UK Amazon Kindle Forum discussion
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Ian Ayris live event. HERE.


I'm currently in year four of an English Lit. degree, nearing the end of the Creative Writing module. It's been a bit of a busman's holiday, which is great, but I've really struggled with the part of every assignment where I have to critique the assignment. Because I write intuitively, it's a little like writing five hundred words on how you get out of bed relating it to every muscle, bone, and tendon. A bleeding nightmare, I'd have to say . . .

Anyway, Ian. Do you think your publisher will stay with KDP Select after the ninety days and branch out into Smashwords etc?


I think the short sort of acts as a catalyst more than anything. All that eventually survived from the short story that became AWM, are the names of the main characters, and the relationships between them. The rest, just sort of drifted away to be replaced by what unfolded when I shut my eyes, and let it all happen.

Wow. Now I don't feel so bad about naming Ollie after a ballad from my favourite band (had he been a girl that is).

Ian, from some of the words you have been using in describing the way you write, it feels to me like writing for you is a very "spiritual" process... is it ?

So can you eventually end up with a short AND a novel with the same characters in it, or does the novel kind of eclipse the short story?

Tricky one, Stu. My feeling about KDP is that the exclusivity demanded by Amazon is a proper scam. That's why I would never use it myself. From what I know of Darren, and some of the problems we had with Amazon early on, I think he might think twice about KDP again.

Hi Rosemary.
Honestly, that's what their names are. Who am I to change a character's name, just because it sounds funny.

Hi Rosemary.
Honestly, that's what their names are. Who am I t..."
Bit of a Dickens thing going on there :)

Ian, from some of the words you have been using in describing the way you write, it feels to me like writing for you is a very "spiritual" process... is it ?"
Hi Kath.
Very much so. A sort of channelling sort of thing. Really hard to explain without coming across as completely loony, but it's just the way I write now.

Just checking Ian, because the questions are coming thick and fast, you're doing a great job with keeping up with them, all ok ?

i was actually going to say channelling myself... so i totally understand what you mean :)

I think, in the end, the novel eclipses the short story, purely because the endings are different. But I think also they can be read exclusively too. It's only words, after all :)


I warmed to him at the end of the book."
I don't know if Harry will play a part yet, as I have no idea what will be happening. In AWM, I had no idea where each chapter would lead. I just listened and watched inside my head, and wrote. It's like AWM2 is already written, and it's just a case of me tuning in and writing it down. I like Harry. I hope to see him again.

Hi Rosemary.
Honestly, that's what their names are...."
I love Dickens, so probably deep in me psyche somewhere, he's sitting about, having a right laugh.

Blimey, AJ. That's a hard one. I know there's elements of Virginia Woolf in there - all the visceral stuff, you know. And the Ellroy clipped sentences, yeah, I can see that. LA Confidential was hugely influential when I read it. I had no idea you were allowed to write like that.
And I think Hemingway is in there somewhere too.

I'm not sure I could, Stu. It's the voice thing, you know. I do a few short stories in that sort of distant omniscient wotsit, but I don't know if I could stand writing a novel like that. I suppose I need to be on the inside, feeling what the characters feel, and third person is something I findd really hard to write and achieve that same level of intimacy.



I've seen a few people do that, and it's a great idea. Thing is, these characters have already got names. Would be a bit rude foisting another on on them. I like that word. Foisting.

I've seen a few people do that, and it's a great idea. Thing is, these characters have already got..."
Silus Mange? Able Cocknocker?

Never read any Bradbury, AJ, much to my shame. He's on me list, though. And I did pick up a sort of mythic quality to the whole thing, with Kenny at the heart.



Funny, Sarah, but I didn't realise either till I read the first draft. Then it sort of made sense. So a couple of places where he did speak, I made a conscious decision to alter them. So sort of conscious and sort of not, really.

It really was just a matter of listening to the voice speaking in my head, and making sure I wrote it down accurately. Because I speak pretty much like John in the book, although not quite so sweary, it wasn't too difficult as, say, if he were a Geordie or something.
And the standard English thing, I've never really done that to any great degree.

Hi Darren.
I've tried, mate. On a couple of short stories. But it just doesn't work for me. Feels to contrained, as if I'm in control. For me, it's all about letting the characters tell their story. If I try and force them in a certain direction, they just sort of clam up. Can't blame them, really.

I've seen a few people do that, and it's a great idea. Thing is, these characters have..."
More Tollesbury residents, Stu? Remember the trouble you got into last time . . . ;)


"
Do you feel that the local language adds to the identity of a person/of a community? Do you feel that it helps a person integrate/feel part of that community to a certain extent?

Do tell more....

A lot of the dialogue, Rosemary, I re-enacted wandering around the front room, just so I made sure I'd got it right. Tesocs queues were another one. Got some right looks there.
And as I said to AJ earlier, it's a real rhythm thing. A sort of feeling. I would get a little twinge if something wasn't quiet right, a sort of jarring feeling. Then I'd just listen a little closer till I got it right.

Thanks and keep up the good work Lorraine and Ian!

I think a local dialect can be both inclusive and exclusive. During my counselling training, I was once in a class full of middle class Essex women in the power suits and their delicate sensibilities. When I turned up with my Dagenham top and my dropped aitches, yet still got top marks, I'd never felt more discriminated against.

Thanks and keep up the good work Lorrain..."
Thank you, Janet. And thanks so much for supporting the book :)

Do tell more...."
I'll leave that to Stu . . .

Does that kind of inspiration strike you when you need it most?

Do tell more...."
I'll leave that to Stu . . ."
A story for another time I think!

Funny, my publisher pointed that out as well, Rosemary. He referred to AWM as 'Of Mice and Me' for the East End. And I suppose the similarities are pretty clear. I think there are definite differences, but it's a valid comparison.
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Jason, I haven't witnessed anything to say the contrary, but yeah, you never know !
Thanks Stu for the flashback into yours and Ian's childhood, so Ian's been a fan of football ever since b..."
Hi Lorraine.
I think I'll still by writing short stories, just to keep my hand in. They're a great discipline and having a back catalogue of short stories to potentially turn into novels sort of seems the sensible thing to do as well.
But for the immediate future, the sequel to AWM is the only thing on the cards. And I enjoyed writing the novella so much, I think I might try my hand at another one of those after that.