Constant Reader discussion
Constant Reader
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Slow Starters or no-starters

But I will say that it's pretty rare that I decide to discard a read. It might get back-burnered, but in general, I pick books that I'm pretty sure I'll want to finish. The exception is library books--there was some thriller a couple of months ago that was getting buzz, and I brought it home and knew in three pages that it would go back unread. It was the writing, but also the whole woman-in-jep thing.
Sometimes, a book is so bad that I actually speed-read it, so I can base my bad opinion on evidence. Shutter Island and We Need To Talk About Kevin come to mind. :)

As for library books, I'll give it a 50-page chance. If it doesn't grab me by then, I set it aside.

Also off to a slow start but a great book was In the Shadow of Gotham. I had backburnered it once, but the second time I tried it, I really liked it. And luckily Pintoff's second book was already available, so I whizzed through that one on my Kindle.

Love it when that happens. Hate it when a book sizzles, then fizzles.


I didn't like the opening to Allegra Goodman's INTUITION. She had a large cast of characters and getting them all introduced seemed awkward--I was still not impressed by p. 42, acc. to my notes. But once all the characters were established it picked up for me and I ended up raving about it.

Lonesome Dove is one I have been meaning to read for years and plan to in 2011 so I will be warned.


Sometimes I will persevere, not enjoy the book, but enjoy the opportunity to share my thoughts. However, there have been other CR selections that even the promise of group talk about it could not motivate me to finish. Hunger and Aunt Julia and the Scriptwriter come to mind. I think if the combination of lack of connection to the main character, disjointed timelines and uncompelling writing style can be enough for me to throw in the towel.
There was another book that comes to mind (which I prefer not to name) I just could not push myself to finish. In that book, the author related similar experiences again, and again, and again, and again. The author may not have learned from past lessons, but after the first couple of tales I got the point.
A book I did finish, but wish I didn't have to, involved one I read in the capacity as a judge. The author employed every trick possible to make it seem there was more content than there was, things like making a new chapter every couple of pages which left lots of blank paper where "chapters" ended with a sentence or two at the top of a page. Tricks to puff up a book insult my intelligence.


I will persevere or try multiple times when others whose reading taste is similar and whom I trust really loved the book. Life of Pi, Confederacy of Dunces, and Corelli's Mandolin are three that others have loved--I tried them multiple times. I haven't given up completely, but they are still non-starters for me.


I really enjoyed Special Topics in Calamity Physics. However, I think it has to grab you at the get go - if you weren't sucked in right away then I am not sure that is the right book for you.
Janet: I agree that sometimes I stick with something longer in anticipation of the discussion here.

I also remember being put off when I started The Reluctant Fundamentalist but so glad I stuck with it. This is another example when reading for a group can pull me out of my comfort zone sometimes and I find enjoyable new reads.
Interesting about Intuition, that's on my long list to read.


Also, I've been recommending books to my brother for the last year and a half and have pretty much hit a home run with all of them until . . . Blindness, which he just isn't taken with. Shocking to me, because I was enthralled from the very first page.
So, the moral of the story is: you never know. :)


No, it didn't work out. :)

I didn't finish this 500-plus book either. The first half was interesting and in parts very funny, but after awhile her writing began to wear on me and got rather old, as if she were trying too hard to be clever. It isn't a book I'll go back and finish.
Marge

No, it didn't wo..."
Ah yes, Sara, I definitely understand.

- Paradise Lost: I can't read poetry well, I guess.
- The 120 Days of Sodom: boring
- Through the Looking-Glass and What Alice Found There: boring
- -Running with Scissors: boring
I tried to put aside but forced myself to read these till the end:
- On War (but this one get 4 stars at the end)
- Robinson Crusoe: 1 star
- Rob Roy: 1 star
The Day After Tomorrow: 1 star
and there are several others.
I think I can judge a book by its first two-three chapters. The ones that I forced myself to read till the end mostly turned out to be books that I dislike anyway. I used to be a book-masochist (kept on reading no matter what) but I don't have much time anymore. Better to spend my time reading the books I enjoy, life's too precious.



