Ask the Author: Justin Call
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Justin Call
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Justin Call
I will! My stock will most likely come in around the same time the publishers make the book available on Amazon, etc., so I would circle back to my website around the middle of May 2021. It's also very likely that I will arrange for stock to be sold by my local bookstore, but I need to speak with those folks first. Once I have further info, I'll post on Facebook, Twitter, Goodreads, and my website.
Justin Call
Sorry to hear that, friend! The bottom of the letter (or the back?) should have said this:
Bonus Chapter 24.5 – “Devil’s Bargain”
Then it gave a BIT.LY link that took you here:
https://www.dropbox.com/s/c41gutj58p0...
If I get a chance to meet you in person, I’ll be sure to add the message in invisible ink. Alternatively, you can private message me with your address and I’ll send you a replacement letter.
Cheers – and I hope you enjoy the book!
Justin
Bonus Chapter 24.5 – “Devil’s Bargain”
Then it gave a BIT.LY link that took you here:
https://www.dropbox.com/s/c41gutj58p0...
If I get a chance to meet you in person, I’ll be sure to add the message in invisible ink. Alternatively, you can private message me with your address and I’ll send you a replacement letter.
Cheers – and I hope you enjoy the book!
Justin
Justin Call
Master of the Fallen: Book 3 of The Silent Gods series.
Justin Call
TL;DR - I adore Peter Kenny.
You couldn't ask for a better narrator than Peter. He contacted me shortly after getting the gig (I had picked him out of a stable of other very talented narrators based on his competence and talent in previous novels that had a similar tone, plus he has amazing breadth and variety in his voices). We talked about pronunciation for the characters and places in the book, which he dutifully wrote down in the notebook he keeps for each of the projects he works on. I also recorded me speaking the names in various accents so as to give him an idea of what I expected they would sound like in American, English, Scottish, etc ... and Peter took it from there! He's an amazingly talented voice artist and narrator, but he's also an immensely kind person with a tremendous work ethic. He was also able to record the entire book in just two weeks (which is incredible to me).
This past summer (August 2019), I had the good fortune of getting to see Peter on my way through London as I made my way to WorldCon Dublin. We had lunch together and chatted about many, many things (some book related, some not), and I was amazed by how unfailingly gracious, polite, and generous he was. It would be difficult to find another person that is quite so noble, earnest, or sincere, let alone one who is also mega-talented (as he is). In fact, I had such a good time meeting Peter than I introduced him to my family (who had also been traveling with me) and we scheduled time for another short lunch on my way back to the US. Both meals were excellent (made more so by the company), and it helped me develop a close relationship with Peter that I look forward to nurturing over the course of this longer series (and many others).
You couldn't ask for a better narrator than Peter. He contacted me shortly after getting the gig (I had picked him out of a stable of other very talented narrators based on his competence and talent in previous novels that had a similar tone, plus he has amazing breadth and variety in his voices). We talked about pronunciation for the characters and places in the book, which he dutifully wrote down in the notebook he keeps for each of the projects he works on. I also recorded me speaking the names in various accents so as to give him an idea of what I expected they would sound like in American, English, Scottish, etc ... and Peter took it from there! He's an amazingly talented voice artist and narrator, but he's also an immensely kind person with a tremendous work ethic. He was also able to record the entire book in just two weeks (which is incredible to me).
This past summer (August 2019), I had the good fortune of getting to see Peter on my way through London as I made my way to WorldCon Dublin. We had lunch together and chatted about many, many things (some book related, some not), and I was amazed by how unfailingly gracious, polite, and generous he was. It would be difficult to find another person that is quite so noble, earnest, or sincere, let alone one who is also mega-talented (as he is). In fact, I had such a good time meeting Peter than I introduced him to my family (who had also been traveling with me) and we scheduled time for another short lunch on my way back to the US. Both meals were excellent (made more so by the company), and it helped me develop a close relationship with Peter that I look forward to nurturing over the course of this longer series (and many others).
Kimberly
I agree - Peter was a great call for narrator of this book. I wonder if I read the book on paper if I could have done as well imagining voices and inf
I agree - Peter was a great call for narrator of this book. I wonder if I read the book on paper if I could have done as well imagining voices and inflections as well as he expressed them.
