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“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
― Jeffrey Eugenides, Middlesex

“Go then if you must, but remember, no matter how foolish your deeds, those who love you will love you still.”
― Sophocles, Antigone

“Double, double, toil and trouble;
Fire burn, and cauldron bubble!”
― William Shakespeare, Macbeth

“There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart -
It really goes.

And there is a charge, a very large charge,
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.

--from "Lady Lazarus", written 23-29 October 1962”
― Sylvia Plath, Ariel: The Restored Edition