Gina Harris's Blog, page 138

Band Review: Davidica Little Spotted Horse

Davidica Little Spotted Horse first came to my attention because of the Women of the Four Winds tour, as featured in For the Generations. I had thought she was the organizer, but she has been performing as well.
One thing that has been frustrating is that I know she has more music than I am finding. Between ReverbNation and MySpace I have found a total of four songs, but she refers to at least one other, and it stands to reason that a touring musician will have more than four songs in her repertoire.
Based on those four, there is a driving rock pulse to her songs, perhaps most evident in "U Trust Who" and "Inside My Head", with lyrics conveying how you can feel torn despite being mentally clear.
The most emotionally resonant for me was "I Walk Among the Dead", building on a sense of isolation through loss that becomes inescapable, and yet it is ultimately moving without bringing you down.
Every link I could find is down below, though she is showing up now in many videos from the Standing Rock protest.
https://www.facebook.com/dsecondpage.littlespottedhorse
https://www.reverbnation.com/davidica
https://myspace.com/davidicamusic/music/songs
http://cowbird.com/d-little-spotted-horse/profile/
https://www.youtube.com/channel/UC4Cr9xQm6utTTfJeNizjRxQ

Some kind of monster

Going along with the trend to not give Hillary Clinton proper credit, many have not appreciated the many things she has done right with her campaign. It is a good campaign with a good staff and strong policies. She has great debating skills. Still, with all of the things she is doing well and has going for her, a lot of her success is attributed to the horror that is Trump.
It is easy to wish someone more acceptable had won the Republican party nomination. Less people would have to feel conflicted about their votes, and a reasonable comparison between the two candidates could have been more likely to happen, but it has been feeling like this is inevitable.
Based on the way Clinton has been covered, there is no reason to assume that the press would take an interest in her policies against anyone else. We have pretty diametrically opposed candidacies now, so if the media can't take an interest in that, what would interest them?
Based on the way the Republican party has continued to race-bait and promote profits over people, this was eventually the type of candidate that they were going to get; it might as well happen now when we are on the verge of electing the first woman to the presidency.
If you really want to see how ugly racism, misogyny and greed - corporate or otherwise - are, perhaps there is no better candidate than Trump to point out the difference in direction. And, based on how modern politics has been going, with no desire to even know that someone on the other side can possibly have anything good about them, perhaps Clinton is the only candidate who makes sense.
I should specify that in this pre-election political writing, I am not trying to convince anyone to vote for Clinton who wasn't already going to. I doubt my ability to, and I have been pretty sure that she already has the votes (though I admit feeling some fear as we get closer). However, if some people can at least make peace with a Clinton victory, and know that it is not rigging or fooled people but that there were legitimately many voters who chose her with good reason, I would like to help with that.
That is partly remembering one women at church the Sunday after the 2008 election, so mad at me for getting what I wanted, but also so scared because this was going to trigger such horrible times. And, with marriage equality, maybe her worst fears did come true, but it felt like she had something more apocalyptic in view, and here we are, still.
It is also knowing how many people say that racism is worse today and blame President Obama. Well, racism may be more visible - which is not quite the same as being worse - but is it really his fault? If racist people can't handle that a Black man was elected twice, is that on the Black man or the racists?
I know sexism is more visible now because people who haven't noticed it before are noticing it now. Having a viable woman running has increased the feeling of threat, and having Trump spewing his garbage has empowered it.
On the same day two Twitter contacts shared stories. One's mother was told that she couldn't really understand politics as a woman. The other's sister was hit on by a guy, politely declined, and was told that he couldn't wait until after Trump won and women would have to be on their knees. Those are the kinds of people Trump is bringing out of the woodwork, and helping them feel legitimized when before it wasn't okay to say those things.
Trump has appealed to the worst, and then made it worse. I don't know how far that spiral can go.
Whatever I can do against it, I will.

