Brett Ann Stanciu's Blog, page 27

“Distrust everything, if you have to…”

As a firm believer in clotheslines and keeping my bills low, we don’t have a clothes dryer.

In past rainy summers, with children in cloth diapers, I spent time in laundromats on Sunday mornings before selling maple syrup at a farmers market.

After a span of rainy days, I eventually break down (again, this no-dryer commitment might be simply stubbornness or gratuitous ego, pushed far beyond rationality) and load two dryers in the Hardwick laundromat. I bring a book and read on the porch of the Inn across the street. Behind the Inn, the Lamoille curves through town. On the river’s other side, a house burned earlier this summer. Now, what remains slides down the bank, piers of a narrow porch first, the back clapboard wall soon to follow.

Unintentionally, I’ve chosen busy Friday afternoon, and the intersection is jammed with traffic and pedestrians. I’m reading about schizophrenia and crime, about madness and civilization, and I keep looking over my shoulder at that empty house and its unanswered question of what’s happening here?

Eventually, I close the book, walk across the street, and fold our clothes warm with the dryer’s heat. Beside me, a little girl and her father study the line of dryers. She’s wearing a dress with bunnies. Seeing me, she pulls out her skirt. “Pink,” she offers.

I nod and answer, “Great-looking rabbit,” and then I head home.

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?

— Galway Kinnell

Getting Lost & Found.

There’s that old saying You can’t get there from here, which in Vermont means, It’s not easy to get there, but use your wits and you can. Yesterday afternoon, leaving for a Vermont town I’d never visited I hedged bets on the map, avoiding the route that I guessed had wash-outs and detours yet, and headed down two-lane blacktop through villages where hydrangeas are just beginning to bloom.

I was invited to read with Alexander Chee at the Meadow Meeting House, a righteous 1830s former Baptist Church. The ceiling was stenciled in original colors, over straight-backed wooden pews not designed for the listeners’ comfort. The entryway has two wood stoves. The black pipes extend over the pews before exiting. That would have sufficed for heat.

By chance (or maybe not), Alexander Chee and I each read about spaces — churches and homes — particularly apt in that lovely building that had its own generations-long story. It’s a question that fascinates me: how do we hold the past and also make our lives anew? The question links inexorably to the physical places where we live.

Afterward, in a sunlit house surrounded by gardens and apple trees heavy with fruit, I met a woman who’s the daughter of a long-ago friend of my father. Our conversation pulled me back to my college days. (How would I ever explain that I first fell in love with rural Marlboro College lying in fields, awestruck at the undiluted Milky Way and constellations?)

Driving home, threading my way back along unfamiliar roads, I had the strange sensation I held that afternoon and that conversation in my ribcage. Outside of my town, Hardwick, I had a long wait at a temporary red light on the broken highway. The asphalt washed down the Lamoille River. I stood up and leaned out my Subaru sunroof. In the gloaming, I saw how the river had cut a new course, its old path a great swath of boulders.

In the cavern of my ribs: wildfire smoke. The stories of my past, that afternoon, the future, too.

Promising Sign.

Mist lies on the valley these mornings, indicative more of mid-August than this tail-end of July. 2023, the Vermont year with scant summer, thus far.

Nonetheless, on a ravishingly beautiful Sunday morning, we walk along the rail trail beside the Lamoille River. The trail is closed due to the flood’s multiple wash-outs, and there’s no bikers, but by foot and dog paw the walking is easy enough. The debris along the river is appalling. Two by fours with outlets lodge in treetops. We follow the silt and gravel, studying the way the river lifted, changed its course.

This morning, thrush chortle, and the cicadas hum their midsummer serenade. Distantly, across the river and hayfields, traffic grinds along Route 15. Where we stand, my daughter and I would have drowned, three weeks ago, as the river howled and smashed its way west, and then north to the sea.

Now, easy-going end of July.

I glean a washed-sparkling piece of white quartz, half the length of my thumb, in the shape of Vermont, and slip it into my pocket. I’d written exactly this rock and shape and size into the beginning and end of my novel. An auspicious sign — imagination incarnate — or hopeful dreaming at least.

