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Xujun Eberlein
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Q and A with author Xujun Eberlein
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Thank you so much for taking part in the Q and A this weekend.
I was wondering what writers have shaped you the most?
Thank you,
- Jason

That's a very good question! I spent my youth in China so I'd say ancient Chinese writers had much bigger influence on me than American writers. Of course I also read many writers in the English language in the 24 years living in the US, but I really can't pinpoint a particular influence. Perhaps a mix of all of those I've read? Hope this answer does not disappoint you. :-)

Xujun wrote: "Thank you very much, Anita! And good morning everyone. Just want to say I'm glad to be here, and welcome any questions on my book, writing, or China. Or anything. Looks like members of our group c..."
Okay, I added the other edition to the intro as well.
What do you enjoy writing more, essays or fiction?
Okay, I added the other edition to the intro as well.
What do you enjoy writing more, essays or fiction?

After I finish the memoir, the next plan is a novel.



Hi Jonathan. I loved both math and literature from childhood to adulthood, so I had always struggled between the two. When I was young and lived in China working in the applied math area, I had also published stories in Chinese literary magazines. But after moving to the US in 1988, I stopped writing for more than a decade because I was always busy at studying, working, or raising a family. I think language was also a reason. I began to write again, this time in English, around 2002. And I quit my tech job to become a full-time writer by the end of 2003.


Hi Jeanne, actually I'm always worried a bit about that, but so far nothing really happened, except when I visit China in recent years I was always held at the customs a few minutes longer than other visitors. Never figured out why. They won't tell you.

That's a very good question! I spent my youth in China so I'd say ancient Chinese writers had much bigger influence on me than American w..."
Thank you so much, Xujun!

Hi David, that's a very interesting question. Coincidentally, I was writing an essay for a magazine on China's "officialdom novels." In research for the essay I noticed an interesting phenomenon. As a genre, the officialdom novel is enjoying its third boom in popularity. Historically, the previous two booms of the genre – in late Qing Dynasty and 1940s, respectively – each foretold a major political change. So it is very interesting to see what the current boom points to.
I think it is not coincidental that the Bo Xilai scandal is happening now. It could be either an opportunity or crisis for China.

Is an officialdom novel like our fictional West Wing TV show about the White House staff, which was extremely popular?



SF has always been popular among young readers in China, but few of those novels/stories/movies are politically charged. The novel I reviewed for Foreign Policy two years ago was published in Hong Kong, a region that enjoys higher freedom of speech than mainland China.

This said, you can always find authentic cooking in ChinaTowns around the country.

After the Cultural Revolution, China began to absorb Western culture in early 1980s. I once wrote in an article (see http://www.foreignpolicy.com/articles...) about how, as a university student, I vied with friends for copies of translated books such as William Shirer's "The Rise and Fall of the Third Reich," Dennis Meadows et al.'s "The Limits to Growth" and "Alvin Toffler's The Third Wave."
In terms of popular culture, urban China is almost completely Westernized now. When I visit China I can't distinguish the clothing or hair style of a Chinese teenager from that of an American teen.

Thanks, David

Kissing in public can occasionally be seen in urban areas nowadays, certainly holding hands and hugging are more common, while traditional shyness also exists. So it depends on the local atmosphere and individuals. This is to say, depends on the personalities of your characters.

Tom wrote: "...it tends to feel that the country is moving CLOSER to a 2nd Cultural Revolution rather than any "opening up" as so many so-called "China experts" like to claim. ..."
It certainly starts to feel that way lately, doesn't it. Another thing that adds to this feeling is a hundred prominent authors recently hand-copied Mao's 1940s speech that says art and literature must serve Party politics. But the public ridiculed and laughed at the whole thing, and that made a few participating writers feel ashamed.
So, while it is true some in China's leadership would like to wield Mao's flag once again, times have changed and it won't be so easy to repeat the CR. Partial repetition may be, but resistance will be everywhere.
IMO, in a sense this is a generational thing. Some leaders who came from the Mao era still have the old way of thinking. China might have to wait for the next generation of leaders to really start political reform.

I don't think anyone could really say where China is heading at the moment. It is at crossroads. As I said earlier, the Bo Xilai scandal could be either a crisis or opportunity for the leadership.
This said, if you can read Chinese, you might want to pay attention to two social science professors at Qinghua University: Qin Hui and Sun Liping. They are as deep thinkers as anyone can find in today's China.
About present China, I like Peter Hessler's books and reports very much. He is a very observant writer with attention to detail and nuance. Too bad he has left China now.

I have added your book to my list to read and I am so excited about reading your book. I am very interested in different cultures. How long did it take you to research and write your books?


What do you think about the ebook/pbook flux in publishing right now? I wonder whether it will help short story and essay writers more because they can easily publish their stuff and sell it directly to the public.




Interesting Q&A. Are some of the events and characters in Apologies Forthcoming drawn from eye-witness accounts? Is it widely available in China?

Hi Linda! Nice to "see" you again! Yes, the memoir certainly has more restrictions than the novel, and that's why it takes me so long to write mine. But a form with restrictions can be fascinating as well. Mine is actually a memoir-in-essays, and I'm falling in love with the challenge. I'm taking my time to figure out things, such as the structure of each essay and the structure of the book, the relationship between form and content, the narrative sequence, et. cl. I'm having a hard time but am also learning to have fun.
How did you feel about the form when you wrote your memoir?

Interesting Q&A. Are some of the events and characters in Apologies Forthcoming drawn from eye-witness accounts? Is it widely available in China?"
Hi Erma, no, my book is not available in mainland China. It is only available in Hong Kong. I heard that it is generally forbidden for books published in HK to be sold in the Mainland, but my HK publisher Peter might be able to tell you more about this.
The stories in my book are largely based on what I observed/heard/experienced when I lived in China in my youth. One or two of the stories might have drawn heavily from my own life, for example the one titled "Feathers."

1] In your opinion, how would you define hope?
2] Do authors invent ideas or tap "s..."
Hi again NYKen. For your first question, I don't think I could answer it better than you, or a dictionary for that matter.
The general answer to the 2nd question, I suppose, is "both." However, generalization is often dangerous. In my own writing, I try my best to say something unique.
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Books mentioned in this topic
Apologies Forthcoming (other topics)Apologies Forthcoming: Stories not about Mao (other topics)
Xujun's literary awards include artist fellowship in fiction/creative nonfiction from the Massachusetts Cultural Council, the VCCA’s Goldfarb Non-fiction Fellowship, first prize of the Ledge Fiction Award, second prize of Literal Latte's Essay Awards, honorable mention from Dana Award in the Essay, winner of Tartt Fiction Award and runner-up for Drake Emerging Writer's Award. She is a nominee for the Pushcart Prizes and several Best American series, and received special mention in Pushcart XXXI.
Xujun's recent essays on China have appeared at Los Angeles Review of Books ("The Teacher of the Future"), the Atlantic Web ("Another Kind of American History in Chongqing"), Foreign Policy ("China 2013"), and elsewhere. She is currently working on a memoir. More information about her writing and literary awards can be found on her website: www.xujuneberlein.com and blog: http://insideoutchina.blogspot.com/.
Her Goodreads Profile: Xujun Eberlein