Life of Pi
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What's the idea behind the island?
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Robg8888
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Nov 28, 2012 05:51AM

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Quite frustrating... I wouldn't wanna be you. The whole idea is elaborated son in the end you get smashed with the truth. I think the most interesting moment in the book, by far the center of it all was when he told the two investigators: "So you didn't like THIS story? Well, how about this other one!". It's a catch. Now, after reading it, I can't imagine a "life o Pi" without the end story.






Splendid!



Brenda,
I did consider RP as God. Pi said it was his love & fear of the tiger that gave him a will to survive. But I think more accurately, RP was Pi's faith in God. In a way, Pi's instinct to survive could be God if you believe God's spirit lives within us. RP left him and so did his faith, and he mourned his loss.


Yeah, but the sleeping form of Lord Vishnu is the filmmaker's idea added, so not necessarily Martel's vision.

Thank you! Thought I was in for a comment search marathon! :o)

Pi is fighting and struggling with Richard Parker - his evil/animal side.
Island - mother's headless body.
Meerkats - maggots.
Tooth - cook's tooth.
Richard Parker ate meerkats on the carnivorous island - well you can figure it out the rest.





I've also wondered about whether Pi turned desparate cannibalistic people into animals for a more 'palatable' story.
Nothing to add at this point.

It isn't a hard stretch to make that his faith was so shaken by this point, the only thing he could do is make it all up, and make-believe the Island for himself.

If you consider that the Frenchman at this point has just been eaten by Richard Parker, and then compare to the second story where he has just overcome the Chef and killed him, and resorted to cannibalism, then the island represents cannibalism.
The shoots are like the blood vessels. Remember what he said about the turtles, to slit their necks is to give a drink of blood sweet enough to satiate thirst? These roots do that more effectively (the Chef's blood is sweeter). The teeth he finds are the bones after he has consumed the chef.
The whole island represents his attitude to not only eating another being, but another human. At first, it is sweet relief - he has enough to eat, he is at peace (I think the meerkats represent this) but then he discovers dead animals, and his morals come back to him. That's when the island turns poisonous, right? That's when he realises what he's actually done. He cannot stay on the island, because he cannot stay with the man he ate. He cannot stay cannibalistic, because he has faith in someone higher. Richard Parker is a lot more confident on this island, because he has ultimately won the battle (if you consider Richard Parker to be the Id of Pi's personality).
I think that's why the 'algae' burns through the rope at the end of the section, because he's finished with everything to do with it, he doesn't want to cling on to that any more.

At the beginning of his ordeal Pi saves Richard Parker. He yells at Richard Parker to come aboard. At the last second he tries to fight him off but is unsuccessful, and so Pi's demon comes with him on this journey.
I think the island is more like a Last Temptation than a Garden of Eden. Yes, the Tree of Knowledge reference is pretty glaring, but as Pi is a believer in God more than in a religion I feel the island scene in its entirety represents the concept of the easier path. You can stay here, but only in the knowledge that this place is poisonous. You will be gluttinous, slothful, and the prideful "king of the meerkats" and you live knowing you've abandoned your beliefs, ideals, and choices - the things that made you who you are and brought you close to God.
There are common threads in religion in general, and one of them is that you must toil and suffer to reach the divine. You cannot choose the quick and easy path. Keeping faith and belief is difficult; this is clear across the board, from Catholicism to Judaism, Hinduism to Jedi-ism.
In the end, Pi rejects the temptation. He chooses to remain himself and continue across the desert, oops I mean ocean, even if it means his death. When he finally washes ashore he has excised his demon, and so it leaves.
It was difficult for me to accept that the tiger just ran off into the woods. I wanted to believe that Pi had friended his tiger, but this could not be so. Pi's father explained how dangerous tigers are. Even though our demons may be powerful, even beautiful, we have to try to push them away. Even though we may be used to our demons, even love them, we have to let them go to reach salvation.
Whether you love or hate this book isn't any author's goal to make you think? I think Martel did his job. And when an author writes a book about religion isn't the goal to make you reflect on your own beliefs? I think Martel did his job well, at least in my case.