…. Last, I’ve been generously invited to read at Meadow Meeting House, Corinth, Vermont, with the esteemed Alexander Chee, this Wednesday, August 2, 4:30 p.m. Please come if you can.

Four Feet of Mud.

Friday afternoon, when the Fed Ex man drops off a package, I ask what he’s seen on his route, his perception of flood damage and how folks are faring. In places, he says, nearly nothing. In others, houses perch over streams.

This stranger keeps going — and I keep asking questions — about his experience in the national guard, a tour in Iraq, and then a month in New Orleans after Katrina.

We’re back in blistering July, and I’m sweaty and dirty from weeding in the garden. On our sandy hillside, this summer the grass flourishes, a benefit of months of rain. I’ve finally mowed the grass (hardly a top priority these days in our house), and that ineffable and sweetly delicious summer scent of cut grass washes around us.

Our conversation bends back to Vermont and our washed-out valleys, how Hardwick’s Walgreens had four feet of mud. He looks at me and ask how tall I am. It’s true; I’m not that much taller than four feet. For a moment, we stand there, two strangers, contemplating four feet of mud. Then he heads to his truck

Which pieces of our world will go back together, and which won’t? It’s a metaphor for many of us, perhaps.

All the way I have come

all the way I am going

here in the summer field

— Buson

Experiencing the Unprecedented.

In the night, lightning again.

Restless, I stand outside, the few lights of the village scattered like electric breadcrumbs. Long past midnight, a lone semi grinds along Route 14. Otherwise, no one.

July, balmy, sweet with the scent of the neighbors’ newly cut lawn. Again, I’ll reiterate how I’m lucky to have bought a house on a hill, that the Vermont’s floods haven’t so much as cut a channel through my garden.

And yet here’s the thing: I’ve spent years of my life wandering the unevenness of riverbanks, beginning with the mighty Nooksack when I lived in Washington. I’ve spent hours now wandering the silty Lamoille banks, its edges and bridges and trees crammed with tangled branches and uprooted trees, with every imaginable broken bit of junk: kids’ toys and potty seats, tarpapered walls, tires, pipes and plastic bags and slews of clothing. Two cars, one flipped upside down, hammered by boulders, not easily identified as a car.

There’s nothing for me to gain or find here, save for the chance conversations with strangers and acquaintances who appear driven in the same way I am, wading through muddy weeds and beneath fallen trees, insects devouring my ankles. This is the edge territory, where dismal human activity bleeds into the roar of nature. I scramble up the bank and take the long way back to the pavement so I can pass through a thicket of blooming cup flowers, green stalks and golden blossoms taking in my body.

In the New Yorker:

We keep experiencing things that are unprecedented, worse than anything anyone can remember, even as we’re told that they will become common. 

Swimming with Goose.

I was warned about the sole goose who’s been swimming around the public beach in Caspian. This higher-elevation glacial lake escaped the flood debris.

On the hidden side where I drop my towel, there’s only a couple of teenagers making out on a rock. When I slip into the water, I hear the families and crowds of teens on the distant public beach, the laughing rowdiness of a July Sunday.

The water is far deeper than I’ve ever seen it, choppier, too, but clear and lovely. Although I’m not a strong swimmer, I head far out, beyond the buoyed sailboats into the open lake. The goose bobs along. At first, I hardly notice the long-necked bird, but the floating creature follows me. Our paths nearly collide. We’re so near to each other I’m mesmerized by the bird’s size, its bent neck, the clop and chop of the water against my kicking feet. The beach, the blue sky, the rocky shoreline, vanish. It’s just me and this bird, so real, so unbrokenly true.

Wreckage, Human & Otherwise.

There’s no one around the edges of town on Friday evening, save for a stranger in a brand-new leather jacket. He walks ahead of me.

Two weeks past the July flood, there’s stand-out heroes, and a lot of folks who stepped up in ways that are amazing, admirable, kind of jaw-dropping, honestly. But the flood unearthed all that pandemic misery, and so much more that we’d stuffed down, too. Similar — and yet, different, too. Piece by piece, my state is cleaning, hammering lives back together.

