Brett Ann Stanciu's Blog, page 25

The Pouring Glory of the World.

Saturday, I’m on the bridge in Winooski taking pictures of my daughters, in a strange, almost dreamy smoke-tinged sunset, the kind that’s become more par for the course than not these days. The river snakes through Winooski, a former mill town beside Burlington. Such effort has gone into this town, converting mills to upscale housing, the downtown bustling with restaurants that spread onto the sidewalks. My brother asks me if the town is on the rise. Wrong question, I think.

We’re at the end of a day of walking and sunlight. My brother owns a brewery, and so, while it’s been many years now since my drinking days ended, we’ve gone in and out of bars and breweries, and I’m reminded that the bars I once loved were such good places, full of the people and their stories, their weariness and joy, these things that have always tugged me.

Oh Vermont, my beloved state, in the gem of October. Walking through the woods with friends, golden light falls through the trees. Roads defined my twenties, mountains and rivers my decades after that. I’m well aware that living in Vermont, living in my hillside house with one foot in the village, the other hidden in a wild ravine, is a kind of undeserved luck. Yet the rivers, jammed with debris of broken buildings and busted vehicles, human junk, are a visible siren call of so much and so many things.

Sunday morning, we drink coffee and eat cornbread on my back porch, and solve, as my brother says, not one whit of the world’s problems. October: redolent of wet soil, broken leaf. Yellow and scarlet, a finale of gray. The month when the leaves will fall, the world open up.

From Jessica Hendry Nelson’s Joy Rides Through the Tunnel of Grief:

Wonder is accepting what we cannot control, which is damn near everything. This, the pouring glory of the world. It goes in all directions.

Talking Past Dark.

A friend comes to visits, heads to my picnic table, and we commence talking. Hours later, a dewy dusk has descended. I’m shivering, my sweater cuffs pulled all the way over my hands. Inside, my cats are grousing for a fire in the wood stove.

I remember my friend’s oldest son sitting on my couch, about an eon ago. The boy was so small his legs didn’t reach the end of the couch. Now, he’s thinking of heading into a PhD program.

I haven’t seen this friend in months, since before I traveled to Europe and decided I was born on a continent that mismatches me. Yet, we start talking as though I was a young mother again, walking along the dirt road with a toddler, my hair unbrushed for days.

It’s a cliche of course, how the world changes and how it remains the same, that one long Heraclitus river — always the stream, never the same.

The foxes didn’t return to den behind my house this year. A few stray lilacs bloomed in late September. The harvest moon sails up in the sky. All our hours of talking and we solve absolutely nothing, not a single problem, except this, perhaps: a fattening of our friendship, this woman who assured me I would survive my divorce, that my life would continue. The sun heads down, and we keep on talking.

A Thief Running Away…

Slacker, slacker, I’ve been about a few things in my life, the laundry folded and left in piles on tables, my blog idling, the emptied cans of cat food needing to be recycled.

These mornings, I’m up so early my glossy housecats are yet sleeping, curled in their cat balls, not yet grousing and purring for their breakfasts. A year ago, I believed I had finished a book; I had that draft in my hands. But a year later, here I am, drilling down, writing maniacally, to get all the way down to the end, in and out of chapters, between words, cutting and creating.

Walking to meet a friend after work, I suddenly see the whole shape — the beginning, the messy middle, the end — in the tangible image I’ve been searching for. That image is all through the book: now, some stitching together, a few crumbs for the reader’s delight.

Some of you have read clumsy drafts of this novel, and thank you, thank you. What a fool’s venture writing a book might seem. There’s never a guarantee of anything — of good work, of any money, of satisfaction. A year later, though, and I know this book inside out. I could recite sections, perhaps, if you and I spent time in a lock-up, although that, I hope, is unlikely.

Here’s what I learned this past year: worry about the few things that matter. Write as well and as hard as I can. Getting there, I think.

Here’s an article about human civilizations in Vermont that I’ve been thinking about all day, too.

A thief running away like mad from a ferocious watch-dog may be a splendid example of Zen.

— R. H. Blyth

Good Weight of Firewood.

The wood man delivers me green firewood, wood I plan to burn next year, God willing. He brings bees, too, or maybe the creatures simply appear magically from my gardens or trees, hovering on this sweet-smelling-of-sap pile. The day’s flawlessly sunny, and we stand beside the wood and butterfly bush my daughter bought me, talking. His truck is 40 years old, older than him, and he yarns on from there, telling me about his sugarbush and the taps he leases and how much syrup he made last year and the year before. A former sugar maker myself, we talk the talk about reverse osmosis and arches and how he nearly but not quite burned his front pans last year. We talk ropy sap. We talk how long it takes to fill a 40 gallon drum.

I write him a check for a week’s worth of my wages. He heads out, still laughing, leaning out his window, telling me his wife expects him home for lunch.

When he’s gone, I lift a piece of maple, heft its weight, breathe in its smell. This wood man’s given me good weight.

Round Earth.

Autumn reminds me the earth is a globe. The days shorten; dusk draws in earlier. The shadows hold a chill.

This year, purple asters spread prolifically — along roadsides, in the woods, in seemingly random sprigs around my house. The flowers flank the two pears in my front yard that someone planted years ago. One tree mightily growing, the other a persistent dwarf.

Autumn is the season of so it goes. What passed for summer this year is finished, the harvest wrapping up. In its own way, perhaps, the most poetic of all season.

Someone goes by wearing a hood
in his own darkness
not seeing the harvest moon

— Buson

The Swedish Word for Joy.

The dental hygienist tells me about fishing trips to Lake Ontario, sailing far out into the lake where the land was no longer visible. Like the ocean she tells me. You can’t do that in Vermont.

With her gloved thumb, she presses on my lower jaw, my source of infection and misery and a veritable hemorrhage of money. The December before the pandemic, an oral surgeon took a scalpel to my gum and cut. A few days later, my brother and his girlfriend arrived for the holidays. He grilled on the back porch and drank beer while I leaned against the clapboards. In the kitchen, my daughters and his girlfriend cooked and baked.

On his phone, we studied footage of China, closed up and quarantined, back in the days when we couldn’t envision our own streets and highways closed up, the border closed between Vermont and my brother’s house in New Hampshire.

In a world of enormous possibilities, that bone infection is currently on the down low. The hygienist tells me I wouldn’t believe the things she’s seen — fishing, and in the dentist’s office. On my way out, she cheerily reminds me about floss.

Here’s a 100-story of mine published this morning about happiness.

“The ability to tell your own story, in words or images, is already a victory, already a revolt.” 

— Rebecca Solnit

Facts Yet Matter.

As one of the things I do to keep my household of daughter and me and two cats churning along, I spend an inordinate amount of time on minutes for a complicated development review board hearing. The writing poses the interesting questions of what to include, what to delete, clarity of the whole, simplicity of sentence. Beneath this, the minutes are a miniature of a town and the push-pull around building and change, of past and present and future, of how multiple stories of people intersect.

A deep appeal for me, writing these minutes, is that the facts matter. I arrange numbers and percentages, how these describe boards and a proposed building beneath a stand of cedars.

What I don’t include is that beyond the cedars the bank drops steeply into the water. The water is particularly clean. I’ve been swimming at the public beach for years, and I know how you can swim far out and look down at the sandy bottom. Flecks of mica glitter in the sunlight. The facts of my own story include an especially warm October day many years ago when a friend and I ventured far out into the lake. We swam among the first of the fallen red leaves. The day was so warm and the water so still.

And a line from Nikita Gill that sums up my tenor of thinking these days….

“We have all taken turns being Red Riding Hood and we have all been the wolf.” 

— Nikita Gill

In Very Vermont Fashion….

… I stopped by an art opening in a former brick stagecoach inn. In the Vermont way, the art was eclectic and superlative, the cheese local, the diminutive cupcakes homebaked, and the company excellent. My friend is the easy kind of person who doesn’t mind stepping forward with a plate of olives in her hand and introducing herself to a former library volunteer of mine whose name I can’t quite place….

Across the dirt road is an old barn where a stone labyrinth was placed a few years back. While my friend and I were talking, we watched two strangers do an excuse me, no, excuse me, sorting out who was going to enter the labyrinth first.

Small pleasures, friends, against the inevitable chaos of life.

A Story in Here…

I visit a woman whose family bought a house on a peninsula in a glacial lake. She invites me in — a stunning place of wood and glass and French doors — nothing polished, all preserved as if it’s still World War I. There’s an enormous stone fireplace. She tells me that, after a hurricane in the 1930s, the original owner (who lived elsewhere, New York or Pennsylvania) never returned after he heard that all the trees on the peninsula were destroyed, save for eight. He sold the house to this woman’s family. Great pine trees tower over the lawn and hydrangeas.

She says to me, Imagine the view of the lake in the thirties, when the trees were all gone? That must have been stunning, too.

I drive home in a sudden windstorm. I’m passing a stand of poplars, their leaves crinkled and finished with summer. The wind blows leaves through my open car windows, over a bucket of apples, on my library books, into the lap of my skirt. Ahead of me, two cars are pulled over, blinkers flashing. A branch smashed the windshield of one car. Two young woman stand in the road, the wind circling, twigs snapping, rain beginning in earnest. One woman raises her arms in a giant Y.

There’s a story (or two) in here for sure….

FEMA Folks and Us.

Last week, when the FEMA folks make their initial appearance in our town office, I step out and chat with a woman from Georgia. I intend to skip the meeting that’s about to transpire, but I’m interested to hear what these people are seeing around my state and how this whole FEMA thing works anyway. My new acquaintance tells me immediately that she’s exhausted. They’ve visited multiple towns, driving through rural Vermont.

She’s quite concerned about the impending cold, and I assure her that snow is (probably) not going to appear in October, almost certainly not accumulate. The FEMA folks are apparently working on the state’s natural deadline, putting as much of the state back together before the snow sets in.

By the time she heads up to the meeting about the FEMA portal and so much talk about culverts and more culverts, we’ve swapped stories about working and parenting and she’s shared her love of Atlanta.

On her way out, she leans in my door and says goodbye. It’s a moment: the handful of Vermonters and a few FEMA people — politeness all around — brought together by enormously complex events. A selectboard member says, We’re hoping for a nice fall so you can see Vermont at its best…

Last evening, I’m talking to my parents on the phone, standing on my porch and leaning against my house’s corner board, looking across the little valley that holds the town where I live, when I realize the world around me is pink. The light isn’t the streaming crimson of sunset. A soft pinkness suffuses our world: sky, valley, village, right down to my bare toes. September that feels like August, but is still definitely September. That’s where we are.