Warren Adler's Blog, page 14
April 13, 2017
Our Exclusive Interview with Colleen Crimmins, the audiobook narrator of The Sunset Gang
This week we’re shining a spotlight on Colleen Crimmins, the audiobook narrator of The Sunset Gang, the critically-acclaimed collection of short stories that inspired the beloved PBS trilogy.
What do you look for in a project? Is there a particular genre you gravitate towards? What initially drew you to The Sunset Gang?
I’m drawn to works of fiction with vivid characters. When I saw the audition script for The Sunset Gang I could tell it was rich with interesting characters and I wasn’t wrong. It was both a big challenge and lots of fun to narrate the book. I’m also an avid reader of the self-development genre and enjoy books on mindfulness meditation, healthy diets, improving productivity, you name it!
Tell us a bit about your background. What inspired you to become an audiobook narrator?
I am a veteran of Chicago Theatre, I teach middle school drama and I’m an on-camera spokesperson (for the last 21 years) for PBS. I’ve fantasized for years about working behind a mic, bringing characters to life in an intimate setting. Not having to worry about make-up and costumes is also very freeing.
What was the most unexpected thing about narrating audiobooks that you didn’t foresee going in?
The technical knowhow needed for audiobook narration has surprised me. Having your own home studio is just about a requirement here in Chicago. I had to learn how to build that, then how to master some complicated software. A lot of people think that if you can read expressively you can narrate books, but there is much more to it than that.
The Sunset Gang deals with the joys and challenges of life after a certain age. What advice would you give your teenage self?
When I was a teen I couldn’t imagine myself in my 30’s let alone 40’s and beyond. I would remind myself of potential longevity I can expect to enjoy beyond my teenage years and rather than be frightened of old age when it happens, be grateful, embrace it, and respect the depth of wisdom that a person of a certain age carries with them.
Is there anything you learned about yourself or life in general after completing production of The Sunset Gang?
Completing The Sunset Gang has caused me to be picky about my next project. The writing has to be very good. I’ve been spoiled.
What are the top three pieces of advice you would give to an aspiring voice-over artist?
1) Don’t wait as long as I did to finally follow your dream and begin working behind a mic. I wish I had gotten my foot in the door years ago, it would have been a wonderful addition to my other acting work.
2) Don’t break the bank with a super expensive home studio and recording software. Start small and upgrade as you get more work.
3) Never stop learning. I am continuously taking classes as they are inspirational and keep me on top of my game.
Tell us a bit about your work flow. Do you work from home or do you commute to a studio?
Rather than work flow, I’d call it a work tsunami! My work in the arts is diverse and much of it is freelance so some months are more hectic than others. I have to be very organized with my time and often need to work through the weekends during those busy periods in order to meet my obligations. I do have a home studio which is both a blessing and a curse. I enjoy just being in close proximity to my work but that means tackling all the technical aspects myself. Sometimes, the thought of walking into a recording studio with a technician at my side sounds pretty nice.
What were some of the joys and challenges of narrating The Sunset Gang?
Most of the characters in The Sunset Gang were from the same area in New York and, as such, had very similar accents. The challenge was to make each character sound different. I spent hours going back and listening to my previous characterizations making sure to create something unique for the next one. It was a blast when I felt I had accomplished that!
You bring to life such a variety of characters in this audiobook. It must be hard to articulate, but can you tell us about your process? How do you become these characters?
The text was my guide. I’d scour the text for character descriptions and then start talking to myself until the voice sounded right. For example, in “Itch,” (the second story in The Sunset Gang) I read this description: “He was a thin man with gray hair and a sunken chest, and when he smiled he revealed gaping holes along his gums.” Instantly I got strong visual image of what this man looked like and what his voice might sound like, especially with lots of missing teeth! Fortunately for me, Warren Adler had lots of wonderful character descriptions for a narrator like me to draw from and experiment with. Not all authors offer up such vivid images. I got lucky.
What inspires you?
Good writing.
Honest acting.
Artists who are at the top of their craft and yet strive to learn more.
Professionalism.
What do you think makes audiobooks so appealing? What does an audiobook offer that a book cannot?
I would get through far less books if it meant finding time to sit and read. I’m constantly on the go. Audiobooks have given me the opportunity to enjoy lots of wonderful books I’d otherwise be missing. I listen in the car, while I’m cooking, while I’m exercising, etc. It’s fantastic. Plus, there’s something about listening to a great narrator. When my husband and children and I drove to Colorado on a family vacation, we listened to several Harry Potter audiobooks narrated by the great Jim Dale. They were so entertaining that we never wanted them to end. Even when we got to Colorado my kids wanted to stay in the car to finish a chapter. Now those are great stories, of course, but Jim Dale’s narration made them come to life in an incredibly memorable way.
Which story in the collection did you enjoy narrating the most? Why?