A young fox hurries along the jagged riverbank where lawn now meets abyss. The creature pauses, listens. I’m no threat, me with my hands sunk in my pockets, leaning back on my heels. The fox trots along.

The evening threatens more thunderstorms. I keep thinking of childbirth labor, how those waves of contractions bore me along mightily. Childbirth was the first time I’d understood so inherently that I’m as much a part of the universe as famed Helen of Troy, as that stranger walking ahead of me and disappearing around a broken-down scrapheap of a motel, as you reader, and my dear cats pawing a dropped ball of red yarn. Rain and more rain. Rising rivers. Even as the rain began pelting, I stood there, awestruck.

After the Floods, the Human Conundrum.

View from the back steps…

This week, I’m driving around a back road, far over the left-hand side, eyeing how a third of the road no longer exists. I’m far off the beaten path, so I don’t hesitate to stop, turn off the Subaru engine, and get out. The road, indeed, has washed elsewhere. The air is thick, sultry in a July way, but suffused with the wildfire smoke we’ve been breathing all summer.

I drive a little further and then drift into a driveway. I know the road drops steeply, and I’ve no intention of heading there. The homeowner is outside, and we talk for a bit, kicking around his view and his calm acceptance of the road’s condition. He asks where all the gravel to repair these roads comes from.

I’m stuck on his thought after this: it’s the human endeavor, the human conundrum. We’re always moving stuff from here to there: in my realm, moving plants from garden to pot, laundry from clothesline to drawers, and then the far larger realm — trees to boards to houses, gravel from pits in the earth to roads. And then the roads wash out.

At home, later that night, I’m still moving things, wool from sheep, to my knitting needles.

Joyous Interlude.

I don’t often post pictures of myself (or family anymore) but here’s a shot of myself and my brother at his brewery in Conway, New Hampshire. For this record, yes, I am this short (and my brother isn’t especially tall, either). In the midst of so much — floods, rains, wildfire smoke, the endless varieties of chaos that track all of us — I’m always happy to head out on a restorative hike.

That evening, we raced ahead of yet more thunderstorms to get to brother’s house, my daughter driving, me in the passenger seat prattling on about whatever, whatever. But isn’t that the way of family? Thank goodness for joyful moments….

“Be joyful because it is humanly possible.” 

— Wendell Berry

Post-Flood, More Rain.

Nearly a week into Vermont’s floods, I’m surely not the only one in this town awake at night, listening to rain through my open windows. Lush, lush, our world is. Sunday, I trim the rose bushes that thornily cover a window, then discover moss creeping towards the house. I snip and scrape, then dash inside beneath a sudden downpour.

Sunday, I walk along the Lamoille riverbanks, silty and sandy where the river rose far above its usual path. Red metal lies in twisted sheets, remnants I’m guessing from the motel that tumbled into the river. Twisted towels and clothing, tires, a stepladder are jammed into tree trunks and roots. Cassette tapes of bible stories lie in a puddle, oddly more or less intact. Down the river, smoke churns into the sky where a flooded sawmill has burned debris for days.

There’s an odd kind of quiet hovering around here. What I’ve witnessed is shock and disbelief, a heady kind of euphoria to fix and repair, and now a sodden dullness, the earth as drenched as I’ve ever seen it. My pink poppies have blackened before they’ve bloomed.

We keep on, of course. Our beloved capital city, Montpelier, hoes and bleaches. Word goes around and around about passable and impassable roads, who needs helps, who’s yet marooned by great rifts in the earth.

In the late afternoon, I buy poppyseeds at the co-op and pay off my tab. The staff is out-of-sorts there, too, grousing about a broken cooler and the mud we’re all tracking in. Rain falls, quits, but the day doesn’t cool. I bake a cake and listen to someone on VPR talk about the Buddha. In the evening, that fat woodchuck darts among my gardens. A flock of starlings scatter on the lawn. Robins and rain. The daylilies are brilliant, the flowers poet David Budbill called coarse and beautiful.

As I said, it’s coarse and ordinary and it’s beautiful because
it’s ordinary. A plant gone wild and therefore become
rugged, indestructible, indomitable, in short: tough, resilient,
like anyone or thing has to be in order to survive.

— David Budbill