Cullen Gallagher

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Cullen Gallagher

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July 2018


Cullen Gallagher is an artist working in multiple forms of media. As a musician, he works as a composer, performer (guitar/bass/piano/lap steel/drums/vocals), and recording engineer. As a writer and editor, he has twenty years of experience specializing in film and literary criticism. And as a filmmaker, he performs as an actor/director/editor/writer/producer depending on the needs of the project. Currently living in Brooklyn, NY, he holds an MA in Cinema Studies from NYU and a MLIS from Queens College.

His non-fiction has appeared in the Los Angeles Review of Books, Paris Review, Not Coming to a Theater Near You, Arrow Films and Film Movement home video liner notes, and the anthologies Cult Cinema: An Arrow Video Companion (2016) edited by
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Average rating: 4.27 · 117 ratings · 43 reviews · 19 distinct works
The Asphalt Jungle

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3.93 avg rating — 2,357 ratings — published 1949 — 66 editions
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High Sierra

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3.95 avg rating — 168 ratings — published 1940 — 40 editions
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Death's Sweet Song / Whom G...

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4.15 avg rating — 13 ratings — published 2014 — 5 editions
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Dead Man's Tide / The Dangl...

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4.09 avg rating — 11 ratings2 editions
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Steal Big / The Big Caper

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Time To Myself

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Invitation to Violence / A ...

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Noir Riot: Presented by Noi...

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4.33 avg rating — 3 ratings — published 2014
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Looking for Lost Streets: A...

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High Fliers, Middleweights,...

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The Adulterers by Lawrence Block
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21 Gay Street by Lawrence Block
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Red Harvest by Dashiell Hammett
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Red Harvest by Dashiell Hammett
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Flamingo Terrace by Curt Colman
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Cullen Gallagher and 1 other person liked Steven's review of Hell Bait:
Hell Bait by Harry Whittington
"One of Harry Whittington's famed "missing 38" sleaze novels published by Corinth (Greenleaf) in the mid-1960s when he was on a one book per month contract. Many of those novels hid a crime/noir story in between the sex scenes, which is the case with " Read more of this review »
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Blues for the Prince by Bart Spicer
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The Dark Light by Bart Spicer
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The Blonde on the Street Corner by David Goodis
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