Plínio Marcos

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Plínio Marcos


Born
in Santos, Brazil
September 29, 1935

Died
November 29, 1999

Genre


From a modest family, Plinio Marcos just attended only the primary school.

This artist worked as coppersmith before the trajectory inside the theater.

He wanted to be a football player and he actually got inn at Portuguesa Santista Football Club.

Some work at circus climbed his coming to radio and television Santos during the 50's.

The renowned, avant-guarde and controvercial writer and journalist Pagu during the year 1958 was responsible for his transition from the Circus to the Theatre. In the same year he writes Barrela. The play is about rape crime inside a prison. The play, by his rude language, remain banned for 21 years after the first presentation.

In 1960 he moved to São Paulo, where he also worked as a street vendor, even being active
...more

Average rating: 3.91 · 299 ratings · 14 reviews · 32 distinct worksSimilar authors
A Navalha na carne

3.84 avg rating — 93 ratings — published 2005 — 2 editions
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Dois perdidos numa noite suja

3.89 avg rating — 56 ratings — published 1978 — 2 editions
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O Abajur Lilás

3.93 avg rating — 30 ratings
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Querô - Uma reportagem Maldita

4.41 avg rating — 17 ratings — published 1976 — 3 editions
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Quando as Máquinas Param

4.19 avg rating — 16 ratings
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Barrela

4.25 avg rating — 12 ratings — published 1958
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Homens de papel

3.90 avg rating — 10 ratings — published 1984 — 2 editions
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Plínio Marcos

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really liked it 4.00 avg rating — 8 ratings — published 2003
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Teatro maldito

4.17 avg rating — 6 ratings — published 1992 — 2 editions
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Inútil canto e inútil prant...

3.83 avg rating — 6 ratings3 editions
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More books by Plínio Marcos…
Quotes by Plínio Marcos  (?)
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“Por mais que as cruentas e inglórias batalhas do cotidiano tornem um homem duro ou cínico o bastante para fazê-lo indiferente às desgraças e alegrias coletivas, sempre haverá no seu coração, por minúsculo que seja, um recanto suave no qual ele guarda ecos dos sons de algum momento de amor que viveu em sua vida.
Bendito seja quem souber dirigir-se a esse homem que se deixou endurecer, de forma a atingi-lo no pequeno núcleo macio de sua sensibilidade, e por aí despertá-lo, tirá-lo da apatia, essa grotesca forma de autodestruição a que, por desencanto ou medo, se sujeita, e por aí inquietá-lo e comovê-lo para as lutas comuns da libertação.”
Plínio Marcos

“RATO: E adianta muito, eu me doer por ti? Bereco, eu não conto. Nem eu, nem tu, nem ela. As coisas acontecem sem a gente poder miar. A vontade da gente não conta. Nunca contou. Se os homens vão te apagar, não adianta eu estrilar. Ninguém vai dar pelota. Tu que é tu não vai ter chance. Vai pro beleléu e e fim. Se acaba. E fica por isso mesmo. Nenhum puto vai perder o sono por teu presunto.”
Plínio Marcos, Plínio Marcos: Obras Teatrais - Vol. 1 - Atrás desses muros
tags: teatro