“Yiddish” was my favorite story to narrate because I adored playing Genendel and I loved the drama between Velvil and his wife Mimi. It was like sinking your teeth into a good sandwich when you’re starving – it fulfilled my artist cravings. Though the mother in me also liked “The Braggart” because I was so touched by it.
How would you compare narrating an audiobook to acting?
It’s a different kind acting – but it is still acting. I teach drama and I’m always talking my students about the difference between film acting and stage acting. Those are two dramatically different styles. Audiobook narrating is yet another style of acting. It’s very intimate. It’s like a conversation with your best friend. There’s still a great deal of artistry involved. You play characters, you intimate mood, you lead the reader along the author’s path while always keeping in mind that you are usually talking to one person with earbuds in their ears.
Do you have any rituals you practice while you’re recording an audiobook? Certain foods you’ll eat or stay away from? How do you take care of your voice?
Water, water and more water. This keeps the the voice in better working order and keeps your tongue from clicking on inside of mouth out of dryness.
I used to sing a lot and still use many of those warm-up exercises to keep my voice limber.
I’m obsessed with eating a healthy diet. Do I always succeed? No. But I certainly try harder if I’m working on a project. I try to avoid foods that dehydrate you, like coffee.
How often do you listen to audiobooks?
I have a subscription to Audible and listen to my book du jour just about everyday.
Do you think audiobooks will one day replace reading?
No, I think we’ll always have both, though I do think audiobooks will continue to grow in popularity and may someday give paper copies a run for their money.
What has the reaction to The Sunset Gang been among your fans?
I am relatively new to audiobooks that are on Audible and Amazon. Most of the recordings I’ve done have been children’s books for schools and educational institutions. So, while I’d love to talk about my fans, that may be a bit premature. I’ve read some very good reviews, however, for my work in The Sunset Gang, so maybe those listeners will follow my future work. That would be wonderful.
What’s next for you? Do you have a project you’re itching to work on?
I can’t wait to narrate another adult novel or self-development book (though I prefer the former). The children’s books have been great, but it’s time to let my freak flag fly! I have a Right’s Holder considering me for a project right now. We’ll see.
Listen to Colleen read from Warren Adler’s The Sunset Gang here.
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April 12, 2017
Irenosen Okojie
The first scribblings I wrote felt like breaking bread for a new religion. I wrote drunk on Mildred D. Taylor, Rosa Guy, Roald Dahl, S.E Hinton. I wrote poems about the time I went missing in a Lagos amusement park as a kid, then like a small miracle turned up unscathed, puzzled by all the fuss and refusing to say where I’d been. I wrote of hurtling through my father’s office glass doors at full speed, then bleeding in his arms, feeling like my heartbeat had tripled because the adrenaline rush of being chased doesn’t immediately end once the chaser has stopped running. I scrawled diary entries on almost drowning at my boarding school’s swimming pool, eating roast beef with mint sauce then catching the train from Norwich back to London. To my uncle’s flat in Homerton, Hackney where I’d wolf down pounded yam and okra with a home full of Nigerian nomads who bought clothes from Marks & Spencer’s for relatives like it was Harrods, who spoke loudly when they told you a secret and laughed like they meant it. Who I knew would be gone by the next time I came to visit, replaced by a new set of travellers speaking pidgin English from mouths attuned to frequencies of a sun drenched landscape. I wrote about my trick of turning my eyelids inside out to pose for pictures at my uncle’s wedding, which amused my father and aggravated my mother. I wrote that I discovered there are many words for snow but not enough words to describe feeling ‘other’. I wrote of hanging out with my big brother who played me Gil Scott-Heron, Slick Rick, Bahamadia. Who was cool enough to not only look out for his baby sister but assured enough to find ways of looking up to her. As well as capturing the emotional significance, these fragments of my life pieced together were a way of catching those elements that are hard to define, ambiguous, a way of running my fingers over their lines. It seemed necessary to document them, to reflect, because writing is a way of remembering, recreating, making the moments of moments indelible.
Now I write fiction to turn the world upside down, to find the core of characters who fall through the cracks, changed by the broken fabrics of their lives, that try to rescue themselves in surprising ways. In the process, I learn a little about the different lives I maybe lived or could live. I write out of curiosity. I write to get answers to questions that somehow find their way to blank pages.
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April 5, 2017
Njambi McGrath
I guess, the seed of writing was first planted in my mind in reverie whilst lying on my back staring at the different shapes that clouds formed of their own accord, at my father’s coffee farm in rural Kenya. I wanted to capture my life from the clouds and shout to the world about it. The other time was when I read Jung Chang’s Wild Swans a few years ago. I thought to myself, ‘I want to educate the world on Kenya like she did with China’.
