie-versary, I'm holding a giveaway! All the details are below, so keep reading:


Do: Get help, or hire people. Don't know how to write a blurb? Ask you market-savvy friends. Can't draw to save your life? Hire a cover designer. Confused by formatting? Pay a professional to do it for you. Being an indie author doesn't mean you have to do every little thing by yourself. This is so important that I'm going to repeat it again, but in a different point:

Don't: Try to design your own cover, format your own books, or edit your own story if you don't have the skillset. Seriously. I can't tell you how many indies have lost future sales because they've published a fairly interesting book that is riddled with errors. Or who don't sell at all because their cover looks like a baby tried to use photoshop with their non-dominant hand. It's bad, guys. Don't be that indie author. If you can't do something, hire someone. If you can do something, invest in tools that will allow you to do them in a professional way (like Adobe or Clip Studio Paint for cover design).

Do: Ask nicely for reviews. ONCE. Only once. And even then, it's important to use discretion. If there is a reader who you have 1) interacted with and 2) has very publicly stated that they've read your book, consider privately reaching out and asking them to write a quick review. But only ask once. And be very nice.

This is something that I did when I released by debut story because I knew reviews will make or break a new indie author. However, I don't tend to do it very often anymore because I have a fanbase and know that I'll always have a decent number of reviews per story.

Basically, this is a tricky thing. Use discretion and tact, and remember that your readers don't owe you a review.

Don't: Harass people for (or about) reviews. This is a huge no-no. Never bother people for not reviewing your book. And NEVER contact a reader if you dislike their review. This is very unprofessional and off-putting. I had an indie author complain to me about my review via private message and, well. Guess which indie author I will never read again? Yup.

Don't be that person.

Do: Have a professional website. Guys. If you only take one thing away from this post, it should be this point. Having a clean, easy-to-maneuver post is essential. It shows that you care. It makes it easy for your readers to learn more about you and your books.

Yes, websites cost money. And yeah, if you aren't good at web design, you're going to have to higher someone to do it for you. But it is very worth it. It sets the professionals apart from the amateurs. Check out some of these indie author websites to get an idea of what works:

Mine | Kara Swanson | Nate Philbrick | Mollie E. Reeder
Don't: Forget to link said website on all your social medias. What's the point of having a website if you don't publicize it? Always link your website on your social media profiles. Not your Amazon page. Not your Goodreads account. Your website.

I can't tell you how painful it is when I want to learn more about an indie author, but can't locate their website on any of their social media accounts. It makes it impossible to support them, and leave us readers feeling like:



Do: Plan your releases carefully. You're gonna need sleek promotional graphics. Pre-order links. ARCs. Cover and blurb reveals. Newsletter notifications. Blog tours (depending on the type of release you're going for). All of this takes time, so you'll want to start working on your release plan well before your release date. This increases your visibility and shows people that you are very serious about your story.

Don't: Be self-deprecatory. This is a really bad look. People often buy indie books because they like that author's presence online. They like what the author has to say about their work. But if an author is constantly putting themselves and their work down? Nobody wants to see that. It's annoying, unsettling, and undermines your work. It also can sometimes feel like you're fishing for compliments, which gets really old really fast.

Do: Interact with your readers. Indie authors have a special thing going because they can interact with their readers on a very personal level. Being an indie author often has more to do with marketing yourself as an author than it does with marketing individual stories (it is often the opposite in traditional publishing). Because of this, it's important to be kind and accessible to your audience. Respond to tweets, answer emails, thank people when they tag you in reviews or shout-outs.

Don't: Slam the traditional publishing industry, fellow indies, or readers. This is gross, guys. Traditional publishing is not the enemy. Neither are fellow indie authors or that one reader who left you a bad review. Constantly slamming people in your circles is highly unprofessional and a huge red flag for both readers and those in your industry.

Along the same line, you shouldn't ever be using your author platform to constantly talk about politics or business you hate or....anything that isn't related to your brand, honestly. Before you post something, ask yourself: "Will this help me get where I'm planning to go?" and "Is this right and kind?" If the answer is no, don't publish it.

It's not hard, people.

Do: Run your platform like a business. This means you need a solid profile picture, a good author bio, a nice website. You respond to emails in a timely manner. You don't spam people by only posting about your own publications. You use a real name or a pen name (rather than a screen name like BabyYoda394). Always stay on topic.

