Mario Puzo
Born
in Manhattan, New York, The United States
October 15, 1920
Died
July 02, 1999
Website
Genre
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The Godfather (The Godfather, #1)
by
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published
1969
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210 editions
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The Sicilian (The Godfather, #2)
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published
1984
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2 editions
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The Last Don
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published
1996
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7 editions
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Omerta
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published
2000
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9 editions
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The Family
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published
2001
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141 editions
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Fools Die
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published
1978
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113 editions
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The Fortunate Pilgrim
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published
1965
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121 editions
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The Fourth K
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published
1990
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6 editions
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Six Graves to Munich
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published
1967
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4 editions
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The Dark Arena
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published
1955
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3 editions
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“Friendship is everything. Friendship is more than talent. It is more than the government. It is almost the equal of family.”
― The Godfather
― The Godfather
Polls
What should June's "Moderator Recommends" group read be?
Transcription
Kate Atkinson
A story of WWII espionage, betrayal, and loyalty, by the #1 bestselling author of Life After Life.
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.
Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.
Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of the best writers of our time.
The Bottoms
Joe R. Lansdale
The narrator of The Bottoms is Harry Collins, an old man obsessively reflecting on certain key experiences of his childhood. In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.
From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.
Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.
The Godfather
Mario Puzo
The Godfather—the epic tale of crime and betrayal that became a global phenomenon.
Almost fifty years ago, a classic was born. A searing portrayal of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones, and their powerful legacy of tradition, blood, and honor. The seduction of power, the pitfalls of greed, and the allegiance to family—these are the themes that have resonated with millions of readers around the world and made The Godfather the definitive novel of the violent subculture that, steeped in intrigue and controversy, remains indelibly etched in our collective consciousness.
25 total votes
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