John Milbank

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John Milbank


Born
Kings Langley, Hertfordshire, The United Kingdom
Genre


Professor John Milbank is Professor in Religion, Politics and Ethics and the Director of the Centre of Theology and Philosophy at the University of Nottingham. He has previously taught at the Universities of Lancaster, Cambridge and Virginia. He is the author of several books of which the most well-known is Theology and Social Theory and the most recent Being Reconciled: Ontology and Pardon. He is one of the editors of the Radical Orthodoxy collection of essays which occasioned much debate. In general he has endeavoured in his work to resist the idea that secular norms of understanding should set the agenda for theology and has tried to promote the sense that Christianity offers a rich and viable account of the whole of reality.

Average rating: 3.88 · 1,245 ratings · 130 reviews · 57 distinct worksSimilar authors
Theology and Social Theory:...

4.09 avg rating — 229 ratings — published 1993 — 16 editions
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Radical Orthodoxy: A New Th...

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3.90 avg rating — 89 ratings — published 1998 — 11 editions
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The Word Made Strange: Theo...

3.72 avg rating — 50 ratings — published 1996 — 8 editions
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Being Reconciled: Ontology ...

3.76 avg rating — 42 ratings — published 2003 — 12 editions
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The Politics of Virtue: Pos...

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3.80 avg rating — 40 ratings — published 2008 — 8 editions
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Truth in Aquinas

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3.84 avg rating — 38 ratings — published 2000 — 11 editions
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Beyond Secular Order: The R...

3.94 avg rating — 34 ratings — published 2013 — 8 editions
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The Radical Orthodoxy Reader

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4.34 avg rating — 29 ratings — published 2009 — 9 editions
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Paul's New Moment: Continen...

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3.62 avg rating — 26 ratings — published 2010 — 3 editions
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The Future of Love: Essays ...

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Quotes by John Milbank  (?)
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“The theological perspective of participation actually saves the appearances by exceeding them. It recognizes that materialism and spiritualism are false alternatives, since if there is only finite matter there is not even that, and that for phenomena really to be there they must be more than there. Hence, by appealing to an eternal source for bodies, their art, language, sexual and political union, one is not ethereally taking leave of their density. On the contrary, one is insisting that behind this density resides an even greater density – beyond all contrasts of density and lightness (as beyond all contrasts of definition and limitlessness). This is to say that all there is only is because it is more than it is. (...)

This perspective should in many ways be seen as undercutting some of the contrasts between theological liberals and conservatives. The former tend to validate what they see as the modern embrace of our finitude – as language, and as erotic and aesthetically delighting bodies, and so forth. Conservatives, however, seem still to embrace a sort of nominal ethereal distancing from these realities and a disdain for them. Radical orthodoxy, by contrast, sees the historic root of the celebration of these things in participatory philosophy and incarnational theology, even if it can acknowledge that premodern tradition never took this celebration far enough. The modern apparent embrace of the finite it regards as, on inspection, illusory, since in order to stop the finite vanishing modernity must construe it as a spatial edifice bound by clear laws, rules and lattices. If, on the other hand, following the postmodern options, it embraces the flux of things, this is an empty flux both concealing and revealing an ultimate void. Hence, modernity has oscillated between puritanism (sexual or otherwise) and an entirely perverse eroticism, which is in love with death and therefore wills the death also of the erotic, and does not preserve the erotic as far as an eternal consummation. In a bizarre way, it seems that modernity does not really want what it thinks it wants; but on the other hand, in order to have what it thinks it wants, it would have to recover the theological. Thereby, of course, it would discover also that that which it desires is quite other than it has supposed”
John Milbank, Radical Orthodoxy: A New Theology

“Here, uniquely,
came the day of the death of the gods.
When they fled to the barrows,
and when one, without shelter,
captured the forever by a ruse,
naming it but one night
and a single daytime”
John Milbank, The Dances of Albion
tags: poetry

“Height to height
and light to light,
like butterflies and minor gods
or aerial photographers
we make this plot,
pretend to view
a former fate

where Hardy’s rustics still forgive
what seems to them but nature’s lot.”
John Milbank, The Dances of Albion
tags: poetry



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