Status Updates From Symbols of Transformation (...

" A repressed conflict and its affective tone must reappear somewhere. The projection caused by repression is not something that the individual consciously does or makes; it follows automatically and, as such, is not recognized unless there are quite special conditions which enforce its withdrawal."

"Nothing remains for mankind but to work in harmony
with this (God's) will. To work in harmony with the libido does not mean letting oneself drift with it, for the psychic forces have no uniform direction, but are often directly opposed to one another. A mere letting go of oneself leads in the shortest space of time to the most hopeless confusion."

"What is evidently in question here is the displacement of libido on to a symbolical object, with the result that the latter is turned into a sort of substitute. It is in itself a perfectly genuine experience, though, like everything else, it can be put to improper use."

"The unconscious is, in fact, the condensation of the average run of historical experience."

One might describe the theatre, somewhat unaesthetically, as an
institution for working out private complexes in public

Non-directed thinking is in the main subjectively motivated, and not so much by conscious motives as—far more—by unconscious ones. It certainly produces a world-picture very different from that of conscious, directed thinking. But there is no real ground for assuming that it is nothing more than a distortion of the objective world-picture, (grounded in instinct, aka fact)

"Everyone who has his eyes and wits about him can
see that the world is dead, cold, and unending"

A continued analysis of Miss Miller’s dreams, yet Jung now seems to be riffing on the symbolic possibilities related to the libido and the whole range of ancient art and wisdom, from pagan statues and passages from the bible to favourite lines from Faust. While his dizzying analysis of sexual nature in archetypal myths stays on track, there are flourishes like his interpretation of a “childish” Sphinx.

The archetypal interests of Dr. Jung and the arts-based account of his patient Miss Miller appear to be well suited to each other: she jots down a poem or mentions seeing a play, he unravels a complex web of symbols from ancient civilizations and the bible. In the most metaphorical way possible, this discovery is groundbreaking as it would break up the soil of Freudian psychology to find a fertile patch subconscious.