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Writing and Publishing
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Personalizing the Creative Process: pen and paper versus the word processor
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Although you do not see it in the retail releases of my work, my editors and publisher are intimately aware of the fact that I am full-blown dyslexic. In an earlier day in history, there would not be one chance in hell I would be an author—much less, and award-winning one!—as each and every word that I know how to spell I have memorized as you would memorize a phone number. Letters just do not form in my brain into coherent words. So, it is only through the magic of technology that I am able to write anything intelligible. (I spelled that word inteligable, for example, as it is not one of my “memorized words.” I then right-clicked it once it became underlined in red and selected the correct spelling.) (And, yes. I write all my responses to blogs and websites in Word first, and then transfer them to the website once I know I don’t look like an idiot.) (Well, more of an idiot than I look like naturally.) (Hey, writing in parenthesis is fun!)
Anyhoo…
Add this to the fact that when I am creative writing I write with my eyes closed, I would not be able to stay within the lines with pen and paper. So for me, I am all digital. I have no options. But when you combine MS Word, a large dry-erase board with copious notes about the correct spellings of homonyms, and a team of professional editors with my natural storytelling abilities, you get some pretty good stuff if my critics do say so themselves.
Maxwell Alexander Drake
Read the first five chapters of my award-winning fantasy saga at www.genesisofoblivion.com

Oh, wow, how about all three: pen and paper, typewriter then the computer! lol.
As a kid, I wrote everything long hand, scribbles, scratch-outs, you name it. In school, I learned to type on a IBM Selectric. In the early 1980 - we were among the first to buy a Mac!
When no computer is around, I do write ideas in long hand. And surprise! Typewriters are making a comeback. At least for nostalgia sake. Good! No more of this 'keyboarding', kids need to learn how to type without looking at their hands.
As a kid, I wrote everything long hand, scribbles, scratch-outs, you name it. In school, I learned to type on a IBM Selectric. In the early 1980 - we were among the first to buy a Mac!
When no computer is around, I do write ideas in long hand. And surprise! Typewriters are making a comeback. At least for nostalgia sake. Good! No more of this 'keyboarding', kids need to learn how to type without looking at their hands.

However, I write my notes/outline in a journal, so I can easily flip to whatever part I need.



:)
Maxwell Alexander Drake
Read the first five chapters of my Award-Winning Fantasy Saga at www.genesisofoblivion.com

take care,
Kat

I have to say I am thankful for my computer, though. My hands hurt from too much longhand, so I type often, especially while editing. I like best to write a scene on paper, then rewrite it on the computer.

Nowadays, it's the computer for me with its instantaneous capability of moving whole paragraphs around or adding in pages of writing among the existing pages. I still use a notebook every now and then to jot down ideas, but the majority of my writing is done on my sleek new laptop.

Plus you have to put it to computer for editing, so why not start there?
The only time I use paper and pen is when I'm driving somewhere and I get some ideas I have to jot down.
Norm
http://www.normcowie.com


Contrary to what some might say, I also find this frees up the mind and enables inspiration to come better. Rather than grousing at my handwritten, often scratched out manuscript, I can think of what should come next.



Trying to write longhand would take me so long, I'd barely remember the intent of my sentence by the time I got to the end of it! A blank piece of paper does absolutely nothing for me... nor does a computer screen induce in me a "blank stare," as I use it as a desktop filled with all the elements I need to develop my story.
I will chime in by saying that I prefer the more intimate relationship between a writer, his pen and a blank page. For me, the blank page offers a rather seductive invitation…an implied intimacy that I cannot replicate while squinting at a blank screen and a blinking cursor…much like peering out over a barren wasteland that promises a kind nihilistic frustration. Though my penmanship leaves much to be desired and has led me to actually print for the most part, there is something about a lined page in a bound journal that stirs the creative process and gives it direction…almost as though the pen is an icon that can channel creative energy the way a wizard’s staff can give focus to his magic. From a more pragmatic perspective, I find that the pen and paper process adds yet another layer behind the conception of a creative notion and its culmination…as I do all of my own input (indeed, no one else could read my scrawl), I have another opportunity to evaluate what I have created.
Again, this is my preference and there is no right and wrong here…I would like to know what other authors feel about the paper and pen versus electronic medium method of creating your initial artistic work. Even though preferring paper and pen might well carbon date the respondent, don’t be deterred.