Don't: Be robotic. Being professional doesn't mean you can't add a personal flare. If you're a nerd, don't be afraid to make nerd references online. Like sports? The occasional tweet about your favorite sport thingy is fine. You don't want to come across as a robot who is trying to impersonate a business professional, so don't feel like you have to only ever talk about books and the genre that you write. Just create a brand and stick to it.

Have questions about specific indie author conundrums? Feel free to leave them below and I'll answer as best I can!

Now.

On to the free stuff:

Please feel free to share this giveaway around the internet! I'm excited to see who wins.

Related articles:
11 Things Nobody Tells You About Being An Indie Author (Until It's Too Late)
A List of Great Self-Published Books You Should Read (Part 2)

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday!

Some links are Amazon affiliate. Thank you for your support!

The PFW Black Friday Sale is Here to Save You

Your time has come.

Have you ever dreamed of starting a giant library chock full of amazing books? Or of showering your loved ones with sci-fi and fantasy novels during Christmas?

Of course you have. You're a bookworm. Luckily for you, we Phoenix Fiction Writers have prepared the way for you.



Starting today, on the Friday where most Americans are getting in fist fights over discounted TVs, I invite you to pull up a chair, grab a mug of something yummy, and prepare for the funnest, most...

5 Tips for Writing a Compelling Paragon Character

What's a paragon character? you may ask. There are a lot of fancy definition, but we all know I don't go for fancy things. Put simply, a paragon character is Captain America.

A paragon is a character who is a champion of a specific (or multiple specific) admirable trait(s). They are good characters, through and through. Maybe they stand for freedom and right-doing (Captain America) or justice (Black Panther) or kindness (Beth March). These character often, though not always, come with a special skill, such as Super Strength to go with their Super Heart (Superman).

They are fascinating characters that tend to be favorites of mine, though they are sadly lacking in speculative fiction. This lack of paragon character types is, in part, due to the fact that writers are afraid that such a character will be boring.
But guys. They do not have to be boring. They can be AMAZING. Take it from two authors who know: Beth Wangler and D.J. Edwardson, both masters of the paragon character type. 

D.J. Edwardson
Today, we’re going to look at two types of paragon characters and how to write them well.

#1. The Superman: These are the characters who can do almost everything. They’re strong, courageous, they try to do the right thing. They don’t have any real weaknesses and, frankly, they’re a little harder to pull off.

To begin with, you’ll need to establish just how powerful they are. Have them save the day, and then save it again and again, each time in a bigger way.

Then comes The Problem, capital P, where you throw the cosmic sink at them. Give them problems so big, even they can’t solve them. This is where the character uncovers that extra wrinkle we didn’t know they had. They can still solve it (or a specialist character can—see below), but we have to believe, at least for a time, that they can’t. We’ll love them all the more when they do or, alternatively, when they learn that even they need help once in a while.

Bonus tip: Give ‘em a weakness. Without some kind of Kryptonite, it makes it hard to put your paragon in a tough situation.

#2. The Specialist: This character is really good at one thing. I’m talking extra-special-crazy good. Atticus Finch can’t run a four-minute mile, but you won’t find a more upstanding fellow in the courtroom. He’s a legend when it comes to setting a good example. The phrase “paragon of virtue” had to come from somewhere. Let it be your character.

Most paragons fall into this camp. To make these characters sing, do the opposite of tip #1. Give them chances for their unique trait to shine. Let them be the best at that over and over again. You could have them fail (or nearly fail), but there are plenty of other things for them to fail at (things they’re not good at). Let them fail at those. Try building them up in the reader’s mind to be the single best (fill in the blank) and see if they don’t end up finding a place in readers’ hearts because of it.
Bonus tip: Give ‘em a surprise second (or third) skill at some point. Make it unexpected. “What? You’re a master fencer and you’ve built up an immunity to iocane powder? Amazing!”

Website | Twitter | Facebook | Goodreads
Beth Wangler
1. Who do you want to be? The reason I, and I think many others, love paragon characters is not just because they are nice: It’s because they inspire us. They show us what it could look like to live the way we want to live but aren’t able to yet. They light a fire in us and give us a goal to aim for.

With that in mind, there are two equally worthwhile ways to approach paragons. You can start with a good thing you wish you were better at, like loving your friends, following the rules, etc. Or you can start with whatever you view as your deepest failing—the thing you wish most in the world that you could change about yourself but can’t seem to change—and build a character out of that. Both characters may end up looking the same on the surface, but the way you approach writing them will be vastly different.

