Truth in Nonfiction discussion
“First you take a drink, then the drink takes a drink, then the drink takes you.” ― F. Scott Fitzgerald
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Caroline
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Apr 02, 2012 09:35AM

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Stereotypically, drug addicts often had some sort of childhood pain. John, a fellow rehab member, was sexually abused as a child, which strongly influenced him, leading to drug use. He also had a child at the age of 17, which shows that often, drugs are not the only problem addicts deal with. Yet I think there is much more to this description then we see at first glance. The truth is that John has been excluded from his whole family for ten years now, completely alone in the cold world of a rehab center. Frey is showing us the truth behind this world, behind the stereotypes we place on drug addicts. The people inside are not always criminals, bad people, or jerks. They are often lonely, good people who were tempted, and fell too deep. Perhaps he is trying to justify both the members' and his own history, though not through blame.
Frey's language, much like the atmosphere of the center, is short, blunt, unemotional, and cold. Nevertheless, there is meaning behind each short sentence, and we are just starting to see the truth behind such technique.
Caroline--great start. You can never go wrong quoting Fitzgerald and especially when it's about drinking.

This part of the book is right after the incident with Roy and the Group Toilets where he essentially loses all self control and destroys the room. Out of what we have read so far in this book, I understand this part very well. Having all of that animosity building up in an unfamiliar environment will push any person's boundaries to the breaking point. Also, since he is recovering from addiction, the frustration of being separated from his substances adds onto the anger that he expresses here. Though being in a blind rage can distort memory, you can't make up this extreme reaction. Frey's description of what he flipped over and then the nurses coming to calm him down articulates the suffocating atmosphere that he is feeling in rehab. Another aspect that I've noticed so far that attributes to his anger is the fact that he refuses to form any type of genuine relationship with anyone, ranging from his roommates to the nurses he isolates himself for no reason. Which is contradictory being that he longs for some sort of companion. The combination of solitude, sobriety and unknown living conditions makes the frustration within Frey blow up to an outstanding display.

I find much truth in the pain that Frey describes while he is at the dentist. I don't know about anyone else, but through that whole section my stomach just turned and I lost my entire appetite. I was totally entranced in Frey's pain and although I could not physically feel it, mentally the pain hit me hard. The reason why I find truth in Frey's pain is because I don't see why he would write about something as awful and painful as two root canals, filling a cavaity, and caping two teeth (all this without the use of painkillers or anesthesia) unless it actually did happen. Frey quotes, "The pain is greater than anything I've ever felt and it is greater than anything I could have imagined" (66). In no way do I feel Frey fictionalizing his pain through this experience, or exagerating it. I do not see him as someone who trys to make people feel sorry for him through describing his painful experiences. I feel he is just telling his story, and to me this shows his ulitmate strength (the fact that he does get through this).
So far Frey's memoir has left me spellbound and enthralled to read more. Intense stuff!

We being to see this more logical James—opposed to the psychological James--as the years of drug and alcohol abuse begin to ware off. Often times the deep pain comes not so much from sustaining physical injuries, but from the resentment that has been placed on James. "I hang up the phone and I stare at the floor and I think about my Mother and my Father in a Hotel Room in Chicago and I wonder why they still love me and why I can’t love them back and how two normal stable people could have created something like me, lived with something like me and tolerated something like me. I stare at the floor and I wonder. How did they tolerate me” (44). This was one of the passages that I felt resonated on a level that was more substantial to me than anything else because it is the first sober and logical James that we have seen.

Frey seems to be a very logical, honest person. He divulges everything to the reader and to those around him, preferring to be honest rather than to say what others want to hear. When asked if he is willing to do whatever it takes to get sober he firmly states that he doesn't know, even though Ken wants to hear the word yes (30). He writes honestly everything that he is going through, an because it is written in the present tense we see everything as it happens. We are going through rehab with Frey, experiencing what he experiences, feeling what he feels, doing what he does. We as the readers are not just observers, but recovering drug addicts ourselves.

I don't want us to forget Caroline's secondary (though no less significant) prompt--"What does this truth or truths show you about yourself?" No personal writing, be it personal essay or memoir, can resonate unless there are universal connections with readers, so I encourage us to not neglect this difficult truth--how we see ourselves in this story.
I like Caroline’s prompt because I was questioning the validity of Frey’s narration during the assigned reading, especially when he talks about blacking out every day and when he says, “Shortly after dinner I climb into bed and for the first time in several years I am conscious of the fact that I’m going to sleep” (31). Frey does not use quotation marks which may mean that he isn’t quoting what people actually say, curtailing the reliability of his conversations. It’s possible and likely that his narration is fragmented, but I do not question the truth because they’re his truths; they’re truths to him so they are truths to me. Frey even says, “ He’s gone, but my memory isn’t and it won’t be for a long time. It has always been a fault of mine. I hold my memory” (25). I believe that Frey is angry with his parents for still loving him when he says, “I wonder why they still love me and why I can’t love them back and how two normal people could have created something like me, lived with something like me and tolerated something like me” (44). Frey uses rhythm and repetition to emphasize his emotions and actions like when he exclaims, “I fade. I fade. I fade” or, “I close my eyes. I close my eyes. I close my eyes” (15, 74). I do not know if there is truth to his dream, but it does emphasize his feelings of entrapment when he explains, “My only option is to try and kill. Kill what hurts. Kill it... Kill my heart, kill my mind, kill myself” (46-47). The almost poetic prose transforms the readers in his shoes so we can imagine the truths to his misfortunes and, thus, believe them.
Frey’s writing reminds me of when I am sick in bed with a fever; I am sweaty, but I feel cold and I cannot move. I have so many thoughts running through my head that disrupt my dreams and I feel trapped in my own mind. When I’m sick, “My body is fighting what it needs to get better. I am fighting what it needs to get better” and I feel a sense of gloom when I cannot help myself (57). I also resonate with Frey when he talks about himself as a child who loves Babar and I definitely find myself looking back on my childhood and discovering the ways in which I have changed and stayed the same. He finds that his childhood friend has come back to help him and he notes that, "Babar is one of the few pleasant memories I have" (61). I find comfort in a lot of my childhood memories.
Frey’s writing reminds me of when I am sick in bed with a fever; I am sweaty, but I feel cold and I cannot move. I have so many thoughts running through my head that disrupt my dreams and I feel trapped in my own mind. When I’m sick, “My body is fighting what it needs to get better. I am fighting what it needs to get better” and I feel a sense of gloom when I cannot help myself (57). I also resonate with Frey when he talks about himself as a child who loves Babar and I definitely find myself looking back on my childhood and discovering the ways in which I have changed and stayed the same. He finds that his childhood friend has come back to help him and he notes that, "Babar is one of the few pleasant memories I have" (61). I find comfort in a lot of my childhood memories.


