Michael Swanwick's Blog, page 8

A Field Guide To Writing Fiction by A. B. Guthrie, Jr.

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I picked this up at a library sale the other day, and I'm glad I did. There are a lot of books out there on how to write. Most of them are overlong and many are a complete waste of time. A. B. Guthrie, Jr.'s slim volume is neither. It is less than a hundred pages long and close to every word of it is useful to an aspiring or beginning author.

From the Introduction:

Bear in mind that I am addressing myself not to people who want to write but to those who will write or are already writing. Too often I encounter men and women, young and old, who speak of the wish to write and the intention of doing so sometime. They populate the meadows of forlorn hopes.

From a brief chapter (all Guthrie's chapters are brief) on beginning lines, after giving several examples of especially effective openings:

But be careful. You can overdo it and strain the reader's credulity. And don't be upset if you can't come upon a novel beginning. If your story is good, a clear opening is enough.

And here's the opening to the chapter on adjectives and adverbs:

Maxim: The adjective is the enemy of the noun and the adverb the enemy of damn near everything else. Nouns and verbs are the guts of language. That's another engraving for your skull.

I could go on. But these examples tell you everything you need to know about this book: It's terse. It's aphoristic. The language is vivid and direct. The advice is all practical. And, oh yes, every word of it is true.

This is not a volume for the experienced writer. If heeded, however, it can spare a newcomer a lot of anguish and frustration on the road to becoming the writer they wish to be.

And I hear you ask . . .

Is there a better book on how to write? Yes, there is, and both Mr. Guthrie and I agree on what it is. John Gardner's The Art of Fiction is extraordinary. Read this volume first, however. It touches on all the basics.

If you don't have the ready cash, both books are readily available via interlibrary loan.

 

Above: The cover blurb says, "A Pulitzer Prize-winning novelist shares a lifetime of secrets on the art of writing fiction." They're not secrets, unless you're just starting out. But they're all things every writer needs to know.

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Chesley Bonestell's Lost Industrial Lithographs #18 of 32

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The Lime Nitrogen Oven Building

To appreciate this one, you have to click on the picture and see it in detail.

 And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Chesley Bonestell's Lost Industrial Lithographs #17 of 32

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Ammonia Gas Columns by Autoclave Building

Is this great or what? (I apologize that I have so little to contribute, other than fanboy gush. But as a product of the American education system, I've never had an art class in my life.)

 And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Chesley Bonestell's Lost Industrial Lithographs #16 of 32

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 Lime Kilns

Half of the Chesley Bonestell industrial lithographs have been posted. Those of you who may be interested in the purpose and history of the plant, may find detailed information at the Library of Congress website:

United States Nitrate Plant No. 2, Reservation Road, Muscle Shoals, Colbert County, AL | Library of Congress

And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Chesley Bonestell's Lost Industrial Lithographs #15 of 32

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Working on Power House at Night

One thing that strikes me strongly about these lithographs is the artistic ambition of them, as demonstrated by the variety of techniques and approaches Bonestell employed. I seriously doubt anybody said to him, "Go out and at night and get an image of the work being done under difficult conditions." But there he was. Because he knew the result would be striking.

A lesson to us all: If you want to make your mark, you don't always get to sleep late. Or work under comfortable conditions.

And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Chesley Bonestell's Lost Industrial Lithographs #14 of 32

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Power House Steel and Base of One of Power Stacks

What is particularly striking in this series of lithographs is the variety of techniques that Bonestell employed. The images vary so greatly from one another!

I don't have the language to say more than that. But an artist could talk your ear off about the skill shown in these images. And they would be well worth listening to.

 And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Chesley Bonestell's Lost Industrial Lithographs #13 of 32

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The Ditcher 

Isn't that a great machine? It really was an age of heroic construction back then.

And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Starting the Semiquincentennial Celebrations Early: The Shot Heard Round the World

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These are grim times for those of us who love America and everything that makes it great. But I'm going to resist that grimness by celebrating the hell out of our 250th anniversary and giving a shout out to as many of its virtues and achievements as I can.

Starting today, the 250th anniversary of "the shot heard round the world"--the first gun fired in the Battles of Lexington and Concord, which turned a series of heated protests into an actual revolution. That revolution freed us from the tyranny of foreign rule.

The battle began when the Royal Governor of Massachusetts sent British soldiers to seize arms and powder stored in Concord and thus deprive the colonists of the means of rebellion. Long story short, it backfired terribly and at the end of the night, the War of Independence was begun.

What makes this worth celebrating is that the revolution was not ordered from above. It was an uprising of local patriots--a war of the people, by the people, and for the people.

There have been rocky times for the Union in the quarter of a millennium since. But in all that time Americans have never had to bend the knee to a monarch, whether foreign or domestic. That's worth celebrating--and preserving.

And while we're talking about tyranny . . .

This is an accomplishment that some presidents, strangely enough, do not seem to value particularly highly. Ronald Reagan accepted a British knighthood, which his wife Nancy had campaigned for. And less than a month ago Donald Trump declared his support for a plan for the United States of America to join the British Commonwealth.

In which event, America would have a king for the first time in a quarter of a millennium and all the blood spelled by patriots during the Revolutionary War would be dishonored. All to gratify the ego of one evil man.

But let's not let that happen.

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Chesley Bonestell's Lost Industrial Lithographs #12 of 32

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Setting of Lime Kiln

Just look at this! The skeletal twin towers look Old Testament. The figures down below them might as well be the Israelites in exile, laboring in the service of the Pharaoh.

Don't think that didn't occur to everyone there who got to see this lithograph, either.

 And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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Chesley Bonestell's Lost Industrial Lithographs #11 of 32

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Lime Nitrogen Oven Room

As with so many of these images, I encourage you to zoom in and admire the details. In this one, you should particularly admire all the small human figures and the whimsical (but accurate!) motor vehicles in the bottom right corner.

 And for those who came in late . . .

In 1918, Chesley Bonestell was commissioned to create a series of lithographs chronicling the construction of the government cyanamide nitrates plant in Muscle Shoals, Alabama. It would be many years before he began painting the astronomicals that made him famous, but he already had tremendous technique.

The lithographs disappeared from public view not long thereafter.

Recently, my wife, Marianne Porter, and I bought what we think is a complete set of 32 at an auction. We had electronic files made of them, which we'll be posting here, one every weekday until they're all online. Then we'll make a torrent containing the complete collection in high density form, for whomever wants them.

All the images are in public domain. You don't have to ask anybody for permission to download them and you may employ them however you wish.

 

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