2. Give them personality. It’s always tempting to create a character around one central trait, and nowhere is this more tempting than with paragon characters. You’ll have a list of morals or virtues in mind, you’ll plop a face on top of that list—but your work is far from done. Take extra time building full personalities for your paragon characters. What are their quirks? Their regrets? What is their backstory? What are their pet peeves, and why?

3. Paragons aren’t perfect. Most of the time, your paragon character will still be human. That means that, however much they strive for goodness, justice, etc., they will still fall short. They will have blind spots where they don’t realize they aren’t living up to their ideals. They will have pitfalls that will get them again and again. Sometimes, their dedication to what’s “right” may even lead them to make the WRONG decision. Vices are often out-of-balance virtues.

If your paragon character is, say, a holy, perfect god, that still doesn’t give you an excuse for laziness. Perfection often might look very different from what your characters and readers would expect. You can play with this to create a truly powerful commentary. That will also keep your readers engaged and make them love your character even more. The unexpected “Hail Hydra” moment in End Game got one of the biggest reactions in the theater, after all.
Website | Blog | Twitter | Facebook | Goodreads | Instagram
Who are some of your favorite paragon characters? Have you ever written one before? Tell us all about them!

Related articles:
9 Ways to Keep Your Character From Being BoringChallenging Writers to Create Stories With Meaning5 Tips for Creating Complex Characters

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday!

Some links are Amazon affiliate. Thank you for your support!

#ChatWithHannah Ep 20: Indie Author Mythbusters

Do you think indie authors aren't "real authors"? Are you under the impression that indie publishing doesn't make money? Or that we're indie because we failed at traditional publishing?

Think again:


My newly published short story, This Pain Inside, can be found in the Strange Waters anthology. The entire anthology is amazing. You should read it.

And don't forget to read allllllll the indie books.

Who are some of your favorite indie authors? Drop their names below!

Website | Merch Shops
Related articles: #ChatWithHannah Ep 19: Advice for Aspiring Authors#ChatWithHannah Ep 17: Pep Talk for Writers
#ChatWithHannah Ep 18: Tropes in YA Fiction That Need To Die

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday!

Some links are Amazon affiliate. Thank you for your support!

Writing Disabled Characters: What You're Doing Wrong

This post is long, so I'm gonna keep the introduction short. Disabled characters are severely underrepresented in fiction and, unfortunately, when we are represented, we are often misrepresented in harmful and ignorant ways. 
Positive representation is not only encouraging to the disabled community, but also helps non-disabled people have a better understanding of disability, thus giving them tools to be better allies. Because there is so much riding on disability representation, let's try to get it right, shall we? 
Here's a list of things you'll want to make sure you aren't doing. If you steer clear of these, you should be okay.


Some disclaimers first: 
1) I use identity-first language when discussing disability for a variety of reasons. If you're about to leave a disgruntled comment below and tell me that I should be using people-first language, I encourage you to do some research. Perhaps start by reading this article. If you still have questions about my language choices, feel free to let me know and I will give my full reasoning in the comments. 
2) I'm not touching on autism in this post because autism is generally categorized as differently-abled rather than disabled. I will be writing a post about ASD at some point, but I didn't think it was appropriate to blend that into this post. So if anyone is reading this thinking, "Hey, she forgot about autistic people!" Hold your horses. 
Okay. Here are a list of things that authors often get wrong when writing disabled characters:
You are pitying your character. This happens in real life and it happens in fiction. I call it The Look. When people see a disabled person or learn that somebody is disabled, they instantly look at that person with pity. Because oh man, how sad. Disability is a horror. How can they live like that?

I see this in writing a lot, too. Authors write their disabled characters as characters to pity. Not a character to cheer for. Not a character to look up to. Not a character to simply read and think, "Oh, hey. I like this person." Nope. Authors go out of their way to make you feel sorry for the character because of their disability.

Nope. Stop it. Stop it right now. If you are writing a disabled character and all you see is someone to be pitied, then that means you have not taken the time to stop and learn about disability or the disabled community. Do you have any idea how badass disabled people can be? No? Then go educate yourself by talking with disabled people, reading their blogs, buying their books, and viewing their art. Then come back to your character and do better.

You only show one side of disability. Sometimes writers approach their disabled character one of two ways:

1) This character's disability has given them superpowers and their life is super cool.

