The Vernon D. Burns Appreciation Society discussion
The Vernon D. Burns Interview
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Michael
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Jun 16, 2012 02:41PM

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Just gimme a minute to get this party started. . . .

I hope to cover a few topics with Mr. Burns today: namely, the human condition, the analytical theory behind Gods of the Jungle Planet, the greatly anticipated release of Double Feature, and Mr. Burns’s future projects. So, we have a lot to look forward to!
But, of course, feel free to jump in with your own questions at any point! Mr. Burns is here to answer your questions and tell you how to ask them better than you do.
Welcome, to your Appreciation Society, Mr. Burns. It is an honor to have you. Please let me know when you are ready to begin sharing your pearls of wisdom.


Those Nigerian unicyclists, though, tend to beat even my city's best. I'm not sure whether it's the incredible leg-strength inherent in their race or what, but Brazil can't compete with the Nigerians.
I pulled double time at the circus as a barker for one of those booths where you try to throw a basketball through a hoop that's smaller than the basketball, and as a sword-swallower. I would say that experience has given me low expectations for the intellect of my audience, and an amazing awareness of how long of an object can fit into the human mouth. Both of which you can see expressed in my fiction.
And I don't know how you found out about the piracy. I wasn't selling the DVDs, though, I swear. Just making copies for my own use, then deciding to give them away. For money.

My next question is about your writing process. Where do you find inspiration for your writing?


I would say the political parties are bullshit. I consider myself a libertarian slash green party supporter, because I believe everybody should have the utmost freedom to do whatever they want. Even illegal things. The libertarians believe strongly in financial liberty, meaning nobody can make me give my money to annoying, starving children that are clearly being weeded out of the population for Darwinian reasons.
The green party, on the other hand, represents my favorite color other than clear. And I met a guy who was running for the green party this one time, and he seemed like he had a great head on his shoulders for a homeless guy.

Also, you write a lot more books, much faster, if you do not revise. Revising is a form of governmental control. Don't buy into it.




It's a very evocative book, and very creepy. This one was a book I stole from quite extensively when writing Night of the Witch Orgies and Shitbeast Needs a Bride. Guy N. Smith is a major inspiration for me because of the sheer quantity of books he wrote. I hope that, if I live for another fifty or sixty years, I can be every bit as important to contemporary fiction.
As far as books go, I'm a big fan of Toni Morrison's Beloved. Very scary stuff. That woman is fucked up.






For instance, taking a mainstream example everyone can connect with. In the remake of the Texas Chainsaw Massacre, the monsters were the result of inbreeding and a lack of education, in addition to constant exposure to the sounds of death at a nearby slaughterhouse.
So, who is the real monsters? The people who made the family outcasts? The politicians who kept them from a good education? The Bible, which encourages incest in some chapters? The people who decided to build a slaughterhouse next to the home of some inbred morons?
Or is it the guy who starts killing people with a chainsaw? Who is to say?
I am to say. I say: they're all monsters, but mankind is always the catalyst when monsters happen. Thus, we must shoulder two thirds of the blame in all monster activities.




As a horse lion, I am proud and noble, well-hung yet hard working and dependable. I am currently on the market, too, my third wife having died of old age in 2009. I'm looking preferably for an intelligent woman who is well-read, funny, and likes cooking and cleaning, preferably in the nude. Age, weight and sexual orientation don't matter at this point.

I see you've kept your sights set high, Mr. Burns.

Since we're on the topic of your love life, I have another question along those lines. When many men first meet a woman, they like to call her an ugly Rachel Maddow-look-alike lesbian. What is your favorite pick-up line and why?

Thanks, Sparrow, and congratulations on your recent admission.


I don't see how that could go wrong.

When I first meet a woman, I like to first inspect her footwear. I would never express interest in a woman who wears sensible shoes. By sensible shoes, I mean ones that are comfortable, modest, or predictable. I prefer women who wear shoes that throw off her gait, thus making it harder for her to walk away when I use my favorite pick-up line.
Then, the pick-up line is based purely on hair color, because that is how women can be most quickly sorted into personality types.
"Hey, missy, I like your red hair! Does that mean you have a fiery personality?"
"Hi, little lady! Is it true? Do blondes have more fun?"
"Hi! I see that you're a brunette. Do you have a blonde friend, or a friend who is a redhead? Can you introduce me?"
"Mama mia! I love your black hair! Which minority do you come from?"
"Nice white hair, lady! They say that just because there's snow on the roof doesn't mean there isn't fire in the furnace. Have you gone through menopause? Okay, then. Have a nice night."
I then get into my defensive stance if her eyes narrow. If not, I ask her whether the carpet matches the drapes. That works with all the subcategories of women.

I noticed some references to the Alien films in GotJP. What was your reaction to Sigourney Weaver cutting her hair in Alien 3?


But I would still do Sigourney Weaver, even if she is a bull dyke.

GotJP contains so many metaphors for the human condition. Could you talk a little bit about meatloaf and its symbolism within your framework of stories?

Anyway, Ian: I have yet to see that movie, although the advertisement was very well done. Often, with Hollywood films, I only watch the advertisements because you get the most exciting parts packed into three minutes instead of two hours. Like sex, I believe movies are best when quick, loud, and with little dialogue. I try to write my books so that they are as exciting as movie advertisements.

GotJP contains so many metaphors for the human condition. Could you talk a little bit about meatloaf and its symbolism within your framework of stories?


Sparrow, I am surprised that none of the critical examinations of the novel have thought about the importance of meatloaf. During a key scene, the only thing separating Sarah and Sampson--the book's two main characters--is the meatloaf that has been smeared into her vagina. This scene is critical because Sarah has already suffered from death, and being molested by a raptor, and being molested by Robert. So, the feminist theme about the fetishizing of women as sexual objects in modern fiction has already emerged. Now, the processed and cooked meat of a cow is being used during the actual act of sex. It should be pointed out that this is the first time Sarah appears to be enjoying the act of sex, because this is the first partner she has been with who isn't forcing it upon her.
Well. As we all know these days, cows are raised in internment camps where they suffer just like Jews in World War II. These creatures are seen as nothing more than their meat, just like starlets and female interviewers and prostitutes. And this obsession with the flesh is what keeps Sampson and Sarah from ever truly touching one another, ever truly uniting on deeper spiritual wavelength. Their sex never moves beyond the superficial because of the warped social paradigm, or the terministic screen, which they are both viewing the world through. It has ruled out the possibility of a deep understanding because they are both still trapped within a patriarchal structure that views them as non-equals.
Also, I was eating meatloaf while I was reading that scene, and I was thinking about vagina.


Caris was a homosexual biologist, and last that was seen of him at the end of book one, he was stuck on planet 64-B.


Tell me about amazing books that you think should be written, but that are not yet written for some inconceivable reason.
Books mentioned in this topic
Double Feature (other topics)Gods of the Jungle Planet (other topics)
Double Feature (other topics)
Double Feature (other topics)
Double Feature (other topics)
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