The Readers Review: Literature from 1714 to 1910 discussion

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The Count of Monte Cristo
Alexandre Dumas Collection
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Count of Monte Cristo, The: Background Information and Resources
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Jan 04, 2011 12:52PM
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http://www.dumaspere.com/pages/englis...
Here is something about fully rigged sailing ships of the period and the names of sails etc:-
http://wapedia.mobi/en/Full-rigged_ship
These websites have information and pictures of the areas around the port of Marseilles which are mentioned at the beginning of the book, Pomegue, Chateau/Castle d'If, Fort St Jean etc. (click around):
http://www.tompgalvin.com/places/fr/m...
http://farm4.static.flickr.com/3044/2...
Marseille is the oldest town in France. The legend surrounding the origins of the town go back to 600 BC. Marseille was founded by Greeks from Phocaea as a trading port under the name ‘Massalia’ and later allied itself with the expanding Roman Republic for protection. It maintained it’s independence until the rise of Julius Caesar. Marseilles was also a very important town during the French Revolution and the French national anthem is called La Marseillaise, a war song sung at that time.
It is said that Mary Magdalen brought Christianity to the Port of Marseille, and the records of Roman martyrs and catacombs above the harbor show that it was an early Christian city. The diocese of Marseille was established in the 1st Century AD.
http://travel.viamichelin.com/web/Des...

On Napoleon's Escape from Elba
ONCE fairly set out on his party of pleasure,
Taking towns at his liking, and crowns at his leisure,
From Elba to Lyons and Paris he goes,
Making balls for the ladies, and bows to his foes.
http://www.napoleonguide.com/elba.htm
http://www.elba.org/en/isola-d-elba/i...


Here is a link with information on the real island of Montecristo. http://en.wikipedia.org/wiki/Montecristo

I have just discovered by googling that another reason for the Nazi raid was because old Marseilles, the Panier, was a Jewish quarter:-
http://www.marseille-provence.info/ma...
There is a photo of the Nazi raid here:-
http://www.marseille-provence.info/ma...




"Alexandre Dumas, the elder, wrote his nonfiction on rose-colored paper, his fiction on blue, and his poetry on yellow."
Jeanne wrote--
"Alexandre Dumas, the elder, wrote his nonfiction on rose-colored paper, his fiction on blue, and his poetry on yellow."
What an odd fellow...Oh well, what ever worked for him, I suppose.
"Alexandre Dumas, the elder, wrote his nonfiction on rose-colored paper, his fiction on blue, and his poetry on yellow."
What an odd fellow...Oh well, what ever worked for him, I suppose.

From my Notes: 'When he wrote the CMC, between 1844 and 1846, he was simultaeously writing different serials on different subjects for a number of other newspaper proprietors..."never in the whole course of French literature has there been anything comparable to Dumas' output...novels from eight to ten volumes showered down without a break on the newspapers and bookshops". Dumas' readers proved insatiable and Dumas, the John Grisham or Stephen King of his day, was always ready - perhaps too ready, to oblige them.'
My Notes also say that this is why there are a great many errors and contradictions in his books, because he did not have time to edit them. We might have some fun finding some of these in CMC!

I expect it was expensive Jan but Dumas was wealthy enough not to care!:).

Another bit of trivia: 'Being able to write 14 hours a day, Dumas produced a steady stream of plays, novels, and short stories. Before 1843 he had already created fifteen plays. Historical novels brought Dumas an enormous fortune, but he could spent money faster than he made it. He produced some 250 books with his 73 assistants, especially with the history teacher Auguste Maquet. However, Dumas rewrote everything with his own hand. Whatever he read or heard he could remember it. His works were not faithful to the historical facts, but blend skillfully history and fiction. Once at a gathering, in which Dumas described the battle of Waterloo, a general complained, "but it wasn't like that; I was there!". This prompted Dumas to reply, "you were not paying attention to what was going on." !!
Imagine what he could have done with a computer at his disposal!!!

'The impetus of the narrative carries us along: we never pause to ask ourselves whether it is entirely realistic because we understand that sooner or later Dumas will return to the theme that really involves and enthrals us. Wrongs will be righted, evildoers will be punished, the just will be rewarded - there is no need to pussyfoot around with the paraphernalia of subconscious motivations or the minutiae of psychological analysis where such momentous issues are at stake. Dumas consoles us for the disappointments of life. The world of his novel is one where the rank outsider always wins at Wimbledon, Billy Elliott's ambition to be a dancer overcomes obstacles within family and community, and where we believe - Dumas compels us to believe - that the Count of Monte Cristo is indeed the instrument of Providence so that - just fleetingly, just once - "everything is for the best in the best of all possible worlds."'

http://www.chateau-monte-cristo.com/
I've just downloaded his quaint little book Adventures with my Pets which was written when he was at the Chateau. It has a number of interesting stories about his dogs, cats, birds, monkeys etc and contains quite a few biographical details about his life - but it is badly edited and full of typos!
http://www.amazon.co.uk/Adventures-Wi...

The Michael Jackson of his day.

"Alexandre Dumas, the elder, wrote his nonfiction on rose-colored paper, his fiction on blue, and his poetry on yellow."
What an odd fellow...Oh well, what ever worked for him, I s..."
I guess he was so prolific that he worried about getting the pages mixed up.

http://www.youtube.com/watch?v=dHX_kn...

And, of course, it features Gérard Depardieu. It does make some regrettable changes near the end, but it is mostly a joy to watch.



Good looking? No, but he is able to act all the reinventings of Dantes very well. Hint: as far as I can tell, there is no Camille in the book.

For some reason the film director appears to have put Camille, a young Frenchwoman, in the place of Haidee the young Greek slave whom the Count refers to as an adopted daughter - it is Haidee he takes to the Opera and Haidee for whom he provides apartments etc. But in the film Haidee makes a first appearance much later.
Camille may be meant to be the 'ghost' of Villefort's mother-in-law who was poisoned by his second wife, Heloise, whilst living at Auteuil. The name Camille is interesting because it means an attendant at a religious ceremony, or altar server. I wonder if this idea appeared in one of Dumas' manuscripts but did not appear in the final publication of the book?
Depardieu is also too fair to be as Dumas described the Count: 'We have already said that there was something in the count which attracted universal attention wherever he appeared. It was not the coat, unexceptional in its cut, though simple
and unornamented; it was not the plain white waistcoat; it was not the trousers, that displayed the foot so perfectly formed -- it was none of these things that attracted the attention, -- it was his pale complexion, his waving black hair, his calm and serene expression, his dark and
melancholy eye, his mouth, chiselled with such marvellous delicacy, which so easily expressed such high disdain, --these were what fixed the attention of all upon him.' (Dantes is described as Byronic by Madame Danglars when she sees him at the opera.)

http://www.intermix.org.uk/icons/icon...
I wonder whether Dumas' account of the Count of Monte Cristo freeing Haidee the slave and installing her as an independent person in a beautiful home was a comment on the slavery of his grandmother?

http://www.intermix.org.uk/icons/icon...
I won..."
I should think it had a lot to do with it.