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for the mind and spirit remains 140 Invincible, and vigour soon returns, Though all our glory extinct, and happy state Here swallowed up in endless misery. But what if he our Conqueror (whom I now Of force believe almighty, since no less
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“Why do I know I exist if I also know I will not?”
―
―
“But just as a toaster used as a doorstop is still a machine designed to toast bread, you – whatever you choose to do with your life – are still a machine designed to propagate your genes. All of us are. It’s what the priests, the sages and philosophers searched for in vain: the ultimate explanation for our existence.”
― The Ape that Understood the Universe: How the Mind and Culture Evolve
― The Ape that Understood the Universe: How the Mind and Culture Evolve
“These days, it’s easy to feel that we’ve fallen out of connection with one another and with the earth and with reason and with love. I mean: we have. But to read, to write, is to say that we still believe in, at least, the possibility of connection.”
― A Swim in a Pond in the Rain
― A Swim in a Pond in the Rain
“Maxims & Other Quotes II
Exactly how we deal with our souls was at this moment the only question I thought worth asking. 181
Borges: What I most admire about Whitman is that he created Walt Whitman, an ideal projection not of himself but someone like him, a character every reader could find in his heart and admire. 184
Borges: Mythos, in Greek, is not a story that is false, it’s a story that is more than true. Myth is a tear in the fabric of reality, and immense energies pour through those holy fissures. Our stories, our poems, are rips in these holy fissures, as well, however slight. 193
Borges: Don’t question survival, mine or yours. More powers lie at your disposal than you realize. 194
Parini: I just don’t know enough.
Borges: Nor I. But we all proceed on insufficient knowledge. 195
Borges: I’ve found a name for myself. Borges the Reenactor! The problem is, one never wins old battles. The losses only mount. 250
Borges: Remember that the battle between good and evil persists, and the writer’s work is constantly to reframe the argument, so that readers make the right choices. Never work from vanity. … What does Eliot say? ‘Humility is endless’ … We fail, and we fail again. We pick ourselves up. I’ve done it a thousand times, Guiseppe. Borges only deepens. 251”
― Borges and Me: An Encounter
Exactly how we deal with our souls was at this moment the only question I thought worth asking. 181
Borges: What I most admire about Whitman is that he created Walt Whitman, an ideal projection not of himself but someone like him, a character every reader could find in his heart and admire. 184
Borges: Mythos, in Greek, is not a story that is false, it’s a story that is more than true. Myth is a tear in the fabric of reality, and immense energies pour through those holy fissures. Our stories, our poems, are rips in these holy fissures, as well, however slight. 193
Borges: Don’t question survival, mine or yours. More powers lie at your disposal than you realize. 194
Parini: I just don’t know enough.
Borges: Nor I. But we all proceed on insufficient knowledge. 195
Borges: I’ve found a name for myself. Borges the Reenactor! The problem is, one never wins old battles. The losses only mount. 250
Borges: Remember that the battle between good and evil persists, and the writer’s work is constantly to reframe the argument, so that readers make the right choices. Never work from vanity. … What does Eliot say? ‘Humility is endless’ … We fail, and we fail again. We pick ourselves up. I’ve done it a thousand times, Guiseppe. Borges only deepens. 251”
― Borges and Me: An Encounter
“Maxims & Other Quotes
If you need an adjective or adverb, you're still fishing for he right noun or verb. 34
Was this a true story? It seemed somehow unimaginable, a fantasy of some kind. But he told it with such conviction that, against my own wishes, I believed him.
Was this indeed the essence of storytelling? Did one simply have to relate a tale in a believable fashion, with the authority of the imagination? 36
Memory is a mirror that may easily shatter. 81
Readers become invisible even to themselves. Only the story lives. It’s the fate of the writer, yes, as well, to disappear. ~ Alastair Reid 83
‘There is only now,’ Borges exclaimed with unstoppable force. ‘Act, dear boy! Do not procrastinate! It’s the worst of sins. I’ve thought about this, you see: the progression toward evil. Murder, this is very bad, a sin. It leads to thievery. And thievery, of course, leads to drunkenness and Sabbath-breaking. And Sabbath-breaking leads to incivility and at last procrastination. A slippery slope into the pit!’ 98
Borges: I no longer need to save face. This is one of the benefits of extreme age. Nothing matters much, and very little matters at all. 100
Borges: Believe me, you will one day read Don Quixote with a profound sense of recollection. This happens when you read a classic. It finds you where you have been. 102
Parini: I try not to think of the phallus, except when I can think of nothing else, which is most of the time.
