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Shadow & Claw
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S&C: The Transition between Shadow and Claw (spoilers, shadow, ch 35, claw, ch 1)
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When Severian finally reunites with Dorcas and the actors, he made special note of the scar on her cheek. Yet that was it. If i am recalling correctly, even Baldy and the Doc don't mention what happened. Only they got separated and moved on without him. In all likelihood, they had a big pow-wow around the fire the first night back together, chatting about the craziness of the Gates. Severian doesn't want to talk about it, so we are left in the lurch. Again.
I wish Jonas was here. He'd be able to help us.


I love Jonas! He's one of my favorite secondary SF characters ever.
Wolfe repeatedly explores the question "What is your definition of human?" throughout his oeuvre. He delves right into the gray areas and does so in such innovative and thought-provoking ways.

Same here, except I was reading in print and was just convinced I was being dense!
Chalk this up as instance 2 of something taking me completely off guard (the first being the Botanical Gardens scenes) and making me question my sanity in reading this. ;)
Colin, when you say "Severian finally reunites with Dorcas and the actors..." I take it to mean that this happens in the future from Claw Chapter 1? I don't recall anything about a scar when he first "reunited" with the doc and the actors, at the end of Shadow.

Your are correct it is later.



Is there meant to be any symmetry between the cut the Dorcas gets with the cuts/marks that Severian puts on Morwenna as part of the execution?
Granted, I left off at chapter 7 last night so I'm still left a wondering what's to come.


I now have a theory about what happened at the Gate of Nessus!
*** SPOILERS, Sword, ch. 15 ***
When Agia reveals to Severian that Hethor is the "old man" who wants to marry her & that she persuaded him to send his various smuggled-in extraterrestrial pets after Severian, I decided the commotion at Nessus could have been the first time Hethor loosed some of his beasties after Severian. It being his first attempt, he did it sloppily and in too public a place and it caused a panic and the soliders got involved, etc. His following attempts are somewhat more strategically planned (though his Salamander still gains a lot of attention for burning many the wrong target in Thrax!).
That still wouldn't explain why Severian omits the tale of what happened at the Gate, however.
*** SPOILERS, Sword, ch. 15 ***
When Agia reveals to Severian that Hethor is the "old man" who wants to marry her & that she persuaded him to send his various smuggled-in extraterrestrial pets after Severian, I decided the commotion at Nessus could have been the first time Hethor loosed some of his beasties after Severian. It being his first attempt, he did it sloppily and in too public a place and it caused a panic and the soliders got involved, etc. His following attempts are somewhat more strategically planned (though his Salamander still gains a lot of attention for burning many the wrong target in Thrax!).
That still wouldn't explain why Severian omits the tale of what happened at the Gate, however.

Yes, Borski's "Swimming with Undines" essay. From what little I read (before fleeing in the face of so many spoilers) I was finding some of it outlandish, but yes, I'll take a full look at it when I finish the series.
Adrienne wrote: "He certainly tells us about Hethor's other attacks - why not here? Maybe Severian had a bigger role here than he wants to mention. Did he accidentally kill some people, who weren't supposed to be executed and therefore shouldn't have been killed?"
Hmm, yeah, that could be a possibility. I'll be on the lookout for any hints as I finish this re-read.
Adrienne wrote: "He certainly tells us about Hethor's other attacks - why not here? Maybe Severian had a bigger role here than he wants to mention. Did he accidentally kill some people, who weren't supposed to be executed and therefore shouldn't have been killed?"
Hmm, yeah, that could be a possibility. I'll be on the lookout for any hints as I finish this re-read.

A while after I finished all of New Sun I also read Wolfe's "The Knight" and "The Wizard," and I wonder if Wolfe just likes using scene-skipping as part of his style, forcing us to piece things together from what he gives us. I wouldn't be surprised if one chapter ended with something like "I rode down and joined the battle" and the next chapter skips to some later time and we really only have clues about how it went.
I think when he does that it keeps me reading longer. Instead of saying "Okay, that part is finished and I can put my book down" I end up saying "I need to keep going to find out what happened there."

Yeah, that is a recurring motif in his writing. I've always figured that Wolfe feels he just doesn't write action sequences very well, so he avoids doing so, but it does work with his writing style, as you pointed out, so you might be onto something there.

That's the bigger mystery. It seems like he leaves out things he doesn't want us t..."
Josh's theory is also the one I subscribe to. Yes, Severian details other attacks later, but a couple books go by before he comes to understand who was behind them and why. At the Piteous Gate then, I'd guess that he wasn't even witness to the attack, just the commotion that it caused, and therefore had nothing to report, so to speak.
I could buy that possibility (that he has no idea what was causing the chaos), but even so, there's still the unexplained narrative gap between the chaos erupting and him suddenly being in Saltus with Jonas, split off from the rest of the group. I just finished Citadel, and still don't have a good theory about that.
When Claw starts, not only does it not pick up where Shadow ended, it starts with a dream Severian's having to make things even more disorienting. True, some aspects of the dream seem to reference what else happened at the Gate -- soldiers on horseback blocking the crowd, Dorcas being separated from Severian -- but then the deceased Master Malrubius appears -- so are the other elements in the dream any more substantial?
When Severian wakes we learn he is outside of Nessus, in the village of Saltus, and with Jonas, but Severian is not forthcoming with any of the events that occurred between Shadow's ending and the present.
I think this is likely the most jarring turn in any of the books. In fact, a friend of mine who really got into Shadow was so turned off by this narrative gap that he decided not to read the rest of Claw.
I suspect it's no coincidence that Severian, in the third-to-last chapter of Shadow, holds forth on the art of writing, its conventions, and how pleasing different members of a reading audience has similarities with pleasing different members of the audience of an execution -- and then this first chapter of Claw begins in a very unconventional, audience-expectation-defying way. Other than that, I have no theory about it (yet).
The literary critic Robert Borski has a very convoluted theory about this narrative gap, but it brims with so many spoilers that I've decided to not read it until I've finished re-reading all four New Sun books.
In Lexicon Urthus, Andre-Driussi has an entry on 'Mysteries' where he lists a number of questions he considers useful to think about as you read or re-read New Sun (some of these questions are spoilery in themselves). One of these questions is, "What was the commotion at the gates of Nessus all about?" -- suggesting he does think the answer lies in the books. We've seen in the Unreliable Narrator thread that Severian has omitted things before.
I think there's two related questions:
- What was the commotion at the gates of Nessus all about?
- Why does Severian omit or obscure what happened between the end of Shadow and the start of Claw?