Alex Castro

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Alex Castro

Goodreads Author


Born
in Rio de Janeiro, Brazil
Website

Twitter

Member Since
December 2018

URL


Alex Castro publicou “Mulher de um homem só” (romance, 2009), “Onde perdemos tudo” (contos, 2011), “Outrofobia: textos militantes” (ensaios, 2015), “Autobiografia do poeta-escravo” (história, 2015) e "Atenção." (ensaios, 2019).

Foi colaborador da revista Mad in Brazil, do site PapodeHomem e do jornal Tribuna da Imprensa (RJ).

Em 2016, lançou a “Autobiografia do poeta-escravo” em Cuba e foi um dos escritores convidados da Feira Internacional do Livro de Havana.

Suas instalações artístico-literárias “As Prisões” já foram realizadas em todas as regiões do Brasil, reunindo milhares de pessoas.

Pratica zen-budismo há mais de dez anos. É membro da "Ordem dos Pacificadores Zen" e Irmão ordenado em "Eininji – Templo
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Average rating: 4.23 · 155 ratings · 13 reviews · 9 distinct works
Mulher de Um Homem Só

3.82 avg rating — 45 ratings — published 2009 — 3 editions
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Atenção.

4.83 avg rating — 24 ratings2 editions
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Outrofobia

4.52 avg rating — 23 ratings — published 2015
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Liberal, Libertário, Libertino

really liked it 4.00 avg rating — 24 ratings — published 2007
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Viagens na Terra dos Outros...

4.23 avg rating — 13 ratings — published 2012
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Onde Perdemos Tudo

4.25 avg rating — 12 ratings — published 2011 — 2 editions
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Radical Rebelde Revolucionário

3.60 avg rating — 5 ratings — published 2007 — 2 editions
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Uma cigarrilha apagada, conto

it was amazing 5.00 avg rating — 2 ratings
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A autobiografia do poeta es...

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4.86 avg rating — 7 ratings
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Notre-Dame de Paris

Faz duas semanas, no dia 15 de abril de 2019, a Catedral de Notre-Dame pegou fogo.

No mesmo dia, comecei a ler "Notre-Dame de Paris" (1831), também conhecido como "O corcunda de Notre-Dame", romance de Victor Hugo, há muito na minha fila de leitura.

Um livro escrito, entre outras coisas, para recuperar a memória da Idade Média e revalorizar a sua herança cultural, que perigava de ser... Read more of this blog post »
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Published on April 28, 2019 10:18

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A Concise History...
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Gargantua and Pan...
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Alex Castro is now friends with Livia Martins
Alex Castro is currently reading
A Concise History of Poland by Jerzy Lukowski
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Alex Castro finished reading
Troilus and Criseyde by Geoffrey Chaucer
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Flávia Leite Flávia Leite finished reading Atenção.
Alex Castro and 3 other people liked Marina Guerra's review of Ficções:
Ficções by Jorge Luis Borges
"Impressionante."
Alex Castro and 5 other people liked Eric Novello's status update
Eric Novello
Eric Novello is on page 70 of 128 of Redemoinho em dia quente: Gosto de como os contos se amarram às vezes pela história, às vezes por um sentimento, seguindo essa ideia de que o que está ali são recortes de vidas maiores que não se encerram junto com o que estamos lendo.
Alex Castro rated a book it was ok
1001 Ridiculous Ways To Die by David Southwell
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Troilus and Cressida by William Shakespeare
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Troilus and Cressida by William Shakespeare
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“Eu, por exemplo, bem acho que deus pode existir. Não vejo irracionalidade ou improbabilidade alguma em o big bang ter sido acionado por uma mão divina ou que uma mão divina tenha criado as espécies animais e os planetas, etc. A grande questão é outra: por que deveria eu viver de forma diferente só porque o universo foi criado por um ser divino e não por forças cósmicas aleatórias?”
Alex Castro, Liberal, Libertário, Libertino

“He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]”
François Rabelais, Gargantua and Pantagruel

“The simple truth is that most people aren’t out to get you. We are so bad at spotting deception because it’s better for us to be more trusting. Trust, and not adeptness at spotting deception, is the more evolutionarily beneficial path.”
Maria Konnikova, The Confidence Game: Why We Fall for It . . . Every Time

“The Unknown sometimes holds surprises for the spirit of man. A sudden rent in the veil of darkness will momentarily reveal the invisible and then close up again. Such visions sometimes have a transfiguring effect, turning a camel driver into a Mohammed, a goat girl into a Joan of Arc. Solitude brings out a certain amount of sublime exaltation.”
Victor Hugo, The Toilers of the Sea

“It was a lodging for the kind of people who have no permanent lodging. In all towns, and particularly in seaports, there is always to be found, below the general population, a residue. Lawless characters—so lawless that even the law sometimes cannot get its hands on them—pickers and stealers, tricksters living by their wits, chemists of villainy continually brewing up life in their crucibles; rags of every kind and every way of wearing them; withered fruits of roguery, bankrupt existences, consciences that have declared themselves insolvent; the incompetents of breaking and entering (for the big men of burglary are above all this); journeymen and journeywomen of evil, rascals both male and female; scruples in tatters and out at elbow; scoundrels who have sunk into poverty, evildoers who have had little reward from their work, losers in the social duel, devourers who now go hungry, the low earners of crime, beggars and villains: such are the people who form this residue. Human intelligence is to be found here, but it is bestial. This is the rubbish heap of souls, piled up in a corner and swept from time to time by the broom that is called a police raid. La Jacressarde was a corner of this kind in Saint-Malo.”
Victor Hugo, The Toilers of the Sea

“Dissimulation is an act of violence against yourself. A man hates those to whom he lies.”
Victor Hugo, The Toilers of the Sea

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