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TTPBM: Favourite season?

TTPBM: Same

TTPBM: Will you be watchin Vidya Balan aka SILK's new movie Dirty Picture?

1. The French Lieutenant's Woman (Pinter)- It perhaps required the genius of Harold Pinter to do what he did to solve the problem of the two famous endings in Fowler’s book.
2. Ordinary People (Sargent)- When people complain why ‘Raging Bull’ didn’t win the Best Picture Oscar for 1980, then they probably haven’t seen ‘Ordinary People’. One of the most deserving best films this side of ‘Annie Hall’, ‘Ordinary People’ is an extraordinary screenplay from a quaintly brutal original work.
3. Adaptation (Kaufman)- Charlie Kaufman’s adaptation of the work (Susan Orlean’s ‘The Orchid Thief’) is basically a work on the adaptation of a work itself. While the core idea or the ‘hook’ dates as far back as to Fellini and Kafka, the screenplay is among the most whimsical, cynical, postmodern, funny and devastatingly tragic, all at once, and then a million things.
4. Trainspotting (Hodge)- Boyle recently said about this film that it could so easily have been seven other films, simply because Welsh’s novel is so rich in imagery with its wild, hallucinogenic-charged, slipstream narration, its multitude of internal stories and characters, that it could denote a million things to a person at the same time. So, for Hodge to be able to condense the sprawling, often sketchy and arbitrary material and still retain the essence of the novel, and then for Boyle to depict that through sublimely skewed visual images on screen was altogether remarkable achievement.
5. The Remains of the Day (Jhabvala)- My favorite Merchant-Ivory film, this is an astonishingly complex, almost introverted Ishiguro work, vividly, lushly brought to screen, helmed by Ruth’s pitch-perfect screenplay.
6. Who’s Afraid of Virginia Woolf? (Lehman)- A textbook on heightened realism, a significant achievement in adaptation of a play into film. Yes, there will always be doubters of the casting, but the screenplay’s success is undeniable, resounding.
7. The Sweet Hereafter (Egoyan)- This adaptation of the Russell Banks novel is a long-time personal favorite
8. A Clockwork Orange (Kubrick)- Kubrick’s best adaptation and one of his three best films, is also a lesson in how a great adaptation can arise from a work even after disagreeing so strongly with its core.
9. What’s Eating Gilbert Grape (Hedges)- The quiet, unassuming, shy novel that came out of seemingly nowhere and almost as bashfully became an engrossing film, a tapestry of interrelations and a mosaic of grief and coming of age.
10. Sonar Kella (Ray)- The revelation of the criminal at the beginning and the usage the audience as an accomplice was a masterful stroke since it immediately reduces it from a whodunit to an adventure story. Also notable because the screenplay was adapted from not a novel but a Satyajit Ray novella of the same name (Sonar Kella a.k.a. The Golden Fortress)- Ray would remain an aficionado of the long short story format and favored them for many of his adaptations in his post Calcutta Trilogy days.
10. Rajnigandha (Chatterjee)- Hard to keep this one out of the list- the Basu Chatterjee film based on Manu Bhandhari’s seminal short story, ‘Yehi Sach Hai’. The story, written at the peak of the ‘nayi kahaani’ movement with its Naveen, Deepa and Sanjay, is so deeply moving in its deceptive simplicity, so staggering. Take its last lines for example: ‘Aur mujhe lagta hai, yeh sparsh, yeh such, yeh shan, yehi sach hai, woh sab jhoot tha, mithya tha, bhram tha. Yehi sach hai.’ Could there be a more haunting epiphany than that?
TTPBM: Favorite sportsperson? (And short answers are still allowed btw)

TTPBM: Can you count on your friends at times of difficulties?

TTPBM: Leaving aside literary merit for a moment, who do you think is the most good looking writer around today?

In recent times, I remember Rina Golan's book, 'Dear Mister Bollywood', causing some controversy in the Mumbai film circles as the book itself was a thinly veiled account of the casting couch phenomenon and its proprietors, propagators and participants.
TTPM: same

To me, the most disappointing critically acclaimed book probably has been Fitzgerald's 'The Great Gatsby'. Didn't care for it.
TTPBM: Favorite song from a film starring Dev Anand?

TTPBM: Which book made you think that you could have been a better writer than the author?
trashy M & B romances with no substance or story in them
TTPBM: an impressive book you read in recent past?
TTPBM: an impressive book you read in recent past?

TTPBM: Do u like chetan bhagat?
I used to - till the first 3 books (yes, though many have hated One night at the call centre, I somehow found it cute and sweet)
TTPBM: are you a literary snob?
TTPBM: are you a literary snob?

TTPBM: which book do you think has a weak climax or abrupt ending?

TTPBM: Same
most of the 'series' books have weak/abrupt ending. Nowadays on reading the book its almost possible to predict whether a sequel will appear or not - to name a few - Twilight/Catching fire/BDB series etc.
TTPBM: do you like sequels?
TTPBM: do you like sequels?

TTPBM: Same
depends on the series - HP was good, Twilight was okay, but I was fed up of Pretty Little Liars
TTPBM: a fictional person whom you would like to enact?
TTPBM: a fictional person whom you would like to enact?

The only character that inspired me as a child was Darrell Rivers from Malory Towers series written by Enid Blyton.
TTPBM : What book and movie do you never tire reading and watching?

thats one of my all-time favorites too.
You did not post a question for TTPBM(to the person below me)
anyways i will repost mine :p
TTPBM : What book and movie do you never tire reading and watching?
Books mentioned in this topic
Victory City (other topics)Tell Me Your Dreams (other topics)
The Flounder (other topics)
Delhi (other topics)
Sesher Kobita, the Last Poem (other topics)
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Authors mentioned in this topic
Eoin Colfer (other topics)Satyajit Ray (other topics)
Salman Rushdie (other topics)
Sidney Sheldon (other topics)
Wilbur Smith (other topics)
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TTPBM: Favorite film as a child?