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A Cleansing of Souls - Stuart Ayris
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Jud
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Mar 19, 2012 07:52AM

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The first 45% of the book you had me captivated (kindle) and I could not stop reading. The next 40% I started to dislike your characters and the last 15% I felt lost and somewhat disappointed.
Having said that--you have one of the most beautiful, melodic writing styles I have ever experienced. I read a lot and I don't think I've read an author who can rival your style. I would probably read anything you wrote because of that. I'm a visual person, and you created pictures with your words. You gave me a journey into the minds of your characters, as well as into the scenery of their world.
I would give this book 5 stars--the fact that as a reader it did not work for me with the characters is a personal feeling, and does not detract from what I feel is the literary value of the work itself.
I can't say more without giving spoilers. I will read your future work, it's just the characters in this one didn't do it for me.

As an author (which I am now considering myself to be!) your sort of feedback is exactly what I need and I can't thank you enough for that. I would really value your opinion on anything I write.
Cheers!


Like children, I know you shouldn't have favourites, but I do prefer Tollesbury Time. That's not to say A Cleansing of Souls doesn't have its merits - it clearly does given some of the feedback and having read it again recently I am liking it all over again. But I'll let you make up your own mind!
Criticism? Well that's just someone expressing their point of view. And that's wonderful!



1. I worked at an Insurance company, Commercial Union, in Romford when I was nineteen. The experience Tom has in Chapter 1 is entirely how I experienced it. I was sacked after a year for drinking too much at lunchtimes and for my poor time-keeping. The manager in the book is based on the branch manager in real life. I was twice called down to see him and they were two of the most surreal experiences I had then known!



Last one for now...
3. I used to go busking at Holborn Station in London when I was 21. There was never a greater feeling than walking to Harold Wood Station with my guitar - I could have been absolutely anybody. And walking around the London streets with my guitar felt like stepping out with the most gorgeous woman I could ever then imagine. And what's great is I know I would have the exact same feeling now!

Actually I'll do one more for now!
4. My little sister was born when I was 14 - the same age as Tom is when Little Norman was born. My memories are of how precious she was and how she embodied all the joy and hope that I could see fading from my own life - what with the onset of exams and responsibility and that good old adolescent 'nobody understands me but Bob Dylan' angst that so befell me!
So Little Norman was not only based on my sister (who thankfully is alive and well today by the way!) but also has the same effect on Tom as Louise, unknowingly had on me - that being an initial realisation that my own childhood was nearing its end and a feeling of dread for the adult world that was to come.
There you go - more later!


I still have the 12 string I saved up for 30 years ago. However, the voluptuously female shape of the guitar means it never quite feels the same to a woman as it evidently does to a man!




Does he mean us?!


6. I was unemployed for two years (during which I wrote the majority of the book) between the ages of 21 and 23. The feelings George experiences are exactly how I experienced them, from the sense of isolation to the feeling that employers were conspiring against me to keep me out of work. I even, at the time, put it down to the fact that I'd once voted for the Communist Party! The part about lining up at the DSS and one day the mesh from the window being removed - that was true too. As was the interview where the person gets George's name wrong and the part with the little girl asking for 'two ones'. I didn't know what she meant then and I don't know now.

How blessed are we,thank you so much.

The final main thing that is taken from real life was the scene where Michael hangs himself. I had written part 1 of the novel when I was 22 and part 2 when I was 24. Michael, at this stage had not been admitted to hospital or hung himself. He had last been seen just sitting in the park and that was it. The book finished.
When I was 29, I had just qualified as a psychiatric nurse. One morning I walked on shift and found a man hanging in the shower. Apart from the location (ie the bedroom as opposed to the shower room) what I wrote was what happened. And the CPR bit where the nurse John goes to breathe just as the chest is compressed, that happened too. I truly think my life changed from that moment. The start of that change was writing that extra part in the book where Michael kills himself, the rest just carries on. October 11th 1998 is a day I will never forget and never do forget. I do believe I write because of it and from that came Tollesbury Time Forever and from it will come everything else I ever write - just to try and make sense of why that happened.

(Yes, this means you!)


People do of course write for different reasons as people read for different reasons. That's why variety is wonderful. Nobody is right and nobody is wrong. It's just words, that's all. I for one though don't know what I'd do without them!

I don't know what we would do without your words now either Stuart.
Books mentioned in this topic
Tollesbury Time Forever (other topics)Tollesbury Time Forever (other topics)
A Cleansing of Souls (other topics)
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