Life of Pi reminds me of God's Grace by Bernard Malamud which also features a flood, a boat and animals (apes). Both are retelling the Old Testament Genesis and Noah's Ark stories. Bernard Malamud's story is Jewish. Life of Pi mentions three main religions, as well as Buddhism (at least in the movie), to be relevant to people of all religions? Some people wonder if the island is the Garden of Eden. It dawned on me from the movie's beginning footage of the animals that the zoo represents the Garden of Eden which the family had to leave. This is the brilliant and plausible explanation for why there would be a boat with animals in the middle of the ocean.
Three survivors in the lifeboat were vegetarians and would logically have not kill one another as food to survive. The vegetarians represent each of the different faiths that binds/aids us in being civilized. What if "the meek" met with a hyena that has no such qualms? They are killed. And those who would never consider killing might still do so to protect/defend/avenge our loved ones.
The cook is represented by the hyena as well as mentioned as the blind man and credited with teaching Pi survival skills. Pi may not have immediately killed the cook but co-existed for a while. The tiger represents Pi's animalistic side, and the order of ferocity with tiger out-ranking hyena. The tiger at times may represent the cook (eg. when Pi had the chance but could not kill it). Pi and the tiger's struggle for superiority with the whistle and boat-rocking teaches that aggression only begets further aggression, with no winners. Pi's floating oars and lifejacket is a way to create a buffer between them rather than fight back. Or it could be that the mighty and aggressive of the world take more than their share and others live in substandard conditions!
The island can represent God sending us manna, what when we need it, when we need it, but it's a temporary reprieve. From the movie, I saw that the island could represent our daily grind. All the meerkats doing the same things all together each and every day is so like a scene from any bustling city downtown and the tall trees are the buildings! If you can be thirsty with not a drop to drink while surrounded by seawater, you can also be lonely (feel soulless) though surrounded by other people (dehumanized as meerkats). And the teeth in the fruit? Well, as has been said to those moving to big cities such as New York, "you will be eaten alive!" Or the trees do not bear fruit in that all your busy efforts are still fruitless. I especially feel this knowing people that work 20hr days but neglect everything else, family, friends, other interests. To some, the island may feel like Eden or Heaven but it is not. You cannot live by bread alone – cannot merely satisfy physical hunger. There is still a final destination – is it Heaven reaching the Coast of Mexico and civilization again? Pi's sinful nature so quickly disappears, is all forgiven? Is Heaven represented by Pi's life Canada?

I kind of thought that the island represented a type of despair. Not the awful despair of certain death, but the more subtle kind that comes with having all of your physical needs attended to, and only your physical needs attended to. Pi could have survived for a good, long time on the island, despite its nature. It was much safer and more comfortable than being out in the water, but it would have been a meaningless existence that would have eventually "eaten him alive." I found it analogous to the way a person's life can become empty, despite having food, water, shelter, and entertainment (training Richard Parker in Pi's case). That's just my take, though.

That's more or less what I thought of it, Paola.

Having said that, and now knowing the ending, I feel the island represented guilt and regret. We have such a tendency to blame ourselves when things go wrong. And Pi couldn't save the other people on the boat. Most importantly, his mother. (And in an extention of that, his family on the ship. Why was he the one to survive?) How much more guilt could there be?
We eat ourselves up on the inside when we feel guilty. Pi's alter ego, Richard Parker, who also by the way is the stronger of the two personas in Pi's mind, knows to get off the island and refuses to let the guilt (and regret) eat him up. Pi wishes he could be that way (Richard Parker is always stronger in everything when you look back), but struggles with letting go of the pain. In the end, his survival instincts take over, and he chooses not to wallow in his guilt but to take the best path forward that will lead to his future.
This is very heady stuff. One of my favorite books ever.

You believe in the 'real story' because it is real: the tiger, zebra, etc. were all a way for a boy to deal with the horror of the situation. None of us is prepared to be thrown into a situation so far from normal -- and given his upbringing, this was a natural way to cope.
I agree tho: you will tend to believe in god(s) if you beleive the 'first' story. But the entire point of the book was to bring you to the point where you realize it was just a boys way of dealing with trajedy. If you missed that, I think you missed the point.

I don't understand why so many don't see that the story with the animals is allegory: a way for a young man to deal with severe trajedy.

Very perceptive... I agree with this interpretation. Insightful.