2) This character's disabilities has made their life a living hell with no upside whatsoever.

Both of these are insane. Being deaf doesn't magically give you incredible, life-alteringly-amazing eyesight. And having apraxia doesn't suddenly suck all of the joy out of your life. If you want to discuss disability, you need to show all of the angles. Sure, disability isn't a superpower, but it can often make us more empathetic and more perseverant than your average person. Yeah, disability can make life very difficult, but we still have ups in our lives just like everyone else.

Dig a little deeper and make sure you aren't just showcasing one tiny thread in the massive tapestry that is disability (yes, I realize this sentence is weirdly flowery, but I've committed to it so we're all just gonna deal).

Your character gains value once they are seen as "useful" by non-disabled characters. This is by far the most common trope I see when it comes to disabled characters. The character is put-upon, discriminated against, and seen as useless by their society. But then the character goes and proves their worth by doing something heroic. Suddenly all the non-disabled characters gain respect for him/her and life is good.

Dude.


No person should be treated inhumanely until they can find a way to be useful. This is a very harmful message that should never be lauded in fiction or anywhere else. If your entire plot revolves around your disabled character working to earn better treatment by proving themselves, you have work to do.

If you are dead-set on using this trope, trying turning it around to show the dangers of equality through usefulness. Or the idiocy of usefulness being measured through level of ability.

You made your villain's "badness" stem from their disability. I just...*takes deep breath* Stop writing that. You're lowering the IQ of the entire street.

People don't "go bad" because they are disabled. I've been disabled eight years now and I generally only have violent inclinations when I read about villains who's disabilities magically turned them evil.

Take Ant Man and the Wasp, for example. One of the antagonists (Ghost) makes a lot of very poor (and violent) choices, supposedly because she's in pain. For the entirety of the movie, her character motivation is: "I hurt, I want to be healed regardless of whether I hurt others in the process." We're led to believe that she's messed up because of her pain (we're also led to pity her, which is a whole other issue). Never does the movie address the fact that maybe she makes terrible life choices because she lost her father at a young age. Or because she was abused and raised to be a killer right after the emotional trauma of losing a parent.

Obviously none of those traumatic events motivated her or led her down the path she's on. Clearly it was just her disability.

*rolls eyes dramatically*

If your villain is only bad because of their disability (or because of being mistreated due to their disability), then you need to dig deeper. Disability does not a villain make. Pushing that storyline is hurtful to the disabled community and does nothing to help people understand disability.

Go back to the drawing board, please.

You aren't showing the social ramifications of disability. Non-disabled people can be weird around disabled people. It's just the truth. Ever noticed that people don't like to make eye-contact with wheelchair users? Or that people stutter over the word "disabled" like saying it out loud will summon Voldemort himself? On top of this, disabled people can struggle with friendships and social circles for a variety of reasons. Sometimes social outings are not accessible, sometimes disabled people are led to believe they are a burden and thus pull away from people so as not to inconvenience anyone. The list goes on. Be sure to include the complex relationship dynamics that come with disability (unless you're writing based off of my below Bonus Tip below, then just ignore this).

You are ignoring how disability affects your character's self-image. Internalized ableism is, unfortunately, a thing. So if you're writing fiction set in our world (or a world that doesn't understand and/or look kindly upon disability), don't forget to show what this does to a character's psyche. Internalized ableism (or being mistreated by people because of a disability) can lead to low self-esteem, defensiveness, etc. However, having a disability can also lead to viewing yourself as an overcomer, a fighter, and other positive self-images as well. Doing your research will more fully help you nail these complexities down. Speaking of which....

You didn't do your research. Pick a disability, then research the heck out of it. If you don't, your representation will fall flat.

Now, when I say research, I don't mean poke around WebMD for a bit. 

I mean talk to people with the disability you are writing. Read blogs and books by them. Note that I said blogs and books, plural. Disability is very complex and each person experiences it slightly differently, so you want to read widely so you can see what parts are commonalities and what parts aren't. This will allow you to better develop your character.

Also remember to read blogs and books by caretakers, loved ones, etc so that you can go about crafting good character dynamics as well. But these should always be your secondary sources, not your primary sources.

Your character's defining trait is their disability. Errrr. You realize disability isn't a personality type, right? And you understand that disabled people are, in fact, people? Correct? Okay. Then I see no reason why you can't go about building your disabled character's personality the same way you would any other character. Give them interests, likes, dislikes, motivations, etc. Sure, some of their personality traits can be related to their disability, but not all of them.

