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Pierre Michon

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Pierre Michon


Born
in Châtelus-le-Marcheix, France
March 28, 1945

Genre

Influences


Pierre Michon’s writing has received great acclaim in his native France; his work has been translated into a dozen languages. He was winner of the Prix France Culture in 1984 for his first book, Small Lives, the 1996 Prix de la Ville de Paris for his body of work, and the Grand Prix du Roman de l’Académie française. His works include Masters and Sons, The Origin of the World, and Rimbaud's Son. ...more

Average rating: 3.57 · 3,462 ratings · 495 reviews · 55 distinct works • Similar authors
Vies minuscules

3.68 avg rating — 1,036 ratings — published 1984 — 35 editions
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Les Onze

3.33 avg rating — 565 ratings — published 2009 — 16 editions
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The Origin of the World

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3.36 avg rating — 478 ratings — published 1996 — 23 editions
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Rimbaud el hijo

3.70 avg rating — 347 ratings — published 1991 — 19 editions
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Het stroomdal van de Beune

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3.33 avg rating — 233 ratings — published 2023 — 7 editions
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Winter Mythologies and Abbots

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4.04 avg rating — 164 ratings — published 2014 — 9 editions
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Masters and Servants

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3.86 avg rating — 132 ratings — published 1990 — 10 editions
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Corps du roi

3.64 avg rating — 107 ratings — published 2002 — 6 editions
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Vie de Joseph Roulin

3.94 avg rating — 79 ratings — published 1988 — 6 editions
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J'écris l'Iliade

3.02 avg rating — 64 ratings — 3 editions
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“Que me terrassant aient vécu, plus haut et clair que nous ne vivons, ceux qui furent à peine et redeviennent si peu.”
― Pierre Michon, Small Lives

“Sei capace di dipingere dèi ed eroi, cittadino pittore? è un'assemblea di eroi quella che ti chiediamo. Dipingili come dèi o come mostri, o anche come uomini, se te ne viene l'estro. Dipingi Il Grande Comitato dell'anno II. Il Comitato di salute pubblica. Fanne quello che vuoi: santi, tiranni, briganti, principi. Ma mettili tutti insieme, in una bella riunione di famiglai, come fratelli.”
― Pierre Michon, Les Onze

“If at that moment in the shade of the hazel trees we were permitted to see that hand as Verlaine saw it, and gradually above in the leaves the sulking face, the crooked tie, the tousled hair, if the mouth said merde, if more likely it was saying: read, extending toward us a poem with a begging, sullen, sovereign air, if before our eyes we read, we would know only what it is permitted to know on earth - what the ant knows who, without regard for the lines, is still running its way across my page, mute as the garden.”
― Pierre Michon

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