Despite this, I see truth in Frey's relationship with Hank. Frey is immediately drawn to Hank, "He's an easy talker and as the ride drags on, [Frey begins] to think of him as a friend" (35). Hank understands Frey, therefore, Frey has an instant connection with him. It does not need to be discussed or explained. One finds comfort in the other. This is something I can easily relate to. Sometimes you meet people who you instantly feel at home with and comfortable talking with or even just sitting with. Someone who is not judgmental and genuinely seems compassionate. Frey is constantly being asked to explain himself to doctors and other patients, but he doesn't need to explain anything to Hank


I think perhaps the truths in this book lie in the fact that Frey is good with his words and good at describing certain powerful emotions. Maybe most of us have not hit such a rock bottom low as Frey is writing about, but at any of our lowest points we have probably experienced thoughts and feelings similar to James's such as when he writes about the feeling of letting down his parents (to understate it a lot) on page 44.
So I guess what I'm saying here is that I think the truths in Frey's work lie in the way he conveys human feelings, emotions and conditions. I can't necessarily relate to the specific scenario but I can feel the truth in many of the emotions and thoughts he has. What I don't necessarily agree with is that he fabricated the situation in which he portrays these truths.

True or not, I think that this tiny moment reflects a universal feeling that we can all relate to. Maybe we haven't seen a mother doing this because of something we have done or the way that we look (like James's horrible condition), but I think we have all seen this sort of innocent closeness between a mother and child that reminds us of what we started out as, as well as everything that led us to be the way that we are. I know that I felt my heart break a little bit reading about how a small moment like this could break Frey's heart because I know exactly where he's coming from. Sometimes I see a mother and young daughter interacting in front of me and it's almost like that poem we read by Sharon Olds, where she wants to go back and tell her parents to "Stop, don't do it..." Sometimes I get so sad thinking about how my own relationship with my mother has spiraled downwards over the years and how I just want to warn all the other little girls in the world to Stop, Don't Do It when they live in such innocence of the emotionally scarring things that a mother and daughter could potentially do to each other and the sadness that I carry from my own experiences.
Maybe that was a bit of an extreme or unfair comparison (drug addiction vs. not getting along with a parent). But this was a quote that I had to stop and read a few times because it reminded me of the truths in my own life. I think that the little moments like this make the truth of Frey's experiences slightly irrelevant -- whether he did certain things in rehab or not, he touches enough on these universal moments of human nature to create a new dimension of truth.

Her statement is even more haunting considering that Frey's book has been called into question for its "truth". The scenes in the Dentist's office ("Bayonet. Bayonet. Bayonet" (73)) are horrifyingly brutal, but again I am forced to look at the muddy area between the "real" truth and the "perceived" truth. It's like Dumbledore said to Harry at the end of book 7, "Of course this has been happening inside your head, Harry, but why on earth should that mean it is not real?" Personally, I believe Frey's book is the height of truth-telling, because he understands that truth does not always have to be experienced by other people in order to be validated.

Regardless of what portion of this story is the “truth”, I feel that in this part of Frey’s account we see threads of his fears, insecurities, and struggles with himself. For the reading of this section, I had managed to ignore the fact that a majority of this story may indeed be outside of Frey’s real life experiences. When I finished reading, I went back through what I had read, but in the light of possible false hood. I was able to see the possible truths that Frey still wanted us to see in his true self. Frey must have been completely lost in a world that now felt so unfamiliar now that he is in rehab. What struck me the most as I was introduced to the book was how Frey is describing a life in which what is a “normal” life, is being under the influence, yet while being without the substances that these characters are so dependent upon, is uncharted territory. This is well portrayed in the first sentence of the quote from above, “This is not the life I want or who I want to be but I don’t know anything else.” The most terrifying truths that Frey is facing, is a lack of understanding of who he is and where his life is headed, as well as where it has come from. This is all so unfamiliar to me, in a sense that completely captivates me, as I try to understand the bare essence of what kind of a life Frey is dealing with and attempting to describe.