You're using a non-disabled character to "humanize" your disabled character. *smushes face into pillow* *screams* Disabled people are people. People. Peeeeeeopole. PEOPLE. It's not a difficult concept. If your disabled character needs a non-disabled character foil to humanize them or make them interesting or relatable, then you have some serious prejudices you need to work out. Do disabled people face unique challenges in life? Yes. Does that make us alien? Bizarre? Impossible for non-disabled people to understand without the help of an abled character foil? Nope.

Do better.

You're falling into one of the two main disability tropes. Clearly, disabled people have one of two personalities: They are either endlessly cheerful and kind or very grouchy and mean. There is nothing in between (or outside of) these two tropes.

If you want to write a 2D character that also perpetuates an incorrect view of disability, then by all means, follow this trope. But if you want to write a good character, remember that disabled characters should have unique personalities and story arcs, just like everyone else.

You are excusing or rationalizing poor behavior because "Oh, poor them, they're disabled." Look. I get it. Obviously, we disabled people have a hard go of things, so the moral system that applies to non-disabled people doesn't apply to us. We are 100% justified and even morally correct when we hurt other people because hey. We're hurting all the time.

You know how we talked about the importance of not pitying your disabled character? Well, this is what happens when you don't listen to that tip. You pity them, so you give them passes on things that a non-disabled character would not get a pass for.

This is not a difficult concept, but just in case you're struggling with it, please repeat after me: Disability is never an excuse for poor behavior.

Ever.

Got it?

Okay. Let's move on.

You forget about the disability. You mention the disability a few times, then it just kind of...vanishes.

Yeah. About that.

Disability doesn't work that way (unless you're writing a temporary disability). For instance, you can't have a character who's missing a hand randomly be able to easily open a jar or put on a belt. That character with a cane can't suddenly sprint up a flight of stairs. Your intellectually disabled character (depending on the exact nature of their disability) isn't going to be able to easily read instructions or carry out a conversation.

If you're writing a disabled character, always keep sight of the things that they can or can't do. That should be obvious, but apparently isn't.

You feel the need to keep mentioning the disability. This is what happens when you try to avoid the above point, but swing too far to the other side. Writers sometimes have the tendency to gawk at their own disabled character. This sucks because, as writers, we have the great opportunity to normalized disability and show readers that disability isn't something bizarre or upsetting or alien. Don’t blow this by frequently shoehorn disability into every page.

Your character isn't really disabled. Ah, the old “we thought this character was a wheelchair user, but surprise! They’ve been faking the whole time” trope. This SUCKS. Stop it. People are already skeptical of disabled people, especially those with invisible disabilities, those who are ambulatory wheelchair users, or those with disabilities that flare up on some days but aren't very bad on others. Doing the “fake disability” trope not only feeds into this skepticism, but it also validates it.

You're planning to kill the character off (for not-very-good-reasons). Ever noticed that the disabled characters are usually the first to die in a novel? They’re usually killed off to motivated non-disabled characters or to evoke emotion in readers. Both of these are cheap reasons. Give us positive representation. Give us warrior disabled people (like the deaf general in the Dragon Prince). Give us disabled people who get happy endings (like Dr. Watson in the RDJ Sherlock Holmes movies). Give us characters we can actually connect with rather than characters that are just going to be killed off for emotional effect.

You're employing the "magical cure" trope. You take your disabled character and have them healed by some magical force (or a non-existent technology, if this is sci-fi or futuristic). This is also known as The I-might-as-well-have-not-written-a-disabled-character-at-all trope. 

This is unhelpful and absurd because A) Your character is no longer disabled, so it's not really disability representation, B) Magical cures do not exist in real life, so how is the helpful to readers?, and C) It sends the message that you weren't comfortable with (or felt limited by) by your character's disability, so you wanted to find an easy way to get rid of it. None of these are good, so don't even go there.
Bonus: Your disabled character is constantly discriminated against. Now, this isn't necessary a "you're doing it wrong" point, but it is something for you to think about. Disabled characters are constantly discriminated against in stories for the sake of realism. But here's the thing: Not everyone is terrible to disabled people, so it's important to show positives. And, if you're creating your own world, it may be nice to show a world that is accessible and open to everyone, no matter their level of ability. It would be a great way to show people how to be more inclusive. If you feel like taking positive representation to the next level, perhaps give this a whirl. 
And there you have it. If you're interested in reading books with positive disability representation, I recommend The Electrical Menagerie by Mollie E. Reeder, Gathering Blue by Lois Lowry, Dragon School by Sarah K.L. Wilson, Just Under the Clouds by Melissa Sarno, of any of my own stories (except Vengeance Hunter, which, while a good story, is my only publication that doesn't feature disability). 
Do you write disabled characters? What are you doing to make sure you are writing a positive representation? Did I miss any points? I'd love to hear your thoughts! 
As always, please keep comments respectful and thoughtful. Thank you!