...more
Dec 08, 2021 12:41PM · flag
Dec 08, 2021 12:41PM · flag
Justin Call
Ahoy, Mara! I've been working on the novella since finishing the first draft of Book 2 (Master Artificer) and I'll continue to work on it until I get my edits back from my publisher. I've got a handful of chapters written at the moment and am expecting something between 90-150 pages.
As for other questions regarding the novella, I expect it will solely be published in ebook form and will (most likely) be distributed by my UK publisher, Gollancz, sometime this summer. It's unclear whether they will also distribute in the US or whether I'll self-pub that myself (due to marketing concerns, my US publisher has chosen to pass on buying rights to the novella). The short story will cover some of the interactions of the witwomen prior to and including the climax of Book 1. The main character of that narrative will be Faith (Myjun's best friend and Therin's crush). If things go well with this ebook, I'm hoping to continue Faith's narrative between books 2 and 3 with a second novella.
As for other questions regarding the novella, I expect it will solely be published in ebook form and will (most likely) be distributed by my UK publisher, Gollancz, sometime this summer. It's unclear whether they will also distribute in the US or whether I'll self-pub that myself (due to marketing concerns, my US publisher has chosen to pass on buying rights to the novella). The short story will cover some of the interactions of the witwomen prior to and including the climax of Book 1. The main character of that narrative will be Faith (Myjun's best friend and Therin's crush). If things go well with this ebook, I'm hoping to continue Faith's narrative between books 2 and 3 with a second novella.
Justin Call
I'd travel to Scadrial and nip some Lerasium so I could become Mistborn. :D
Justin Call
An excellent question! Master Artificer (The Silent Gods, Book 2) will be released early in the Spring of 2021. There are two reasons for this. First, the US book launch for Master of Sorrows (book 1) was in February 2021, so it would have been odd to release book 2 at the same time in the UK. Second, Master Artificer is considerably longer than Master of Sorrows, so it has taken longer to write (900 pages versus 600 pages). Pushing back the UK release date gave me more time to write the book and allowed the US publisher to catch up with the UK publishing schedule.
Given that, here are our projected dates for the series:
February 2019 - UK release for Book 1
February 2020 - US release for Book 1
May 2021 - US/UK release for Book 2
TBD 2022 - US/UK release for Book 3
TBD 2023 - US/UK release for Book 4
That's the best I can estimate given what I have planned for the books and what I know about the publishing process.
Given that, here are our projected dates for the series:
February 2019 - UK release for Book 1
February 2020 - US release for Book 1
May 2021 - US/UK release for Book 2
TBD 2022 - US/UK release for Book 3
TBD 2023 - US/UK release for Book 4
That's the best I can estimate given what I have planned for the books and what I know about the publishing process.
Justin Call
It is, but the series also has a high crossover between YA and Adult due to the protagonist being young (17 years old at the start of Book 1) and his journey being one of identity and self-discovery.
Annev will be nearly 20 by the end of the Silent Gods tetralogy, though, and its themes become more mature as the series progresses. So while mature YA readers will enjoy it (and parents will appreciate that there is very little profanity/sex), the series as a whole is still primarily intended for an adult audience.
I don't like to exclude my younger readers, though, so I've attempted to write something that my 14-year-old self would enjoy as much as my 36-year-old self.
Annev will be nearly 20 by the end of the Silent Gods tetralogy, though, and its themes become more mature as the series progresses. So while mature YA readers will enjoy it (and parents will appreciate that there is very little profanity/sex), the series as a whole is still primarily intended for an adult audience.
I don't like to exclude my younger readers, though, so I've attempted to write something that my 14-year-old self would enjoy as much as my 36-year-old self.
Justin Call
Email sent! :)
I also dropped off some hardbacks on Friday morning.
I also dropped off some hardbacks on Friday morning.
Justin Call
This answer contains spoilers…
(view spoiler)[The inspiration for The Silent Gods arose from a single question: "What if you were destined to be a villain?" This led to a series of other questions, all of which excited me, and I knew I had a keen idea for a fantasy series. I especially liked the concept of writing a coming-of-age story from the villain’s perspective, of seeing the character grow from a naive adolescent and then evolve into a full-blown baddie.
