Boxall's 1001 Books You Must Read Before You Die discussion

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Of the books I've read thus far on this list (that I hadn't read previously), it is certainly one of the better ones.



Looking back for what I think is the first reference to the birthmark on page 85, I reread the passage on Ayrs's dream on page 79 and realized it's about Papa Song's and the fabricants.
Oh, and how did Zachry end up surrounded by young, were they, Valleysmen? Did he and Meronym have kids, or did he meet back up with the Kolekole girl somehow?
All-in-all, I did think the book was genius, but don't think Mitchell needed to moralize and wish he had refrained.


About the comet birthmark: I've seen some discussion about the idea of reincarnation. That the protagonists in each story are literally the same "comet-soul." I guess the author, Mitchell has said, "All of the [leading:] characters except one are reincarnations of the same soul ... identified by a birthmark. ... The "cloud" refers to the ever-changing manifestations of the "atlas", which is the fixed human nature. ... The book's theme is predacity ... individuals prey on individuals, groups on groups, nations on nations."
On a first reading, I can't say I really thought of the reincarnation, especially because I don't remember Cavendish having the birthmark. In fact, he thinks the manuscript for Luisa Rey is weak because she thinks she's Frobisher reincarnated. He said "Far too hippie-druggy-new age." If Mitchell really wanted to discuss reincarnation, I thought he'd be a bit more obvious about it.
That said, I kind of wish there were a few more connections between the stories, besides the obvious finding the diary, record, Orison, etc. I was hoping for some twisty connections, like a mysterious letter opener, or seeing the same person in each story, or something else "Lost"-like. It sounds like you found one - I'll have to go back and re-read Ayrs's dream.
I totally agree with you that the end got really preachy, and really, really didn't have to. By then the reader gets it: the stories are all about subjugation of the "weaker" person. I also thought the Ewing story was dull and I had a tough time getting through it. My favorite section was An Orison of Sonmi-451, but I love sci-fi.
Which sections did/didn't you like?

That section was also my favourite. I'm just now entering the world of scifi, and that unexpected "exposure" to it was really fascinating. I also like the God aspect in the sixth story (I have a weird relationship with religion) but the language in the story was really difficult to read. (Might have been the translation.)

I found the Frobisher section very sad and depressing. I feel cold just thinking about it now. The idea of this man, who's not very likable, having been disinherited. He is a funny character though. He knows that Dr. Goose is a vampire of sorts, and I didn't believe him, and then, when I got back to that section at the end, I was like, well, I'll be damned, Frobisher was right. Which of course he was.
There were a couple of other echoes I can remember now, Cindy, but I've had to return my copy to the library. In the second half of the Luisa Rey story, when she and Napier are at the marina, the boat from the Ewing piece, the Prophetess, is in the marina there and its restoration is commented on. Luisa gets a sense of deja vu there.
But I think I did want it to be more of a game with puzzle pieces that would fit together and amount to something more, not that the simple echoing isn't nice.
I also noticed that Timothy Cavendish spins a globe in his office at some point and then I noticed another character or two in other sections doing this. Maybe someone in Sonmi's story. And there was Meronym's cartography. So there's the atlas being "the fixed human nature" as Mitchell says, Cindy, but there's that map sense of the word too.
Another reaction that I had, and I'll close with this, is that when I started reading the detective story section, which I enjoyed very much because I like detective fiction, I was so disappointed to realize that it was "fiction." Sixsmith showing up in a detective story made it unreal to me and made me question, so is this all fiction? I wanted it all to be true. I can't even describe it, but I think this is one of the things Mitchell is playing with. It's of course all fiction of his invention but I was enjoying the idea that Ewing's was a real journal and that Frobisher's letters were real, but then it makes no sense for this real person, Sixsmith, to show up in a detective story and I was let down about the direction I thought the book was taking. But maybe the detective story is based on actual events...
I'm not making any sense, but it messed with my mind is all I'm trying to say! :D


Part of me wonders if this is why I'm looking so hard for deeper meanings and connections...
I read Cloud Atlas earlier this month. I enjoyed it, no doubt about that, it is a stunningly rendered vision of humanity that doesn't feel the need to preach from an altar and each individual piece is ingeniously integrated into the whole scope of the book. However, it is NOT the greatest book ever written. This is possibly a fact. :)

Just last month the BBC World News Service book club read Cloud Atlas. They did a really excellent Q&A with David Mitchell. It's an hour, but trust me, it's totally worth it. I wish more author readings could be like this.
http://www.bbc.co.uk/worldservice/art...
2 interesting tid-bits:
* He said when he wrote the book, he started with the structure, then came up with the worlds, then came up with the characters.
* In the Frobisher section, he describes writing his musical composition, Cloud Atlas, and the description is a mini-version of the whole book. D.M. says that he tries to incorporate a mini-summary somewhere in all of his books.


Personally, I do think Mitchell was talking about re-incarnation based on the quote:
"Souls cross ages like clouds cross skies, an’ tho’ a cloud’s shape nor hue nor size don’t stay the same it’s still a cloud an’ so is a soul. Who can say where the cloud’s blowed from or who the soul’ll be ‘morrow?"
Emma, I loved your post, and found myself nodding along with some parts of it. Yeah - it did mess with my mind as well, but I'm also glad I read it. Such a worthwhile read, in my opinion.

I'm glad that I read this post in regards to the re-incarnation possibility of the book, as I can keep it in mind when reading. Considering the size of the book, and the different storylines, I hope I can stay motivated to finish it.

I really struggled with the middle section and I think it's because of the language change. Plus I completely missed that it was post apocalypse so I guess I was confused as to why society now appeared to be unintelligent. My favorite section was probably Louisa Rey. With Timothy Cavendish at a close second. I know most of you said you didn't like it but I thought it was hilarious when he ended up at Aurora House.
Another thing that ruined it for me was watching the movie trailer while I was in the middle of it. I had told myself I wouldn't and I would wait til I was finished reading, but I couldn't wait anymore. So seeing the preview and being really excited for some awesome ending revealing complete connections didn't help when I wasn't given that.

I do plan to reread Cloud Atlas soon, and I certainly won't see the film without doing so.
My reviews of his five books are here, http://www.goodreads.com/review/list/..., but the older ones are rather brief.




I really enjoyed the film, but my husband was left flat and felt the movie was lacking. Neither of us have read the book; we thought it was similar to our reaction to "Tinker Tailor Soldier Spy." We haven't read that, and as a consequence, thought the movie was missing something.


We were tired. LOL It's a thinking movie, for sure, and not fluff. This may have impeded our enjoyment. I have the DVD to watch again.