Related articles:
9 Tips for Writing Physically Disabled Characters in Fantasy7 Tips for Writing A Character with an Intellectual Disability
7 Tips for Using Story Writing to Raise Awareness for a Cause

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday! 
Some links are Amazon affiliate. Thank you for your support!

Factoid Friday #2: Jumping in Theme-First

When I was just starting out as an author, I heard a lot of people (both writers and readers) saying that you should never build a story around a theme. I was told that, unless I wanted to write preachy message-fiction, the story's theme should take a backseat during the creation process.

So, being the good, obedient person that I am, I decided to take that advice and throw it completely out the window. And then light it on fire for good measure.

<br

How to Properly Portray Mental Health Issues in Fiction

Ah, mental health. Awareness has been rising of late, yet fiction still tends to portray mental health issues in hurtful and uneducated ways. How do we go about fixing this problem?

Well, we can start out by listening to what E.B. Dawson and S.M. Holland have to say on the topic. They are both incredible authors who are also mental health advocates, and they have kindly agreed to share their wealth of knowledge with us. Do you feel lucky? I know I do.

Get your note-taking tools out and prepare to learn:


E.B. Dawson
1. Don’t glorify mental health issues. You may think this is an obvious one, but I see it all the time. The most common manifestation of this I see is to take one aspect of a mental illness, magnify it, and give it to a main character without the connecting symptoms/struggles/consequences. Example: A genius character, a specialty in his field, struggles with OCD and blows up when his new assistant moves something on his desk half an inch. “It’s funny,” you say. “It’s their flaw,” you say. “It humanizes them.” The problem is that true OCD is a very serious, often debilitating condition. That little outburst is probably the symptom of a deep rooted issue that has caused this man and his friends and family a lot of pain. If he does not get help, it is going to manifest in other heartbreaking ways in his life. If your character truly has a mental illness and you only insert it into the story when it is convenient, then you are glossing over the issue and communicating that mental illness is just something to make your character more interesting. Yes, mental illness IS interesting, there’s no doubt about that. But it needs to be respected and depicted accurately.

2. Don’t demonize mental health issues. Instead of giving mental health issues to their protagonists to make them more interesting or romantic, some people will be tempted to give them to their antagonists in order to make them more scary, disturbing, or complex. I don’t think I need to explain why this is super sensitive territory. It is true that mental illness can distort people’s perceptions of reality or morality. It is true that some people with mental illness struggle with societal norms or societal rules. You don’t want to fall into the trap of having your story accidentally imply that people with certain mental illnesses are freaks or criminals. I’m not saying that your antagonist/villain can never have mental health issues. What I am saying is that if they do, you had better do your research. Real people who struggle with these issues or have friends and family members who do, will not be super pleased if you use it to make your story more sensational.

3. Behavior stemming from mental health issues has consequences. What does this mean? Well, this is related to my other two points. It’s also a tip on how to avoid the pitfalls of points one and two. I see this in movies and books ALL. THE. TIME and it makes me frustrated. A lot of stories will throw in erratic behavior/emotional dysfunction for the purpose of plot, humor, or tension without truly understanding where these behaviors stem from. As soon as the scene is over, the story and characters move forward as if all is well.

Here is the problem: these behaviors are like symptoms. They only exist because there is a deeper problem that needs to be addressed. Even if it is not the focus of the story, there needs to be an acknowledgement of consequences. Everyone knows that if a character breaks his leg in scene one, he cannot be running around in scene two unless appropriate time has passed in between. Most authors will take the time to be consistent with physical consequences, but there are way too many who disregard emotional/psychological consequences. The sad result is the same as it would be if writers disregarded physical consequences. If the majority of writers portrayed characters able to walk two weeks after breaking their leg, people would start forgetting that it actually takes months to recover from such an injury. Example: the full blown temper tantrum is a good example and it’s super popular in media right now. Let me tell you a secret: if an adult throws a full blown temper tantrum (I’m not talking about just snapping at someone or something like that), there are some issues there that need to be worked out. Too often the plot moves on without anyone acknowledging serious concern or changing their opinion of the character. And surprise, surprise, that character never struggles with anger again. Not realistic. Physical manifestations of anger are scary to witness and often break trust. They aren’t funny or romantic nor are they usually isolated events.

