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Millie Florence
Millie Florence is on page 61 of 176
Every writer should read this in my opinion. I already love it and I’m not even finished!
Oct 16, 2018 08:30AM Add a comment
How to Write a Sentence: And How to Read One

zeynep
zeynep is on page 56 of 165
“Language is not a handmaiden to perception; it /is/ perception; it gives shape to what would otherwise be inert and dead. The shaping power of language cannot be avoided.”
Oct 15, 2018 09:26PM Add a comment
How to Write a Sentence: And How to Read One

Millie Florence
Millie Florence is on page 42 of 176
“Language is not a handmaiden to perception; it is perception.”
Oct 15, 2018 07:55AM Add a comment
How to Write a Sentence: And How to Read One

Millie Florence
Millie Florence is on page 39 of 176
“When we write a sentence, we create a world, which is not /the/ world, but the world as it appears within a dimension of assessment.”
Oct 15, 2018 07:50AM Add a comment
How to Write a Sentence: And How to Read One

Linda C
Linda C is 48% done
And so it is with Woolf’s own writing, which corresponds precisely to her description of the nature of words. They have, she says, a “need of change . . . because the truth they try to catch is many-sided, and they convey it by being themselves many-sided, flashing this way, then that.”

Fish, Stanley. How to Write a Sentence: And How to Read One (p. 80). HarperCollins. Kindle Edition.
Aug 31, 2018 08:29AM Add a comment
How to Write a Sentence: And How to Read One

Joshua Vallejos
Joshua Vallejos is on page 13 of 165
Currently amazing. Scratches an itch in the most soothing way.
Aug 29, 2018 08:07PM Add a comment
How to Write a Sentence: And How to Read One

Linda C
Linda C is 7% done
That is what language does: organize the world into manageable, and in some sense artificial, units that can then be inhabited and
manipulated.

Fish, Stanley. How to Write a Sentence: And How to Read One (p. 7). HarperCollins. Kindle Edition.
Aug 04, 2018 05:17AM Add a comment
How to Write a Sentence: And How to Read One

Tristan Alaba
Tristan Alaba is 25% done
So good, stoked to come across this in the library.

With a few hundred thousand sentences written so far, and probably double that still to go, I’m due to read this, to refine my understanding of sentence craft.

Already some great suggestions that I’ve practiced and had fun with!
Nov 17, 2017 05:04AM Add a comment
How to Write a Sentence: And How to Read One

Magdelanye
Magdelanye is on page 133 of 165
We shall never again be as we were. p123
last line of Henry James
wings of a dove
May 25, 2017 09:16PM Add a comment
How to Write a Sentence: And How to Read One

Magdelanye
Magdelanye is on page 99 of 165
I know I said at the beginning of this book that it is not the thought that counts, but of course it is, ultimately. p97
May 23, 2017 11:40PM Add a comment
How to Write a Sentence: And How to Read One

Magdelanye
Magdelanye is on page 89 of 165
perdurability is an illusion....the impressions that make up our experience are momentary and...each of them is " infinitely divisible " into smaller impressions that are themselves infinitely divisible. p59
May 22, 2017 11:27PM Add a comment
How to Write a Sentence: And How to Read One

Magdelanye
Magdelanye is on page 45 of 165
Content, the communication in a thrilling and effective way of ideas and passions, is finally what sentences are for. p35
May 19, 2017 11:46PM Add a comment
How to Write a Sentence: And How to Read One

Magdelanye
Magdelanye is on page 35 of 165
You might have a sense of how good it is before you take it apart, but taking it apart will give you an enhanced understanding of just what kind of goodness it performs. p11
May 18, 2017 11:23PM Add a comment
How to Write a Sentence: And How to Read One

Ellen
Ellen is on page 130 of 165
Fascinating look at how sentences are constructed plus the opportunity to read lots of wonderful sentences and make connections between them and the success of a larger work.
Apr 01, 2017 07:24AM Add a comment
How to Write a Sentence: And How to Read One

Ellen
Ellen is on page 89 of 165
Very exciting analysis of different styles of sentences.
Mar 25, 2017 11:21AM Add a comment
How to Write a Sentence: And How to Read One

Ellen
Ellen is on page 45 of 165
Very exciting look at language from both a concrete and abstract way. I love the combination of both. I'm actually doing the exercises suggested and learning so much from them.

