Ryan Hinkle
https://www.goodreads.com/ryanchinkle
“مجویید در من ز شادی نشانه
من و تا ابد این غم جاودانه
من آن قصه تلخ درد آفرینم
که دیگر نپرسند از من نشانه
نجوید مرا چشم افسانه جویی
نگوید مرا ، قصه گوی زمانه
من آن مرغ غمگین تنها نشینم
که دیگر ندارم هوای ترانه
ربودند جفت مرا از کنارم
شکستند بال مرا ، بی بهانه
▄ ▄ ▄
من آن تک درختم که دژخیم پاییز
چنان کوفته بر تنم تازیانه
که خفته است در من فروغ جوانی
که مرده است در من امید جوانه
نه دست بهاری نوازد تنم را
نه مرغی به شاخم کند ، آشیانه
من آن بی کرانِ کویرم که در من
نیفشاده جز دست اندوه* ، دانه
چه می پرسی از قصّه ی غصّه هایم ؟
که از من تو را خود همین بس فسانه
که من دشت خشکم که در من نشسته است
کران تا کران ، حسرتی بی کرانه”
―
من و تا ابد این غم جاودانه
من آن قصه تلخ درد آفرینم
که دیگر نپرسند از من نشانه
نجوید مرا چشم افسانه جویی
نگوید مرا ، قصه گوی زمانه
من آن مرغ غمگین تنها نشینم
که دیگر ندارم هوای ترانه
ربودند جفت مرا از کنارم
شکستند بال مرا ، بی بهانه
▄ ▄ ▄
من آن تک درختم که دژخیم پاییز
چنان کوفته بر تنم تازیانه
که خفته است در من فروغ جوانی
که مرده است در من امید جوانه
نه دست بهاری نوازد تنم را
نه مرغی به شاخم کند ، آشیانه
من آن بی کرانِ کویرم که در من
نیفشاده جز دست اندوه* ، دانه
چه می پرسی از قصّه ی غصّه هایم ؟
که از من تو را خود همین بس فسانه
که من دشت خشکم که در من نشسته است
کران تا کران ، حسرتی بی کرانه”
―
“Ay, that I had not done a thousand more.
Even now I curse the day—and yet, I think,
Few come within the compass of my curse,—
Wherein I did not some notorious ill,
As kill a man, or else devise his death,
Ravish a maid, or plot the way to do it,
Accuse some innocent and forswear myself,
Set deadly enmity between two friends,
Make poor men's cattle break their necks;
Set fire on barns and hay-stacks in the night,
And bid the owners quench them with their tears.
Oft have I digg'd up dead men from their graves,
And set them upright at their dear friends' doors,
Even when their sorrows almost were forgot;
And on their skins, as on the bark of trees,
Have with my knife carved in Roman letters,
'Let not your sorrow die, though I am dead.'
Tut, I have done a thousand dreadful things
As willingly as one would kill a fly,
And nothing grieves me heartily indeed
But that I cannot do ten thousand more.”
― Titus Andronicus
Even now I curse the day—and yet, I think,
Few come within the compass of my curse,—
Wherein I did not some notorious ill,
As kill a man, or else devise his death,
Ravish a maid, or plot the way to do it,
Accuse some innocent and forswear myself,
Set deadly enmity between two friends,
Make poor men's cattle break their necks;
Set fire on barns and hay-stacks in the night,
And bid the owners quench them with their tears.
Oft have I digg'd up dead men from their graves,
And set them upright at their dear friends' doors,
Even when their sorrows almost were forgot;
And on their skins, as on the bark of trees,
Have with my knife carved in Roman letters,
'Let not your sorrow die, though I am dead.'
Tut, I have done a thousand dreadful things
As willingly as one would kill a fly,
And nothing grieves me heartily indeed
But that I cannot do ten thousand more.”
― Titus Andronicus
“Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!”
― The Two Gentlemen of Verona
― The Two Gentlemen of Verona
“The perfect being, huh? There is no such thing as perfect in this world. That may sound cliché, but it’s the truth. The average person admires perfection and seeks to obtain it. But, what’s the point of achieving perfection? There is none. Nothing. Not a single thing. I loathe perfection! If something is perfect, then there is nothing left. There is no room for imagination. No place left for a person to gain additional knowledge or abilities. Do you know what that means? For scientists such as ourselves, perfection only brings despair. It is our job to create things more wonderful than anything before them, but never to obtain perfection. A scientist must be a person who finds ecstasy while suffering from that antimony. In short, the moment that foolishness left your mouth and reached my ears, you had already lost. Of course, that’s assuming you are a scientist”
―
―
“He left the next morning, searching for a city with light that reminded him of me. He would mail me empty envelopes and boxes, I would take them into my closet, shut the door, and quickly open them. A flash of foreign light would fill the room, but only for a moment. I would whisper ‘this is what we’re like, this is what we’re like.’…”
― Dandelions That have Held your Breath
― Dandelions That have Held your Breath
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