Find E.B. Dawson here: 
Website | Twitter | Facebook | Goodreads | Instagram

S.M. Holland 
1. Proper research is important. One of the biggest mistakes I have observed when it comes to writing about characters with mental illness is the lack of research. A lot of people will rely on what they have seen or observed through social media or Hollywood films. A lot of the time, they get it wrong or just scratch the surface. Hollywood and the media tend to either glorify or demonize mental illness. I think it is important to understand, to the best of your ability the clinical understanding and definitions of the mental illness you are trying to work with. The DSM (Diagnostic and Statistical Manual of Mental Disorders) is a great place to start when it comes to trying to understand on a clinical level. Once you understand the basic workings of a mental illness, you can build up from there. Google and youtube can both be good places to search for articles or clinicians talking about how to work with and treat a mental illness. For example, there are several different types of schizoaffective disorder. A lot of symptoms overlap, but there are certain symptoms that are specific to each vein of schizoaffective disorder. If you wrote a book based solely on someone seeing things, you would miss the mark and create a cliche character. Doing thorough research and not relying on what you have already seen in other novels or movies will take you far.

2. Real life feedback is imperative. Unfortunately, even a professional can get it wrong. Years of studying and working in the field with mentally ill patients does not trump real life experience. I highly recommend finding sensitivity readers who live with or have experienced the mental illness you are trying to portray. Whether it be someone you know personally, or someone you find through an online forum, I feel this is an important step in order to help your character’s authenticity. It is good to remember that everyone who struggles with mental illness, like bipolar or depression, etc, experience it differently. However the basic workings are similar. A sensitivity reader can help you work through your manuscript and help point out when your character's struggles are being exaggerated to glorification. They can also help you with proper language usage so you are not demonizing people who struggle as Dawson mentioned above. If finding someone who struggles with the mental illness you are trying to portray is difficult, someone who works in the field with people who struggle or a family member of someone who struggles is a good alternative.

3. Mental Illness does not only affect the person/character. When writing about characters who struggle with mental illness, it is also important to remember that they are not the only one affected. We have to remember that there are different levels when it comes to mental illness. In the center is the sufferer, the first ripple is family, or a spouse, who they live with. These are the people who see the struggle everyday. They may have to help more, like either helping their spouse shower, or taking their kid to the hospital. They hear and see the tears, and that takes a toll on them. Maybe it will cause them to have their own spiral of depression. The next ripple out will be friends, teachers or co-workers. They are aware that the person is missing more work, or falling behind on school work, slowly becoming more distant, and so on. As far as your characters reach is, that’s as far as the ripples should go. Mental illness isn’t a single depressive episode in a story, and then they move on. It is an all life consuming disease. In a lot of novels I have read dealing with mental illness, the illness stays in the characters head, and nobody around them knows. Rarely this is true (of course there is always the exception). At the very least, the first ripple, family, spouse, roommate, etc, would be aware that something was off. As the struggle gets worse, you can expand those ripples.

4. Mental illness isn’t a quirky character flaw or a plot vice. Please, if you are writing about mental illness and it is not helping grow people’s understanding of the struggle, just drop it. Your manuscript does not need it. Remember to always be respectful when researching or talking to other people about their struggles.

Find S.M. Holland here: 
Website | Amazon | Twitter | Facebook | Goodreads | Instagram
I don't know about you, but I think these tips are awesome. If every book followed these guidelines, I would be far less inclined to chuck a book or my Kindle across the room in frustration. 
Do you portray mental health issues in your writing? How do you go about doing it in a healthy manner? I'd love to hear about your endeavors! 
Related articles: Writing Characters with Depression: What You're Doing Wrong
9 Tips for Maintaining Mental Health as a Writer

Enjoy this post? Take a look around. If you like what you see, don't forget to subscribe by email for a new post every Friday!

Some links are Amazon affiliate. Thank you for your support!