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“You sit at the edge of the world,
I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard,
Little fish rain from the sky.
Outside the window there are soldiers,
steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore,
Thinking for the pendulum that moves the world, it seems.
When your heart is closed,
The shadow of the unmoving Sphinx,
Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress,
She gazes --
at Kafka on the shore”
― Kafka on the Shore
I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard,
Little fish rain from the sky.
Outside the window there are soldiers,
steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore,
Thinking for the pendulum that moves the world, it seems.
When your heart is closed,
The shadow of the unmoving Sphinx,
Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress,
She gazes --
at Kafka on the shore”
― Kafka on the Shore
“As I gazed at my reflection I wondered, Where am I headed? Before that, though, the question was Where have I come to? Where is this place? No, before that even I needed to ask, Who the hell am I?”
― Killing Commendatore
― Killing Commendatore
“Listen, Kafka. What you’re experiencing now is the motif of many Greek tragedies. Man doesn’t choose fate. Fate chooses man. That’s the basic worldview of Greek drama. And the sense of tragedy—according to Aristotle—comes, ironically enough, not from the protagonist’s weak points but from his good qualities. Do you know what I’m getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results.”
― Kafka on the Shore
― Kafka on the Shore
“It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
― Kafka on the Shore
― Kafka on the Shore
“The world of the grotesque is the darkness within us. Well before Freud and Jung shined a light on the workings of the subconscious, this correlation between darkness and our subconscious, these two forms of darkness, was obvious to people. It wasn’t a metaphor, even. If you trace it back further, it wasn’t even a correlation. Until Edison invented the electric light, most of the world was totally covered in darkness. The physical darkness outside and the inner darkness of the soul were mixed together, with no boundary separating the two. They were directly linked. Like this.” Oshima brings his two hands together tightly. "But today things are different. The darkness in the outside world has vanished, but the darkness in our hearts remains, virtually unchanged. Just like an iceberg, what we label the ego or consciousness is, for the most part, sunk in darkness. And that estrangement sometimes creates a deep contradiction or confusion within us.”
― Kafka on the Shore
― Kafka on the Shore
Isabelle’s 2024 Year in Books
Take a look at Isabelle’s Year in Books, including some fun facts about their reading.
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