Isaac Conner

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David Mitchell
“Faith, the least exclusive club on Earth, has the craftiest doorman. Every time I've stepped through its wide-open doorway, I find myself stepping out on the street again.”
David Mitchell, Cloud Atlas

David Mitchell
“The Ghost of Sir Felix Finch whines, "But it's been done a hundred times before!"--as if there could be anything not done a hundred thousand times between Aristophanes and Andrew Void-Webber! As if Art is the What, not the How!”
David Mitchell, Cloud Atlas

David Mitchell
Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent.

The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.)

Symmetry demands an actual + virtual
future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone.

Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future?

One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we
perceive as the virtual future.
David Mitchell, Cloud Atlas

H. Jackson Brown Jr.
“Think big thoughts but relish small pleasures.”
H. Jackson Brown Jr., Life's Little Instruction Book

H. Jackson Brown Jr.
“If you know someone who tries to drown their sorrows, you might tell them sorrows know how to swim.”
H. Jackson Brown Jr., P.S. I Love You

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