I do find that some books are slow starters for me because the time wasn't right when I started them. Usually, I can grasp pretty well after a few pages if it will be worth it to try and reread it later. And later can be a lot later - on average 3 years. There are a few slow burners I've had on hiatus for years, that turned out to be pretty good or even favorites:
- Specimen Days (five stars!)
- Hullabaloo in the Guava Orchard
- Lord of the Rings

My issue with EPL was that I disliked the Italian section, but stuck with it to find that the Indian one was more my thing. The final Indonesian part was a mixed bag.


I do find that some books ar..."
I had to read Hullabaloo in the Guava Orchard for my non-western lit class and out of everything that we read that semester I hated that the most. I would never have finished it if I hadn't had a test on it. And even then I think I skipped some parts.
I tried reading Bedlam: A Novel of Love and Madness and I stopped. It seemed like it would be interesting but I just couldn't keep reading it.
Now I'm reading The Story of Edgar Sawtelle and I'm having a really hard time getting through it, despite everything I've heard.
I usually try and make myself finish books, but sometimes I just can't do it!

Marge


I finished Cold Mountain, but I read it when it came out and that was when I'd finish any book.
I've tried to read A Plague of Doves several times, but it's just not working out for me.
I did plough through The Girl With the Dragon Tattoo even though that first part was terribly boring. I care about social causes, but I don't want them inserted in a suspense/thriller book. There was an excellent book in there, but the social causes muddied the waters.
I didn't even give Freedom a try because I don't care for the writing of Jonathan Franzen.
I didn't find The Surrendered slow or clumsy in any way, but as people here know, I did not like it at all.

I also throughly disliked Edgar Sawtelle, but what can you expect of a story based on Hamlet?


Years ago I used to read a lot of Iris Murdoch. While I was traveling in Europe I bought her NUNS AND SOLDIERS at a train station. It was a very slow starter--background, background, background, very little forward movement. I was terribly disappointed, as I'd found her other books engrossing and compelling. Just when I was about to give up--around page 100--the story finally took off, and I finished it happily and loved it. But if I were recommending just one Murdoch title to others it wouldn't be that one. (Try A FAIRLY HONORABLE DEFEAT.)

I also throughly disliked Edgar Sawtelle, but what can you expect of a story based on Hamlet?"
You know, I had no idea that it was based on Hamlet.
I tried to read more of it yesterday and its just not happening. I think that I'm just going to put it down, maybe one day I'll come back to it.

I liked The Story of Edgar Sawtelle, but I think a lot of it could have been cut.
With Cold Mountain, it wasn't the slowness of Inman's journey, but the problems in craft again that really bothered me.
"Shall we tell pa?" Ruby said.
"I don't know," Ada said.
"You know what he'll do," Ruby said.
"I know," Ada said.
"Well," Ruby said.
"I just don't know," Ada said.
Cold Mountain was littered with dialogue like that.

The dialogue, at times, was maddening, Kitty. I thought the movie was better, but I wondered how Nicole Kidman's Ada kept her hair nice and bleached and curled during the Civil War.

I wish my hair would stay all colored and styled like that even when I'm so bad off I don't even have soap for a bath! LOL

Your quotes are hilarious. Cold Mountain was a book that I just couldn't get into. I stopped after 1/3 into it and never went back to it. I disliked it so much that I didn't want to see the movie either.

Oh, the whole book suffers from dialogue like that. And for some reason, Frazier felt the need to put "Ruby said" and "Ada said" after every bit of dialogue. He was addicted to dialogue tags. It was maddening. I will give him credit for understatement when writing about Inman's death. I had to read it twice to realize the man had died.
The cinematography in the movie was gorgeous and the dialogue was better than in the book, but I know people who still found the movie painfully slow.


I decided they are all books I haven't given up on even though I haven't touched a couple of them(except to move) since 2008. I did throw the one that was a collection of previously published magazine articles into the bathroom so I probably will finish that one eventually.
I know that I have carried around books for years until, for whatever reason, the timing was right for them; but the only one I remember specifically was Ken Kesey's Sometimes A Great Notion.

The funny thing is, the people who liked Cold Mountain are complaining because they say Frazier's second book is slow! If I recall correctly, he was paid close to fourteen million for it.

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The issue is how/why decide to stick with a book that starts slow.
I'm interested in examples where this has paid off.
I have become someone who gives up on a book quickly if it does not grab me on some level early on. I don't mind if nothing happens right away - but the writing has to be great or excellent character development or something to pique my interest. Otherwise I toss it over for something else.