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In Cold Type: How To Use the Techniques That Made Truman Capote's "In Cold Blood" a Masterpiece In Cold Type: How To Use the Techniques That Made Truman Capote's "In Cold Blood" a Masterpiece by Charles Euchner
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“In Aristotle’s classic form, outlined in The Poetics, drama takes a three-part form. In Part 1, which I call the World of the Story, we are introduced to the characters, the story’s setting, and the crisis that the hero faces. At the end of this part, the hero takes on a challenge—sometimes by choice, sometimes without choice. In Part 2, known as The Rising Action, we see the hero—and other characters—struggle to confront the challenge. They face one obstacle after another. Each obstacle sharpens their minds, tests their resolve, and pushes the story forward. These challenges get more and more intense. Finally, they achieve some breakthrough. Part 3, known as the Resolution and Denouement, brings the drama to closure. The hero and other characters begin to settle into a new way of living, often chastened but always wiser. All the issues get settled. In Cold Blood does not seem to follow a strict three-act format. The book is, after all, broken into four sections. But when we look closely, we see that the middle two sections show the rising action.”
Charles Euchner, In Cold Type: How To Use the Techniques That Made Truman Capote's "In Cold Blood" a Masterpiece
“Martin Scorcese, the film director, was once asked the secret to a good scene. “Put three people in a room,” he said.”
Charles Euchner, In Cold Type: How To Use the Techniques That Made Truman Capote's "In Cold Blood" a Masterpiece
“Never confuse movement with action.   —Ernest Hemingway”
Charles Euchner, In Cold Type: How To Use the Techniques That Made Truman Capote's "In Cold Blood" a Masterpiece