But to do that story justice, I also needed to acknowledge that real people rarely see themselves as villains. Real people believe they are the heroes of their own stories, regardless of whether the rest of us would agree with them.
Rephrasing that first question then: "What happens when a protagonist is given two conflicting moral narratives?" Further, "Does he embrace one and reject the other?" Probably. In fact, I’d say it’s inevitable. The twist, though, comes when the protagonist discovers he once served the opposing narrative and he is now on the opposite side of that narrative. In such a story, the hero would probably develop empathy toward his previous incarnation . . . but would that change his heroic path?
Answering that question is the inspiration for my novel. My goal then is to write a coming-of-age story that follows the tropes of the epic fantasy genre but to also subvert those tropes by presenting a protagonist who could be either a hero or a villain. I'll let my readers decide which one the protagonist actually is . . . though I've got my own opinion. (hide spoiler)]
But to do that story justice, I also needed to acknowledge that real people rarely see themselves as villains. Real people believe they are the heroes of their own stories, regardless of whether the rest of us would agree with them.
Rephrasing that first question then: "What happens when a protagonist is given two conflicting moral narratives?" Further, "Does he embrace one and reject the other?" Probably. In fact, I’d say it’s inevitable. The twist, though, comes when the protagonist discovers he once served the opposing narrative and he is now on the opposite side of that narrative. In such a story, the hero would probably develop empathy toward his previous incarnation . . . but would that change his heroic path?
Answering that question is the inspiration for my novel. My goal then is to write a coming-of-age story that follows the tropes of the epic fantasy genre but to also subvert those tropes by presenting a protagonist who could be either a hero or a villain. I'll let my readers decide which one the protagonist actually is . . . though I've got my own opinion. (hide spoiler)]
Justin Call
This answer contains spoilers…
(view spoiler)[Wow, there's a lot of advice I could give, and a lot more that I probably shouldn't. Suffice it to say that everyone has their own way of doing things. As long as you feel excited about what you are writing, you're not doing it wrong.
Beyond that, there are seven common things I say to new writers (or to myself when I need a reminder):
#1: The first draft of anything is bad, so just vomit it out.
#2: There is no magic solution to writing. You just do it.
#3: Do you.
#4: Set goals and write them down.
#5: Patience and persistence will trump talent.
#6: Do it right and don't settle for less.
#7: Writing isn’t easy – it’s hard. Good writing is even harder.
Now that may seem opaque, so if you want a more detailed explanation about what the heck I'm talking about, check out my blog post "7 Things I Say About Writing" at https://justintcall.com/seven-things-.... (hide spoiler)]
Beyond that, there are seven common things I say to new writers (or to myself when I need a reminder):
#1: The first draft of anything is bad, so just vomit it out.
#2: There is no magic solution to writing. You just do it.
#3: Do you.
#4: Set goals and write them down.
#5: Patience and persistence will trump talent.
#6: Do it right and don't settle for less.
#7: Writing isn’t easy – it’s hard. Good writing is even harder.
Now that may seem opaque, so if you want a more detailed explanation about what the heck I'm talking about, check out my blog post "7 Things I Say About Writing" at https://justintcall.com/seven-things-.... (hide spoiler)]
Justin Call
This answer contains spoilers…
(view spoiler)[There are many kinds of writer's block, and I'm susceptible to most of them. One that I am particularly immune to, though, is the kind when you're can't come up with what to write next.
My most common problem is that I come up with too many potential solutions for what comes next, and the need to choose between only one of those solutions can be paralyzing. With time, I usually sort through it all and figure out what is best or most needed . . . but sometimes I have to follow that plot thread for a long while before I know for certain that it's viable. Even then, I prefer to follow the other plot threads, too, just to be certain I'm taking the best path. I try to get most of that out of the way during my plotting/outlining phase, though.
So I prevent half my writer's block by outlining extensively and well ahead of my drafting phase. The other half of my writer's block comes from a lack of motivation to write that day, either because I'm distracted by some other task that "absolutely requires my attention" or because I don't feel excited by a particular scene I am about to draft (which is usually a sign that my outline for the scene needs more work). All of these things can lead to intense procrastination, though, so I've got five bullet-proof ways to get writing:
If I am outlining and working through a story problem:
(1) Take a shower.