In light of the first and last parts of the story, it seems to me that Martel meant to call into question the strict delineation between stories that are real and stories that are unreal, as well as the importance of doing so. The two Japanese men at the end of the book concluded along with Piscine that neither story had anything to do with the fact of the sinking of the Tsimtsum, and in the absence of the necessity of declaring truth or falsehood it comes down to a matter of personal preference, or perhaps "faith," loosely speaking. It seemed to me that Martel, speaking through Piscine as the narrator, rebuked us in advance for the tendency all of us would have to insist- at least momentarily- on considering the cannibalism story as the "real" one with his talk of agnostics near the very beginning of the story.



I prefer to believe the story where the animals are with Pi,not because i am religious myself,but because that story has more detail,more explanations of the events which lead to Pi's survival,and while a boy in a boat with a tiger,hyena,zebra and orang-utan seems far fetched,does not also a weak and ill small boy managing to kill a full grown,vicious man seem equally unbelievable?
Pi describes hearing a noise on the ship and going to investigate,his parents and brother are still fast asleep,Pi describes how there is water welling up in the stairwell he just came up from,how does his mother come to escape that to then be with Pi in the second story? We choose to believe the second story as its simple and quick,and we have no problems believing how evil humans can be to one another.
Pi even explains how Richard Parker the tiger came by his name.And yet,most people choose the second story,even though important details are missing,such as where the small animal bones in the boat came from?
Either way,i love this book,and just like religion is open to many interpretations and its left to you the reader to decide which story is the more believable but also the more comforting.

I would agree with you. To add to that argument, settling for something less does eat you up, rob you of your essence.In the long term.

I understand this reaction, but I think we must keep in mind the ending. "Which is the better story,
? the one with animals. So it is with God. Life is a better story if God exists. But we will never know for sure, till we die. Same with the story of Pi, I don't think we can know for sure which version really happened.

Likewise, Little. it baffled me. Felt like a loose end of story line that he couldn't fit into the main body of the story, but as the rest of the novel is so well conceived, I'm not satisfied with that as an explanation.
Like I say, it baffled me

That's a very good reading of it, Paola.
Could morbid nature of the fruit then symbolise the inner dissatisfaction that would result from such a compromise.

It's a pity this person (deleted user?) bowed out here!I'd been down that line of interpretation too.. maybe there is a forbidden fruit analogy to being suggested. Pity!

It's clear that the book is making the analogy between Pi's excessive religiosity and an atheist's understanding of the world,..."
Good call, Marielle!




Well people do kill each other, and then for reasons other than food or survival. People generally believe within their own frame of reference. To believe outside of your frame of reference is transcendence, which people generally aren't comfortable with. Maybe the end frame is there to contrast fundamental materialistic view of life against the spiritual (mythical poetic romantic) view

At his worse time, Pi encounters the floating woman shaped island, plagued with meerkats, like his mother's body, being consumed by worms (hence the bones all over the island).
Pi walked amongst the meerkats and got to a fresh water well, at the center of it. He swam in it and felt completely joyful, for the first time since the shipwreck. For me, this well symbolized his mother's womb. He felt like coming back to it.
Pi's mother was dead (which is bad) but she was also resting in the afterlife (which is good). That is why the island, as the idea of death, was good and bad at the same time. Provided comfort and fear.
But Pi decided not to die. He decided to leave the "island" which was the idea of giving up and dying to meet his mother again. It was not his time. It was the time to meet Richard Parker again and fighting for survival.


For me, The Life of Pi is about spirituality, not religion. Pi's encounters with multiple religions teach him many stories, just as his own stories about the same event differ. All of the stories can be true simultaneously; it doesn't really matter which story you believe and which you do not, since the end result is the same. The ship sank, Pi made it through a harrowing experience alive, and he was forever changed because of it.
I take the same meaning to apply to the religious material, and here is where i think Martell is at his best. There are many different stories, many actors, and some players appear in more than one story. All point to the same conclusion, though, and that is that we are all part of something greater than ourselves. The tiger is the mother is Krishna is Jesus...in the end we're all the same and all part of a greater existence.
(I don't necessarily believe this on a personal level, but I do believe that this is what Martell's trying to illustrate. A very Hindu notion, that.)
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