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The archetypal wise woman in postcolonial works of magical realism of the Americas: An examination of Rudolfo Anaya's ''Bless Me, Ultima'', Toni Morrison's ''Paradise'', and Gabriel Garcia Marquez's ''Cien anos de soledad''. The archetypal wise woman in postcolonial works of magical realism of the Americas: An examination of Rudolfo Anaya's ''Bless Me, Ultima'', Toni Morrison's ''Paradise'', and Gabriel Garcia Marquez's ''Cien anos de soledad''. by Meredith Harvey
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