Communicating

I have been meaning to write about James Comey for some time now.
It wasn't a big thing, so it wasn't high priority. There are always a lot of other things to write. Now he is more pertinent, but it is kind of different and kind of the same.
Months ago when Comey recommended that there should be no criminal charges filed regarding Hillary Clinton's e-mail and spoke to Congress about it, I know that many people praised him for making a reasonable decision, and some were mad due to their certainty of criminal charges always being appropriate if your last name is Clinton.
I remember noticing that the way he gave the news was kind of nasty. He had no cause for indictment, but he didn't want to exonerate her either which seemed very personal. The way he phrased it was reluctant and with a lot of insinuation. I felt like that came back to bite him when he was being questioned by pro-indictment members of Congress, and he got a little testy with them. What did you expect to happen?
I thought that there might be a future post about how what we say is important, and speaking truthfully may not only mean not actively lying, but also the clarity of expression. I didn't think it would go beyond that.
It seems clear now that Comey has let his personal preference affect his judgment. Even if federal charges don't happen, and even if he keeps his job, he has lost moral authority and the respect of colleagues, which will make leadership very difficult.
In that light, it goes beyond how we communicate to the bigger choices we make, and whom we are. What do you value most? If it comes down to your political preferences versus your integrity, which wins? And yet, it kind of is the same point, because who we are inevitably informs what we say. We can try and hide what we think and know, and keep information back, but often we don't even know what we are revealing. I don't think Comey meant to show himself as petty and irritable then, but he did.
The thing is, we could be having better discussions about the e-mail. For example, when I first looked it up, I was explaining it to my sister and the minute I said "Blackberry" she said "Oh!", and she got it completely. She was a part of that time when everyone had a Blackberry (and called it a "crackberry") and when you had to jump through various hoops to use it with your private e-mail -- a process which many chose to avoid.
I thought it was interesting because that was happening at a very technology-forward company, and yet they were not keeping up with the technology in a very real way. I thought about how you would make those decisions, to get the right balance of taking advantage of the newest technology and also being secure. (I don't know the answers for that, but I know whom I would ask if I wanted to get into it.)
That we don't generally talk about prosecuting Colin Powell for also using a private server, or how we know the State Department server was hacked while Clinton was Secretary of State but that there is no evidence that her private server was hacked, or about the Bush White House losing 22 million e-mails while we focus on Clinton's thirty thousand e-mails tells me a lot about the hypocrisy involved. So does comparing the amount of news coverage that focuses on Clinton's e-mail versus coverage of Trump's cheating people, rape charges, charity abuse, race-baiting, and destroying e-mail evidence in lawsuits. That is a problem against which I feel impotent with rage.
So here is just something else that I found interesting. It appears that a lot of the messages in question for Clinton related to planning Chelsea's wedding. People were skeptical that they could all be that, but I have seen others confirm that for a wedding like that, forty thousand e-mails would not be at all unusual. And that was just such a horrifying thought, that so much e-mail could be necessary. I can see how it would happen, but even more I see why you might elope.

Magic at the drive-in

Rick was a misfit at school.

He was pretty nerdy, it is true, but there were other nerds and they had friendships. There were definite social circles in the school, but things were fairly friendly between them. Rick could have made friends, but was hampered by his overwhelming sense of utter superiority. It made it hard for him to enjoy other people, and for them to enjoy him.

Rick could have gotten involved with computers or chess or something with a club; that could have led to more socializing and even a potential career path, but that never happened. Instead he got into the occult. With the right coven, even the occult can be somewhat social, but in his case it wasn't.

It was the combination of Rick's superiority and his occult leanings that led Rick to the drive-in that night.

He had been having some minor success with divination and enchantment, but he wanted to do something bigger. The more he thought about it, the more he wanted to create some mayhem. Not liking people may have increased his tendency toward the destructive, but also many of the source books he had been reading were relatively malevolent.

Orson Welles was an influence too. Rick knew the legends of the 1938 War of the Worlds broadcast, and mass hysteria seemed appropriately big. That would make people take notice.

That also gave him the idea to capitalize on some kind of entertainment. An audience is already voluntarily submitting to the power of suggestion. If you could manipulate the suggestion - and exploit it - that should increase the impact.

It was October, and nearing Halloween. The drive-in theater was a popular hangout on weekends anyway, but this weekend there would be a horror movie featuring famous monsters. There wasn't an exact spell for what he had in mind, but there were enough similar ones that Rick believed he could adapt and create a ritual to make the horror real. That would do it. That would make for a night that everyone would remember.

