Weekly Short Stories Contest and Company! discussion
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Haiku

Red-eyed night reading
forgettable prose alone
on a plane from Rome.

I say 'feel' as one; where the 'syllabilzation' (is that a word?) gets interesting is when you add the hard/soft footie distinction that marks much of Shakespeare's iambic pentameter. It's not the syllables but the iambs. Now that would put Haiku writing into a different playing field!
Where's the piece in space
that's expanded inwards to
where the stars are not?

When I saw that ad for The Ringer, I thought, “Be still, my heart! Is that Sarah Gellar?” She’s still great looking, isn’t she?

Boot-scooting with stars.
Driving Italian sportcars.
Doe-eyed girls in bars.

Kerplunking sitarsNow for yours:
helps when ice fishing for gars
or smoking cigars.
It is the vampire
in me that keeps me coming
back for more of you.

M that is why I don't call them synchronicities. I used to call them synchronicity-petites (in keeping with the French theme) until I stumbled across the Japanese word fushigi which was translated by David K. Reynolds as meaning 'wondrous event'. Thus, a fushigi is something kind of amazing, but not meaningful.
However, I have been actively tracking these kinds of things for the better part of 20+ years. I filled 3 notebooks with them before I began blogging. (Some are completely preposterous and often times funny.) I came to understand that perhaps the best argument against writing off these strings of 'coincidences' as mere coincidence in an age of empirical skepticism is to engage rational statistics — write them down. At what point does a string of coincidences stop being a coincidence? So, the individual stat may mean nothing, but the entire might infer something.
To my great surprise this summer I read Jung say pretty much exactly the same thing in Conversations with Carl Jung & Reactions from Ernest Jones:
I never made statistical experiments except one in the way of Rhine. I made one for another purpose. But I have come across quite a number of cases where it was most astounding to find that two causal chains happened at the same time, but independent of each other, so that you could say they had nothing to do with each other. It's really quite clear. For instance, I speak of a red car and at that moment a red car comes here. Now I haven't seen the red car, because it wasn't possible; it was hidden behind the building until just this moment when it suddenly appeared. Now many would say that this is an example of mere chance. But the Rhine experiment proves that these cases are not mere chance.Who can say what that 'thing' is, of course? But there are hints of it in the string and superstring theories of modern physics, as well as some of the extended consequences of Heisenberg's uncertainty principle and the subtle consequences of relativity. So while they may not be meaningful it is possible that they hint at meaning.
Now it would be superstitious and false to say, 'This car has appeared because here were some remarks made about a red car; it is a miracle that a red car has appeared.' It is not a miracle; it is just chance — but these chances happen more often than chance allows. That shows that there is something behind it (104-5).
But beyond that, I find them amusing.

the shadows clearly became
all that much darker.
Sorry to read that you are spooked. As to death, I heard a funny joke about it. When the woman who was scared to die talked about it with a guru, the guru said, 'Relax! I assure you that when the time comes you'll do it just fine.'

Speaking of the frightful dead, I watched 'Constantine' again last night. Don't know why, but I thoroughly enjoy that movie, even with Reeves' leaden acting. Don't know if it will help, but knowing that Constantine is out there keeping the evil dead in their place might be of some comfort.
Running on empty
the boar chased down Attila.
His hunger was gone.

Here’s his pith helmet.
Here’s the tusk that gored Nigel
late in the Boar Wars.

Guy, I enjoyed the guru joke! I remember Avalon Hill, the game manufacturer, though it’s a name I haven’t thought of since the days of reel-to-reels and rotary phones.
Her heartbreaking voice
and a melancholy sax
on reels turning slow.

M yes, I laughed out loud when I heard it too. And yes, Avalon Hill was in the time of rotary phones and reel-to-reels. The Betty cartoon had a great joke in this vein. The son comes to her and says 'I just read that if you had monkeys working on a typewriter long enough, eventually you would get a Shakespeare play.' 'Oh,' Betty says with obvious excitement, 'you want to know how that could happen?' 'No,' he said, 'I was wondering if you could tell me what a typewriter is.'
Nice haiku M! Smooth as a nice single malt after a fine dinner.
Melancholia
covers the blue skies' lost stars
with the ache of her.




And, your Haiku is kind of goth kinky S&M. Très amusant!

that would be prairie,” she said,
looking down her shirt."
M I really liked this! Nice!

Fingers on the keys,
she typed, “My fingers, the keys
to man’s happiness.”

Who would not respond
to a leggy blonde between
carbon sheets and bond?

Ok, here goes.
The dark sea rumbled
and Mossers' tummy grum grum.
Rum rum in tum tum. :)
This isn't just my doing. ALEX. hem hem
Books mentioned in this topic
Mugging the Muse (other topics)The Raj Quartet (other topics)
Marcovaldo (other topics)
Invisible Cities (other topics)
Confessions of a Taoist on Wall Street (other topics)
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Authors mentioned in this topic
David Payne (other topics)Thomas Merton (other topics)
Robert Payne (other topics)
Barbara Gowdy (other topics)
David K. Reynolds (other topics)
a capful of Noilly Prat,
drops of olive juice.
This is what I’ve heard called a “dirty martini.” Noilly Prat is the vermouth. The olive juice gives it a wonderful flavor. Just thought I’d supply that as a potential prop for use in a story.