A fun book if you like writing or care about language and how we use it.
Mar 19, 2017 04:50AM Add a comment
How to Write a Sentence: And How to Read One

Ellen
Ellen is on page 9 of 165
Once again, I'm reading too many books! But this book (which I've had forever) is the kind of book that even reading a page or two at a time is inspiring and makes me want to write more; leads to me actually writing. The examples are awesome.
Mar 18, 2017 06:07AM Add a comment
How to Write a Sentence: And How to Read One

Rebekah West
Rebekah West is on page 99 of 165
Reading this for class. Some good advice in here, the writing exercises have given me stuff to think about in my writing.
Jan 30, 2017 11:15AM Add a comment
How to Write a Sentence: And How to Read One

Katherine
Katherine is on page 78 of 165
Have to read this for a summer assignment and so far it's been edifying..
Jul 24, 2016 02:15PM Add a comment
How to Write a Sentence: And How to Read One

Ien Nivens
Ien Nivens is on page 29 of 165
I am re-reading How to Write a Sentence.
Mar 21, 2016 05:53AM Add a comment
How to Write a Sentence: And How to Read One

Ien Nivens
Ien Nivens is on page 29 of 165
I am re-reading How to Write a Sentence.
Mar 21, 2016 05:52AM Add a comment
How to Write a Sentence: And How to Read One

Ashley
Ashley is on page 61 of 165
Edgar Allen Poe writes, of the innumerable effects or impressions of which the heart, the intellect or (more generally) the soul is susceptible, which one shall I, on the present occasion, select? ("The Philosophy of Composition," 1846)
Jan 03, 2016 09:09AM Add a comment
How to Write a Sentence: And How to Read One

Ashley
Ashley is on page 35 of 165
Stanley Fish relays the freedom of structure in a sonnet by William Woodsworth: Nuns fret not at their convent's narrow room; And hermits are contented with their cells; and students with their pensive citadels.
Dec 17, 2015 10:10AM Add a comment
How to Write a Sentence: And How to Read One

Nelson Rosario
Nelson Rosario is on page 42 of 165
"Language is not a handmaiden to perception; it is perception; it gives shake to what would otherwise be inert and dead."
Jul 26, 2015 04:46AM Add a comment
How to Write a Sentence: And How to Read One

Rebecca H.
Rebecca H. is finished
Enjoyed this.
Apr 12, 2015 07:18PM Add a comment
How to Write a Sentence: And How to Read One

Rebecca H.
Rebecca H. is starting
I'm in the mood to read about sentences.
Apr 06, 2015 07:33PM Add a comment
How to Write a Sentence: And How to Read One

A.B. Neilly
A.B. Neilly is 14% done
First chapter about how to analyse sentences that enthral you is amazing.
Oct 05, 2014 03:40AM Add a comment
How to Write a Sentence: And How to Read One

Joe Midgley
Joe Midgley is on page 133 of 165
Most of his analysis reads like a guy that just likes to hear himself talk. If this book weren't so short I probably wouldn't bother finishing it.
Jun 04, 2014 11:35PM Add a comment
How to Write a Sentence: And How to Read One

Joe Midgley
Joe Midgley is on page 54 of 165
When he started explaining how to write a sentence like Henry James, I almost threw the book against the wall. Seriously, fuck Henry James.
May 30, 2014 11:54PM Add a comment
How to Write a Sentence: And How to Read One

Ellen
Ellen is on page 15 of 165
taking a break from this - too dry.
Apr 27, 2014 08:09PM Add a comment
How to Write a Sentence: And How to Read One