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The Eighth Wonder
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The Things We Nev...
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“Thou too art doomed..”
― Ernst Raupach, Non disturbare il sonno dei morti

“From the age of six I had a mania for drawing the shape of things.
When I was fifty I had published a universe of drawings.
But all I have done before the age of seventy is not worth bothering with.
At seventy three I have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects.
When I am eighty you will see real progress.
At ninety I will have cut my way deeply into the mystery of life itself.
At one hundred, I will be a marvellous artist.
At one hundred and ten, everything I create - a dot, a line - will come alive.
I call on those who still may be alive to see if I keep my word.”
― Hokusai, The Thirty-six Views of Mount Fuji

Álvaro Enrigue
“I'm going to need some cactus-of-tongues. The shaman screwed up his eyes, making a hissing sound that expressed both shock and disapproval.
It's very strong, he said, something to try once in a lifetime, maybe twice, and this would be the fourth or fifth time I've given you one; you might get lost on the trip. The huey tlatoani closed his eyes.
The empire weighs on one's shoulders, he said, sometimes too heavy; help is needed. What do you want it for? My meeting is with the chief of the Caxtilteca. Who? Make it ready, that's an order: two pieces, no more. The shaman shrugged. You're the boss, he said, but don't say later that I didn't warn you.”
― Álvaro Enrigue, You Dreamed of Empires

Charles Bukowski
“I went into the bends. I got drunker and stayed drunker than a shit skunk in Purgatory. I even had the butcher knife against my throat one night in the kitchen and then I thought, easy, old boy, easy. Your little girl might want you to take her to the
200. Ice cream bars, chimpanzees, tigers, red and green birds and the sun coming down on the top of her head, the sun coming down and crawling into the hairs of your arms, easy old boy.”
― Charles Bukowski, Post Office

“Slabber Olli told her about the places he had been. He had been to the bottom of the sea and wandered endless gardens of stars in outer space. He said that human time as we know it was over.
That the waters would rise and then fall, and then fiery waters would come. The Earth would be reshaped into something new. Mud would flow. Boiling canyons would open up.
"The mountains are already starting to move,” Slabber Olli said.
He told her about creatures that used to live in the sea, like reptiles with two mouths, a horizontal one and a vertical one. He told her about creatures at the bottom of the sea shaped like elm leaves, with five eyes and long, bendy elephant trunks and scissors on their heads.
About sharks with anvils growing on their backs. Flightless birds three meters tall that ran after deer on graceful, muscular legs that bent and stretched, bent and stretched, their beaks opened wide. He told her about the rockets people would build to shoot themselves off to other planets, and how badly it would turn out. Humans would continue their journey. They would find doors to knock on and portals that wouldn't open when they knocked, and the humans would break them down, and the ones they couldn't break they would build keys for. And all the while, humans would be changing. Humans would be changed not just by time but by humans themselves, and before long you'd have to call them human derivatives, and then something else entirely. In the end, it was just matter rearranging itself over and over. What was the Earth? Nothing more than an entrance hall where humanity had once briefly waited.
Slabber Olli talked about a lot of other things, too, and Elina listened and understood that the part of Slabber Olli that was still human wanted to wander and search for knowledge, just like anyone else. The evening advanced, the light softened. At some point, Slabber Olli disappeared. Elina went back to the boat.”
― Juhani Karila

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