Rattle

“Immigrants have to grow a thick skin if they want to do something more than wait hand and foot on the Finns, my father used to say. Go ahead, do as they do. Ruin your life by being like them, but one day you’ll see that if you try to become their equal, they’ll despise you all the more, and then you’ll end up hating yourself. Don’t give them the satisfaction.”
― Pajtim Statovci, My Cat Yugoslavia

“When this job feels overwhelming, remind yourself that one day you will die!”
― Jane Morris, Teacher Misery: Helicopter Parents, Special Snowflakes and Other Bullshit

“Many people find it difficult to head straight for their fun; something in them refuses to play. The barrier is not lack of willpower (did you ever need willpower, as a child, to make mud pies?), but a stronger and much more seductive emotion: hatred. Specifically, hatred of self.
Loving oneself—as opposed to the narcissism of being
in love with oneself, with all its attendant insecurities—is one of the most difficult life tasks to master, and it is integrally related to the creative process.”
― Victoria Nelson, On Writer's Block

“The next real literary "rebels" in this country might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. Who treat of plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue. These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that'll be the point. Maybe that's why they'll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today's risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the "Oh how banal". To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows”
― David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments