雅嫺 鄭

“Two years of oblivion have reduced me, if not to emptiness, than to something that sits closely beside it. It laid waste all that I was inside, and severed what connection existed between my memory and personality through two years of “living” like a shell, on the boundary of emptiness. And though there was precious little drama here compared to actual societal rejection, it drives me to worry all the same. All my memories are just reflections on the water, and I don’t know whether I’m the reflection or the real thing.”
― Kinoko Nasu, 空の境界 上