Borges: This is the fate of young men, a limited focus. One of the few advantages of my blindness has been that I no longer focus my eyes on objects of arousal. I look inward now, though the mind has mountains, dangerous cliffs. 105
Borges: Writers are always pirates, marauding, taking whatever pleases them from others, shaping these stolen goods to our purposes. Writers feed off the corpses of those who passed before them, their precursors. On the other hand they invent their precursors. They create them in their own image, as God did with man.108
Borges: Nobody can teach you anything. That’s the first truth. We teach ourselves. 115
Borges: One should avoid strong emotion, especially when it interferes with the work at hand. We have European blood in our veins, you and I. Mine is northern blood. We’re cold people, you see. Warriors. 125
Borges: The influence of Quixote was such that Sancho acquired a taste for literary wisdom. Such wisdom in his aphorisms! ‘One can find a remedy for everything but death.’ Or this: ‘Make yourself into honey and the flies will devour you.’ 151
Borges: You see, I designed my work for the tiniest audience, ‘fit company though few.’ A writer’s imagination should not be diluted by crowds! 151
Borges: If you don’t abandon the spirit, the spirit will not abandon you. 181”
― Borges and Me: An Encounter
If you need an adjective or adverb, you're still fishing for he right noun or verb. 34
Was this a true story? It seemed somehow unimaginable, a fantasy of some kind. But he told it with such conviction that, against my own wishes, I believed him.
Was this indeed the essence of storytelling? Did one simply have to relate a tale in a believable fashion, with the authority of the imagination? 36
Memory is a mirror that may easily shatter. 81
Readers become invisible even to themselves. Only the story lives. It’s the fate of the writer, yes, as well, to disappear. ~ Alastair Reid 83
‘There is only now,’ Borges exclaimed with unstoppable force. ‘Act, dear boy! Do not procrastinate! It’s the worst of sins. I’ve thought about this, you see: the progression toward evil. Murder, this is very bad, a sin. It leads to thievery. And thievery, of course, leads to drunkenness and Sabbath-breaking. And Sabbath-breaking leads to incivility and at last procrastination. A slippery slope into the pit!’ 98
Borges: I no longer need to save face. This is one of the benefits of extreme age. Nothing matters much, and very little matters at all. 100
Borges: Believe me, you will one day read Don Quixote with a profound sense of recollection. This happens when you read a classic. It finds you where you have been. 102
Parini: I try not to think of the phallus, except when I can think of nothing else, which is most of the time.
Borges: This is the fate of young men, a limited focus. One of the few advantages of my blindness has been that I no longer focus my eyes on objects of arousal. I look inward now, though the mind has mountains, dangerous cliffs. 105
Borges: Writers are always pirates, marauding, taking whatever pleases them from others, shaping these stolen goods to our purposes. Writers feed off the corpses of those who passed before them, their precursors. On the other hand they invent their precursors. They create them in their own image, as God did with man.108
Borges: Nobody can teach you anything. That’s the first truth. We teach ourselves. 115
Borges: One should avoid strong emotion, especially when it interferes with the work at hand. We have European blood in our veins, you and I. Mine is northern blood. We’re cold people, you see. Warriors. 125
Borges: The influence of Quixote was such that Sancho acquired a taste for literary wisdom. Such wisdom in his aphorisms! ‘One can find a remedy for everything but death.’ Or this: ‘Make yourself into honey and the flies will devour you.’ 151
Borges: You see, I designed my work for the tiniest audience, ‘fit company though few.’ A writer’s imagination should not be diluted by crowds! 151
Borges: If you don’t abandon the spirit, the spirit will not abandon you. 181”
― Borges and Me: An Encounter
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