Rick was off to a great start. It was a crisp fall night with a glorious moon. The football team had won their game the night before, so no one was moping or grounded. A night when everyone was free and wanted to be outdoors would really pack them in.

Rick arrived before the gates opened. There was some shrubbery along the back that provided him with ingress and shelter, and being in the back would give him an excellent view.

Obviously he needed to wait until the sun was down for maximum effect, and the movie should be well underway. It had to be after the dramatic tension was established and before it started to dissipate. Without having seen the movie before Rick had to guess, but really, it all seemed to work out. There they were on the screen: Dracula, Frankenstein's Monster, and the Wolfman. Then there they were off the screen.

It had worked; now it was time for mayhem.

Dracula's main waking sensation was thirst, and he just happened to be situated near a car containing Jane Thompson.

Jane was an unusually tall girl. It was not currently fashionable to be quite that elongated, and she often felt awkward about it. Jane had never fully realized the elegance of her swan-like neck, but Dracula appreciated it right away.

Brett Cummings, the tallest member of the basketball team, had asked Jane out, and he was enjoying the height similarity. However, his metabolism was much faster, and this was already his second trip to the snack bar. That left Jane alone in Brett's convertible, convenient for the Count, but less so for Jane.

Dracula approached the car silently, stealthily. The maiden was completely unaware of his presence as he closed in on her, leering over her.

Rick never had time to understand the key shortcomings of his plan. The Frankenstein's Monster he'd conjured up was very literary, and thus obsessed with punishing his creator. Somehow he understood that in this case the responsible one was Rick, and not Dr. Frankenstein, but he still had all the resentment that he would have had against Dr. Frankenstein. The creature made a beeline for Rick, who got out a short scream just before the throttling began.

The Wolfman wasn't literary at all, but drawing from his movie roots he was tortured by his affliction. Seeing the full moon and finding himself once again clawed and fanged and hairy, he let out a howl of despair.

When Rick screamed, some heard it, but they were watching a scary movie and there had been little screams and gasps all along, so no one thought too much about it.

The howl was noticed. People turned and saw a wolf man in their midst, howling impressively. That was a shock. Now there were more screams and they were louder. What was going on?

Then there was the scream to end all screams. Jane may not have noticed Dracula sneaking up on her, but when he pounced it was impossible to ignore. Jane was a soprano in the choir; compared to Jane's scream Rick's was but a whimper. Every eye turned to Brett's convertible, and Dracula, bending over Jane's neck.

If the crowd hadn't been sure what the presence of the Wolfman meant, seeing Dracula there too made it obvious: this was the best movie promotion ever!

Everyone broke into a round of thunderous applause.

Rick's spell was based on the suspension of disbelief, but also on fear. The audience did believe in what they were seeing, but they believed it was actors and effects. As much as they loved it, they weren't afraid of it.

That ruined everything.

One moment the monsters were there, and the next they weren't. No one was quite sure where the monsters had gone, but that in itself just made it more amazing. It had all been carried off so smoothly!

It was the main topic of conversation for days. They shared details of where they had been parked, and what they saw. Almost everyone had seen both the Wolfman and Dracula. Some claimed to have seen Frankenstein attacking a guy, but the guy disappeared with them so he must have been in on it.

(And without Rick there, no one pedantically asked if they didn't really mean the monster that Dr. Frankenstein created, and not Frankenstein himself.)

They tried to find out more. Teens peppered the drive-in owner, Mr. Woolner, with questions about how he did it and whom he'd hired. The more he claimed ignorance of the entire thing, the more they thought he was a genius. Eventually his protests became less earnest, and more winking. "It was exciting, wasn't it? I can't tell you anything beyond that."

They asked Jane as well, and mostly believed her when she said she hadn't been in on the plan. It made her think, though. If the guy playing Dracula had picked her to be the victim - and she had seen so many beautiful victims in the movies - maybe she didn't need to worry so much. It raised regard for her, where both people who thought she was acting and those who didn't started thinking of her as more attractive. Jane was crowned homecoming queen just three weeks later.

It was fun to talk about through Halloween, but the excitement did die down. Homecoming, Thanksgiving, and then getting into Christmas kept everyone pretty busy. Life returned to normal in the way that it always does.

But there are also always some events that mean more, and stay with you more. That night was one of them.

In the rapidly approaching future, drive-ins were going to become much less popular, and yet that one thrived. The town had a fondness for it, and kept going back long after the other local drive-ins had closed down.

The night remained a golden memory - a legend of the town. Years later people would bring it up, "Do you remember?" After enough time had passed even people who hadn't been there would remember that they had.

Rick should have been proud, if he could have known.

Band Review: Dear Boy

Dear Boy was recommended by Hunter Burgan of AFI, and he was right.
An alternative rock band from Los Angeles, their music is acoustically interesting and emotionally moving.
This is not a great analogy, but if you love the Johnny Marr aspects of The Smiths, but not so much Morrissey's melancholic pretension, you could love this band. Fans of New Order should also enjoy, though Dear Boy is more guitar-driven.
There are two problems with that preceding paragraph. One is that I don't want to spend too much time comparing them to other bands; they are themselves. (Though it does make me wonder what a Johnny Marr/Peter Hook collaboration would be like.) It also could make the band sound dated, which would not be fair.
They may pull from older traditions (there is a cover of The Psychedelic Furs' "The Ghost In You"), but they put their on stamp on it, and it's a good stamp.
Personal favorites have been "Local Roses", "Come Along", and "Oh So Quiet", but there are some cool jazzy elements on "Green Eyes" and "Funeral Waves".
Actually, just listen to all the tracks.
You should check them out.
http://www.dearboyofficial.com/
https://www.facebook.com/dearboyofficial/
https://www.youtube.com/user/dearboyofficial
https://soundcloud.com/dearboyofficial
http://dearboy.bigcartel.com/
https://twitter.com/dearboyofficial

Band Review: Pears

Pears is a punk band from New Orleans. I put them on the review list after they were recommended by Dave Hause.
When I started listening, the first thing I noticed was how fast they were. Songs are short, quick punches, in glorious punk tradition.
As I read their biography, "fast" became a theme. They released a demo within days of forming, wrote an album in 14 hours, and recorded the album within five weeks of their formation. Even for punk, that's pretty fast. After that, learning that their version of "Judy Is A Punk" is one second shorter than the Ramones' is not surprising, though still pretty impressive.
Must-hear songs include "Snowflake" and "Green Star", but it is interesting to hear a track like "Dizzy Is Drunk" with its delicate piano and know that they can do other things. That impression is less drastic but still there on tracks like "Doorbell", where the intro could easily go with a less hardcore song, but doesn't need to. "Cloverleaf" has traces of a suburban sitcom -- it at least knows the territory -- but then it isn't.
Although Pears has their own Youtube channel, videos are also available through the channel for their label, Fat Wreck Chords.
The band is currently touring with NOFX. There are stops in the Pacific Northwest, but they are selling out fast, with Portland tickets already gone.
http://pearstheband.com/
https://www.facebook.com/PEARStheband/
https://www.youtube.com/user/PEARStheband
https://twitter.com/pearstheband/

Building up

This train of thought comes from a couple of things I have seen recently.
One was this video, Martha and Sara:
https://www.youtube.com/watch?v=kUD7swQkgGA
It is the story of a family whose daughter was born deaf, where she would not be able to learn to speak without immediate intervention. Things I never thought about were how they had to keep refitting for hearing aids with a growing child, and even how soon you need to intervene to allow for speech. Knowing that, I was not surprised that it was expensive.
They raised an accomplished and independent daughter. Two things that helped them were the State Children's Health Insurance program and legislation that required public schools to provide resources for children with disabilities. Those were things that Hillary Clinton worked for.
I had kind of forgotten about SCHIP, but yeah, it's been in place long enough that children who have been provided for through the program are grown.
If we think about Hillary Clinton's efforts toward health care, it is easy to think of it as a failure. Congress turned it down. That must have been pretty crushing, but she kept looking for other possibilities. SCHIP is associated with Edward Kennedy and Orrin Hatch, because they sponsored it, but Clinton was a part. There was a falling out over a cigarette tax amendment and political maneuvering, but ultimately the program was created and it has done good things.
This was the other thing:
http://shareblue.com/the-significance-of-hillary-clintons-work-on-behalf-of-children/
There are not a lot of financial or political rewards for focusing on children. They don't vote, and they don't have a lot of money for making donations. They have parents and you might expect the parents to care, but I know a lot of parents whose children have been insured through SCHIP that hate Hillary. The programs are valuable, but the person working for the programs may not be valued.
That is the opposite of the pure revolutionary fervor that so many people have found exciting this election cycle. It requires patience. It requires making allies, even in the face of disagreement. It requires facing failure, brushing yourself off, and trying again. Progress may not come easily, but it can last longer when done carefully.
That is the woman I'm voting for. That is why.
I'm with her.