(2) Take a long drive.
(3) Exercise on a treadmill or an elliptical.
The monotony of my body having to do the same repetitive thing usually frees my mind to work out those knots more easily than sitting at my computer and staring at a blinking cursor.
If I'm supposed to be drafting and I don't feel excited about the scene I'm about to write then I'll:
(4) Listen to an episode of the Writing Excuses podcast.
(5) Play around with my outline in Scrivener (which is what I use for outlining and drafting). (hide spoiler)]
My most common problem is that I come up with too many potential solutions for what comes next, and the need to choose between only one of those solutions can be paralyzing. With time, I usually sort through it all and figure out what is best or most needed . . . but sometimes I have to follow that plot thread for a long while before I know for certain that it's viable. Even then, I prefer to follow the other plot threads, too, just to be certain I'm taking the best path. I try to get most of that out of the way during my plotting/outlining phase, though.
So I prevent half my writer's block by outlining extensively and well ahead of my drafting phase. The other half of my writer's block comes from a lack of motivation to write that day, either because I'm distracted by some other task that "absolutely requires my attention" or because I don't feel excited by a particular scene I am about to draft (which is usually a sign that my outline for the scene needs more work). All of these things can lead to intense procrastination, though, so I've got five bullet-proof ways to get writing:
If I am outlining and working through a story problem:
(1) Take a shower.
(2) Take a long drive.
(3) Exercise on a treadmill or an elliptical.
The monotony of my body having to do the same repetitive thing usually frees my mind to work out those knots more easily than sitting at my computer and staring at a blinking cursor.
If I'm supposed to be drafting and I don't feel excited about the scene I'm about to write then I'll:
(4) Listen to an episode of the Writing Excuses podcast.
(5) Play around with my outline in Scrivener (which is what I use for outlining and drafting). (hide spoiler)]
Justin Call
This answer contains spoilers…
(view spoiler)[I've answered this in the question about writer's block, but I'll repeat it here. For writing inspiration, I will often:
(1) Take a shower.
(2) Take a long drive.
(3) Exercise.
(4) Listen to the Writing Excuses podcast.
(5) Move around and/or expand on elements of my outline in the Scrivener App, which I have on my laptop, tablet, and smartphone.
Other things that inspire me to write:
- Reading the books of other great authors.
- Reading books about creative writing.
- Learning about world myths and folklore.
- Studying storytelling and the hero's journey.
(hide spoiler)]
(1) Take a shower.
(2) Take a long drive.
(3) Exercise.
(4) Listen to the Writing Excuses podcast.
(5) Move around and/or expand on elements of my outline in the Scrivener App, which I have on my laptop, tablet, and smartphone.
Other things that inspire me to write:
- Reading the books of other great authors.
- Reading books about creative writing.
- Learning about world myths and folklore.
- Studying storytelling and the hero's journey.
(hide spoiler)]
Justin Call
This answer contains spoilers…
(view spoiler)[The best thing about being a writer is having created something out of pure imagination, sweat, and solace . . . and then having other people tell you they loved it. Nothing is more satisfying, fulfilling, or inspirational.
Of course, if you aren't published yet, that can be one of the hardest things about being a writer, particularly if your writing isn't good enough to merit praise or isn't ready for public criticism. You still get the satisfaction of creating something wholly unique and your own, but it can be lonely and ungratifying on some days.
Runner up answers:
- Getting paid to do something you love (in this case, to write).
- Not having someone else micro-manage how you do your job. (hide spoiler)]
Of course, if you aren't published yet, that can be one of the hardest things about being a writer, particularly if your writing isn't good enough to merit praise or isn't ready for public criticism. You still get the satisfaction of creating something wholly unique and your own, but it can be lonely and ungratifying on some days.
Runner up answers:
- Getting paid to do something you love (in this case, to write).
- Not having someone else micro-manage how you do your job. (hide spoiler)]
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Jun 04, 2021 09:51AM
Jun 04, 2021 11:46AM