Stefan created this "schedule", of sorts, for those of us who need a little bit of guidance to keep on track to finish this book. (Personally I find the book a little daunting, so plan to use this schedule to help make it a more manageable read for me)
EITHER/ OR (Penguin, translated by Alastair Hannay, 1992)
Part One
WEEK 1 (Jul 1-7): 1. Diapsalmata (pp. 39-58)
WEEK 2 (Jul 8-14): 2. The Immediate Erotic Stages or the Musical Erotic (59-136)
WEEK 3 (Jul 15-21): 3. Ancient Tragedy’s Reflection in the Modern (137-162)
WEEK 4 (Jul 22-28): 4. Shadowgraphs (163-208) 5. The Unhappiest One (209-222) (5b.) The First Love (only in the unabridged version! – Hong & Hong version, vol.1, pp. 231-280)
WEEK 5 (Jul 29-Aug 4): 6. Crop Rotation (223-242)
WEEK 6 (Aug 5-Aug 11): 7. The Seducer’s Diary (243-380)
Part Two
WEEK 7 (Aug 12-18): 8. The Aesthetic Validity of Marriage (381-474)
WEEK 8 (Aug 19-25): 9. Equilibrium between the Aesthetical and the Ethical … (475-590)
WEEK 9 (Aug 26-31): 10. Last Word & The Edifying in the Thought that Against God We Are Always in the Wrong (595-609)
EITHER/ OR (Penguin, translated by Alastair Hannay, 1992)
Part One
WEEK 1 (Jul 1-7): 1. Diapsalmata (pp. 39-58)
WEEK 2 (Jul 8-14): 2. The Immediate Erotic Stages or the Musical Erotic (59-136)
WEEK 3 (Jul 15-21): 3. Ancient Tragedy’s Reflection in the Modern (137-162)
WEEK 4 (Jul 22-28): 4. Shadowgraphs (163-208)
5. The Unhappiest One (209-222)
(5b.) The First Love (only in the unabridged version! – Hong & Hong version, vol.1, pp. 231-280)
WEEK 5 (Jul 29-Aug 4): 6. Crop Rotation (223-242)
WEEK 6 (Aug 5-Aug 11): 7. The Seducer’s Diary (243-380)
Part Two
WEEK 7 (Aug 12-18): 8. The Aesthetic Validity of Marriage (381-474)
WEEK 8 (Aug 19-25): 9. Equilibrium between the Aesthetical and the Ethical … (475-590)
WEEK 9 (Aug 26-31): 10. Last Word & The Edifying in the Thought that Against God We Are Always in the Wrong (595-609)