Ana Jim

“HELMER:—To forsake your home, your husband, and your children! You don’t consider what the world will say.
NORA:—I can pay no heed to that. I only know what I must do.
HELMER:—It is exasperating! Can you forsake your holiest duties in this world?
NORA:—What do you call my holiest duties?
HELMER:—Do you ask me that? Your duties to your husband and your children.
NORA:—I have other duties equally sacred.
HELMER:—Impossible! What duties do you mean?
NORA:—My duties towards myself.
HELMER:—Before all else you are a wife and a mother.
NORA:—That I no longer believe. I think that before all else I am a human being, just as much as you are—or at least I will try to become one.”
― Henrik Ibsen, A Doll's House

“Have you ever seen a grandstand from behind? All men and women—this is merely a suggestion—should familiarize themselves with the rear view of a grandstand before they are gathered in front of one. Anyone who has examined a grandstand from behind, and examined it closely, will be marked from that hour, and thus immunized against any and all forms of magic practiced on grandstands.”
― Günter Grass, The Tin Drum

“The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth.

There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”
― John Steinbeck, The Grapes of Wrath

“A man is the sum of his misfortunes. One day you'd think misfortune would get tired but then time is your misfortune”
― William Faulkner, The Sound and the Fury