Ask the Author: M. Darusha Wehm

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M. Darusha Wehm The short answer is "I dunno."

I have written a couple of shorter pieces in that world: Fire. Escape. and The Interview. It's an interesting place, and a world I really love, but I feel like I've spent a lot of time there. And after The Beauty of Our Weapons, I really felt like I needed to give Dex and co. a break for a while.

I'm enjoying the other projects I've been working on, but there's a definite possibility I might rejoin that world. The main obstacle I see is that real life technological changes are rendering a lot of the cyberpunk elements of that world into banal reality, so that could put a cork in the whole thing.

Never say never, though.
M. Darusha Wehm Read.

Write.

Find someone who's a better writer than you to read your work and then listen to what they tell you. But don't forget that it's your work, not anyone else's.

Read some more.

Write some more.

Repeat.
M. Darusha Wehm I'm not sure I really believe in writers' block, but I definitely go through waves of creativity and output.

I'm fond of using prompts and randomness to help me over a writing slump. I have a set of "writers' dice" with concepts printed on them that can help generate plot points, and I sometimes use images as inspiration. Mostly, though, it's about carving out time and telling myself that I'm going to write now, whether I'm keen or not.

There's no magic muse, it's just work. Sometimes the work feel more like play, but it's industry not fairy dust that makes it happen.
M. Darusha Wehm The past few months I’ve been working on edits to Children of Arkadia, scheduled for release by Bundoran Press in March 2015. My editor, Hayden Trenholm, had some excellent suggestions to improve the book, which turned into rather extensive changes. I’m really happy with the result, though, and now we’re at the point where there are just a few minor things to finish.

I’m also in the later drafting phase of a novel-in-stories about a generation starship. My partner and first reader has referred to it as what you’d get if Albert Camus wrote space opera. I don’t know about that, but it’s a much more “literary” style than my previous books, and is full of capital-I ideas. And, of course, [spoiler] you never see them leave and you never see them arrive, so there’s all that awesome existential doubt over the whole thing. It’s good fun.
M. Darusha Wehm
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