Sérgio Rodrigues

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Sérgio Rodrigues


Born
Muriaé, MG, Brazil

Sérgio Rodrigues (Brazil, 1962), fiction writer, literary critic and journalist, is the author of seven books of various genres: novels, short stories and non-fiction.

Having worked for most major newspapers and magazines in Brazil, Rodrigues is now a full-time writer who keeps two columns – one about literature, the other focused on language issues – in Veja.com, the online version of the largest weekly magazine in Latin America. He was awarded the Prêmio Cultura (Culture Prize) 2011 by the Rio de Janeiro State Government for the whole of his work. He lives in Rio de Janeiro.

Average rating: 3.83 · 1,008 ratings · 155 reviews · 43 distinct worksSimilar authors
O Drible

3.95 avg rating — 370 ratings — published 2013 — 9 editions
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A vida futura

3.58 avg rating — 148 ratings3 editions
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Elza: The Girl

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3.35 avg rating — 94 ratings — published 2008 — 13 editions
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Viva a Língua Brasileira

4.04 avg rating — 70 ratings2 editions
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A Visita de João Gilberto a...

3.87 avg rating — 54 ratings — published 2019 — 2 editions
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CARTAS BRASILEIRAS: Corresp...

3.93 avg rating — 27 ratings2 editions
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Escrever é humano: Como dar...

4.45 avg rating — 11 ratings2 editions
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Jardins de Cristais: Químic...

3.67 avg rating — 12 ratings — published 2014
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Pensar, Poupar, Ganhar

4.30 avg rating — 10 ratings
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As sementes de Flowerville

2.45 avg rating — 11 ratings — published 2006 — 3 editions
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More books by Sérgio Rodrigues…
Quotes by Sérgio Rodrigues  (?)
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“the death of that ape. She was wearing a light blue dress”
Sérgio Rodrigues, Elza: The Girl

“Só que não existe esse negócio de atar as duas pontas, existe? Não existe, Neto. Mesmo porque não existe vida, por mais medíocre que seja, que tenha menos de vinte pontas. A maioria fica balangando solta por aí e não dá para dar um laço bonitinho e dizer que está tudo certo, fechou o balanço e o sentido da vida foi esse ou aquele, o saldo é tal ou qual. Balela. Claro que o Machado sabia disso e não demora muito para o próprio Bentinho entender que o seu projeto está condenado, mas primeiro ele gasta uma grana firme no trabalho kitsch de reproduzir os sinais exteriores do passado.”
Sérgio Rodrigues, O Drible

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