Berning it down

Building on yesterday's post, it would be easy to start talking about toxic masculinity, but I think that will come later. Right now it may be more pertinent to talk about white male rage in this election. It has taken an unusually ugly form with Trump, but it is worth pointing out that it was also a key part of the Sanders campaign.
Yes, Sanders had a lot of supporters who were not white men, but there are ways in which it is relevant that I want to address.
First of all, his focus on that demographic hurt his campaign. I felt like the Black Lives Matter protest in Seattle could have been what turned things around, making his campaign more inclusive and broadening his appeal to the Obama coalition. He never did that, and that's why he lost the primary.
(That coalition is also why Trump will lose the general election, so if you are mad at them about Sanders, there should be some room for gratitude as well.)
When I last wrote about this, it seemed like part of the problem was that Sanders' brand of socialism simply wasn't capable of allowing for other factors, and that limited him. I suspect the anger itself could also have been a problem.
The anger can easily be traced back to privilege, because neither President Obama as a Black man nor Hillary Clinton as a woman can display anger freely and have it interpreted the same. That the Angry Black Woman label has been applied so frequently to warm and gracious Michelle Obama further demonstrates that point.
So building your personality around anger is a privilege, but it is also a bad strategy for being effective. Sanders has been a senator for a long time, and been known for big ideas, but even colleagues who liked him struggled to identify his achievements. Barney Frank has attributed that to Sanders waiting for the revolution: "He plants his flag and expects that someday everyone will see that he was right."
http://www.politico.com/story/2016/03/bernies-record-220508
That seems very similar to the depth of Donald Trump's plans, and maybe it's why revolutions in general end up falling far from their ideals.
I remember realizing once that John McCain was a contrarian more than anything else. That meant that sometimes he said true things, but not enough to make up for a lot of the other stuff that came with it.
If you are setting yourself up as an angry revolutionary you are defining yourself by your opposition. That can lead to viewing everyone not with you as enemies. It puts you in tearing down mode. So you have Susan Sarandon lecturing Dolores Huerta (from whom Sarandon could learn a lot), and Sanders wanting Cornel West on the DNC platform committee, which was a slap in the face to Obama. It means denying the accomplishments of the current administration which has had an uphill climb but has still done a lot.
And that's one thing that I see with Trump. Everything is bad now. America is the worst. It doesn't matter that unemployment goes down and stocks go up or when troops come home - everything is bad and the worst ever. A lack of willingness to see the good around you is a thief of joy. I guess if your focus is maintaining anger, joy would be a liability.
The maintained anger makes it easy to run over other people. It becomes not just easy, but necessary to shout down anyone supporting the other side. There are people believing Trump will win because they only see his supporters, forgetting that for many people who support Clinton the price of stating it openly has become very high. So then everything is rigged, but it's only rigged because you refuse to see all of the other people who feel differently.
It bothers me greatly that there are people who talk about election rigging and they mean closed primaries instead of purges of the voting rolls. There are people who matter that you are not seeing.
It bothers me greatly that there are people saying "Can you believe these two candidates?" and they really believe that Clinton is horrible like Trump, so that even people who like Clinton a lot feel compelled to keep qualifying that she's not perfect. When has there been a perfect candidate?
I will write more about what makes Clinton a great candidate tomorrow, but let me point out now that she has the most representation in her team of any candidate. Not only are there different races, genders, and ages, but she has also made an effort to include people with disabilities. She sees people.
It makes a difference.
Related posts:
http://sporkful.blogspot.com/2016/05/things-i-dont-like-about-bernie-sanders.htmlhttp://sporkful.blogspot.com/2016/05/and-revolution.html

Privilege and Harrison Bergeron

We have reached the point in my blogging where I criticize beloved figures, starting with a beloved author.
I first read "Harrison Bergeron" in junior high. My first reaction was to be disturbed. Most of our class discussion focused on how even though they called Harrison a genius he seemed pretty stupid. It took me much longer to think about the fact that efforts toward equality don't really work that way.
Think about it. Even with affirmative action having been on the books for a while, a black college student has the same change of getting a job as a white high school dropout. When they do get the job, they get paid less. Their efforts to use that salary to invest in a home usually involve worse loan deals and less valuable property - even after those practices were declared illegal - so they lag behind in gaining wealth. People still feel threatened by affirmative action and get angry about it.
The common conception is that the story was a satire relating to wealth equality, and the points in the previous paragraph can apply to that. On the surface it is more about actual physical disabilities. Looking at that, steps toward equality generally involve accommodations like ramps and reserved parking spaces closer to the entrance. Maybe there are larger screens for the visually impaired. They don't remove all obstacles caused by the disabilities, but they allow participation by individuals who do have something to give. It doesn't take anything away from those without disabilities. It certainly doesn't lead to weighing down the strong and putting masks on the beautiful.
The absurdity of it could be seen as the point of satire, and you could hope that Vonnegut's point was to show how ridiculous the fears were for those who worried about talk of equality. That doesn't seem likely. In trying to see if anyone else had addressed those issues, I found this:
https://www.buzzfeed.com/kathleenfounds/and-yet?utm_term=.jkOVnQYyP2#.naVdjQ0GOZ
It relates to the story "Welcome to the Monkey House", originally published in Playboy but later in a collection (by that name) of stories that included "Harrison Bergeron". And yes, apparently the way you satirize simultaneous concerns about overpopulation and the Pope reconfirming his opposition to birth control (plus equality) is therapeutic rape, done humbly. Right.
I don't think Kurt Vonnegut was a bad man. He sounds like a pretty nice man, but he was white and he was male, and especially in the 1960s that put him in a position where there were things he just didn't need to worry about.
This is a time of finding lots of anger and fear about a change in the social order, and there are people who aren't even that high up in the social order but who still cling to it because they're afraid of being lower still.
When you're accustomed to privilege, equality feels like oppression.
I'm not saying that you can't find Black people who will argue against affirmative action or women who will shame victims of rape - they are out there. You will also find white men who look beyond that. But it's easy not to know if you don't have to know. There are still a lot of people who have to know.
I try to never forget that.
http://www.huffingtonpost.com/chris-boeskool/when-youre-accustomed-to-privilege_b_9460662.html

Band Review: Into the Night and Tyler Simmons

I'm combining two follows who do not provide a lot of material on their own.
First is Into the Night. I was followed by one user who had a link to a video in his profile, but now does not, perhaps having moved on. There may or may not be another member of the band who is doing more with his personal Youtube channel.
They do have a an original song, kind of hardcore but with some melodic lyricism, and the guitar is well-played, but I'm not sure there's still a band here. This may be a downside to my long lead time for reviews, though the follow happened in June, so it wasn't even the full six months.
https://www.youtube.com/channel/UCwG-lBNwOTwcvQeFwBHslLQ/featured
https://www.youtube.com/channel/UCNVLo08X1eDjOOjHRvO8C5g
https://twitter.com/imjonnyboy_

Tyler Simmons followed me about a week after Jonathan. He has more material, but not additional original material, with all but one of the songs being covers. Being relatively young, it may make sense for Simmons to accumulate more life experience and have more things to write about.
I know the names of the other artists he covers, but only one of the songs. I think he has a good voice and sounds good, but I don't know how they compare, except for that one.
That one is a cover of "Imagine", and I hate it. It's a duet, and together they flatten the song and I'm not even really a Lennon fan.
Right now Simmons is a 16-year old Canadian actor who is not bad at guitar or singing and is pretty cute, but he is still growing into whomever he is going to be. One of the covers is a Justin Bieber song, which reminds us there is a wide range of options for how he can turn out.
http://tylersimmons.ca/
https://www.facebook.com/tylersimmusic
https://soundcloud.com/tyler-simmons-...
https://twitter.com/Tylersimmusic