Although I had inclinations that I would be a writer at several junctures of my life, it was really the death of my father that kicked my backside into gear. I wanted the world to know my father’s narrative, indeed the narrative of my people. The portrayal of Africa by the Western media as a single narrative has also been a big motivator. Chinua Achebe lives in my mind, nagging me, ‘if you don’t like the narrative write your own’.
http://www.njambimcgrathcomedy.co.uk/
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March 31, 2017
March 29, 2017
Victoria Naa Takia Nunoo
The Baby-Sitters Club, Sweet Valley High, and Famous Five opened up new worlds to me – worlds I could actually be part of, and exist in, at the same time as the physical one I knew. At 14, I was burning through books accessible to me like wildfire, much to the disadvantage of my academic studies. Nothing liberated me more than experiencing these many different worlds inside white and my favorite yellow pages. My school’s library was where I first thought of what my daemon would be if I made it into Northern Lights as a real breathing person. It was also where I got addicted to Animorphs, fell in love with Tess of the d’Urbervilles, and just couldn’t have enough of Harry Potter. Soon, I began writing my own fantasies, very gingerly kept hidden inside notebooks.
The ability to create and to be able to breathe life into that creation, so that it stirs a reader in many different ways – maybe takes them into a past, enables them to make meaning or interpret some present, or even to throw them into a future in such a way that their minds are opened to the many possibilities, for me, is truly a kind of magic I never want to lose.
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March 22, 2017
Lisa See
I knew three things about myself when I was growing up. I never wanted to get married, I didn’t want to have children, and I always wanted to live out of a suitcase. I took two years off from college to travel in Europe. The whole time I was wondering how I was going to make my life work the way I envisioned it and how I would be able to support myself. One morning, when I was living in Greece, I woke up and it was like a cartoon light bulb had gone off in my head. I thought, Oh, I could be a writer!
When I finally returned to the States, I got my first two magazine assignments within forty-eight hours. But clearly I didn’t know myself very well, because I also got married and had children. I still spend an awful lot of time living out of a suitcase though!
These days, I get up early and work on my e-mail for an hour or two. Then I write 1,000 words. That’s only four pages. Some days I write more, but I try never to write less. I usually have an outline, and I write from beginning to end without stopping to edit. Some writers won’t move forward until they get one page to be absolutely perfect, but I think you can spend a lot of time questioning yourself if you take that route. Also, if you write straight through, you allow magic to happen.
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March 15, 2017
Kemper Donovan
I always said that if anyone ever cared to ask, I would be honest about not growing up wanting to be a writer. Because it’s true; I dabbled here and there, but it wasn’t until I was almost thirty years old that I got serious about writing. I’d been a lifelong reader, and I’d built a career working with other creatives, but eventually I had to face the fact that it wasn’t enough. I had to create something of my own. I cannot say why I felt this way, just that I did, and that acceptance was the first step. The next steps, as it turned out, were a series of false starts and wrong turns and crushing disappointments and trifling disappointments and over time, enough modest successes to allow me to cobble together a publishing deal for my first novel, eight(ish) years later…
And now, the struggle continues. Each day I try to write something worthwhile. Because I cannot imagine doing anything else.
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March 14, 2017
GREY EAGLE FILMS
GREY EAGLE FILMS
Grey Eagle Films is an independent film production company exclusively developing the literary properties of iconic American author Warren Adler (The War of the Roses; Random Hearts).
The production equity raise is in progress with the first film to begin production being the author-written sequel to The War of the Roses called Children of the Roses.
Email Jonathan R. Adler, CEO at JonathanRAdler@me.com for more information.
PROPERTIES IN DEVELOPMENT
THE CHILDREN OF THE ROSES:
Produced by Grey Eagle Films
Screenplay by Alex McAulay (Eastbound and Down; Bad Girls; Flower), Doug Simon & Will Canon (Brotherhood; Demonic)
MOURNING GLORY:
Co-Produced by Grey Eagle Films and David W. Higgins (Hard Candy; Big Momma’s House)
Screenplay by Karen Leigh Hopkins (Stepmom; Because I Said So; Miss Meadows)
TORTURE MAN:
Produced by Grey Eagle Films
Screen adaptation by Blacklist screenwriter Hernany Perla
FUNNY BOYS:
Co-Produced by Grey Eagle Films in partnership with Julian McMahon (Nip/Tuck; Fantastic Four) and Charlie Loventhal (The First Time; Meet Market)
Screen adaptation by Greg Pritikin (Easy to Assemble; Dummy)
RESIDUE:
Produced by Grey Eagle Films
Screen adaptation by actor and director Vondie Curtis-Hall
THE SERPENT’S BITE:
Co-Produced by Grey Eagle Films and Anna Camp (Pitch Perfect; True Blood)
To be directed by Scott Winant
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March 13, 2017
Which Literary Genre Suits Your Personality?
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March 10, 2017
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